Jus Begin6 Bridge 2022

Parkzeit

A Separate Reality mixed up by Llanpsych
Josh - composition, bass, keys and slide
Ken - drums and tremolo guitar
Tez - lead guitar and mixing up

Mixed Up Reality - with Entheogenic Psychonaut (Josh Clary) and K2 and the Three

Now we Presend you our new Elektronic Track
So much fun with this Stuff

Salsa Mortale/ Kätzzze&Ratzzz

Salsa Mortale🎛️🎉🌴🌴🌄/ Kätzzze&Ratzzz

DRUMAX No. 13 // SOULMATES
@docfritz // Composition, Arrangement, Soundscape, Rhythm-Design, Drums, Mix & Production
@joerxworx // Electronic Wind Instrument, Horn-Arrangement & Synthesizer
© 2022 by docfritz and joerxworx // DRUMAX PROJECT

DRUMAX No. 13 // SOULMATES

Written/Produced by: R.J. Dobben (RoTen)
Released on: 5/31/2023


-_-
_>_

I.d.a.

Battle For Brain Survival

Tripping Thru Timelines

... do disasters have to be inevitable ? ... sax remix of Ian's collab offer - here his original track:
https://soundcloud.com/ipg1/inevitable-vocal-remix-88-bpm I've made some stereo field manipulations on Ian's track :-)
check also https://soundcloud.com/user-659662265 Lou Osavio aka IPG1 ... photo: Chernobyl Zone, by Serg Balak on unsplash

Inevitable // by Lou Osavio aka IPG1 // sax remix

DRUMAX No. 27 // MONTEGO // A little Caribbean summer relaxation ...
https://soundcloud.com/docfritz >> Composition, Arrangement, Musical Backgrounds, Drums, Artwork, Mix & Production
https://soundcloud.com/joerxworx >> Soulful Caribbean Tenor Sax
© 2023 by DRUMAX PROJECT

DRUMAX No. 27 // MONTEGO

christian afrobeats lofi, vol 1

we will serve the Lord

Release 21: Paradise
Genres: Downtempo, House (Old-school), Contemporary R&B, World Music (African), Hip-Hop / Conscious Hip-Hop
Year: 2024

“Paradise” takes you on a soulful journey, blending smooth downtempo beats with old-school house vibes, contemporary R&B, and African rhythms. This track is both laid-back and energetic, evoking a dreamlike atmosphere while maintaining a grounded, soulful energy. It’s a fusion of diverse influences that creates a unique and immersive experience for the listener.

By 2024, I had come a long way in my production journey. I had already developed a solid understanding of producing electronic music, and I felt very confident with my skill set. This was a completely different level of ease compared to producing a good rock song, as rock music demands a lot of technical skill and precision. At the same time, I had been conversing with a few management companies, but I quickly realized that many of them were more interested in a quick return than in growing with me and my vision.

Despite this, I was determined to move forward, and by 2024, I felt ready to get back into the game and start releasing the music I had produced. This song was part of that re-entry. It wasn’t a meticulously planned release—more like an experimental piece that I was using to gain confidence in my producing ability. By this time, on the side, I had been working hard to improve my vocal skills and was becoming more comfortable with singing and producing at the same time. While I had produced and recorded many songs up to that point, I hadn’t released or registered them yet, mainly because I was unsure about how to promote them, especially when using samples from platforms like Splice.

In 2024, I started thinking more seriously about sync licensing and music registration, realizing that I needed to get my songs out into the world. Even though I was still figuring out the details, especially around promoting and monetizing my music, I felt like my production skills had reached the next level. This track, in particular, marks a turning point. I began sharing it with people behind the scenes, getting feedback, and gaining confidence in the process.

This release represents me coming back into the music game after a period of reflection and growth. I was still figuring things out, but I knew it was time to push forward, release this song, and see where it would take me. It’s a feel-good track, one that people loved on SoundCloud when I first uploaded it, and now, in 2025, I’m re-uploading and re-releasing it as part of a sequence of my earlier work. The confidence I gained from this track is what’s driving me forward, and I’m not looking back anymore.

Paradise

Thanks so much: ⚡️ 515.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ DRUMAX all tracks: https://soundcloud.com/joerxworx/sets/docfritz-joerxworx-drumax
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
Jörg S. born in Cologne, from youth on, was fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations.

*32K before 2016