reposted it on @ Lunatics 27 Zeitsprung--Joerxworx&Ratzzz !   love it, Jorg! My kinda jam... sweet n smoooth! ;)  Cheers, my friend, and Hats off to you guys!

Marvelous composition//Great musicianship, mood and mix!!

Love this Jorg & Mr Ratzzz! So smooth and funky! Brilliant bass & percussion and awesome saxophone!

Cool, wonderful, fantastic, a little bit of "Crosseyed And Painless" :-) :-)

Wonderfully absorbing Jazzy landscape enriched by Tribal factors and melodic background layers... :)

A great great Jazz piece, i llike +++ this genre. All the instruments are perfect ,guitars cors percussions etc

very cool and Groove!👌🤜🤛🍺🍺

Calm & Steady series

- short tracks of dance music

All tracks were uploaded between 09/2020 and 01/2021, mainly in the 11/2020 - 01/2021 interval, with the following exceptions:
. . - Nyctomancer (Carbon Based Lifeforms - Central Plain)(#5): 4 years,
. . - pulsetrain "Kurtosis"(#18): 6 months,
. . - Francesco Cartocci "Crickets and Cicadas"(#20): 5 months.

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (terminology conundrum)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series

* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap", and between a bunch of others (Dark, Minimal, ...). I'm trying to keep it to the minimum, the overlap, tracks finding themselves in more than one playlist.

HK_Calm-&-Steady_tracks_62

Carbon Based Lifeforms - Central Plain

I collaborated with Martin on this wonderful guitar track.
Thanks Martin for the music.
https://soundcloud.com/martin-hirsch-656665916

20/October/2020

Look Away w/Martin Hirsch

This piece comes from the same Improvisational Session that gave birth to my recent track, 'The Phrasing Within'.  

I'm left with the feeling that while things often don't turn out as we imagine they will, that we can definitely inJoy the journey and be surprised with what does occur. :)


© Gary Courtland-Miles 2020
℗ Gary Courtland-Miles 2020

Image Credit: Light and Glory above Crete
©  Tomáš Slovinský

Memories Dreams and Reflections

Of course inspired by the lesser known NY Dolls original. Off their debut album, produced by Todd Rundgren. While liked by the band and Mr. Rundgren, the song was ultimately left off the album. The record company felt the song was too sexist and might offend the mid-western preteen girls which made up the bulk of the bands fan base at the time. Later singer Carly Rae Jepsen, a NY Dolls superfan, released a new version of the track after hearing it on an underground bootleg recording. She actually had some success with it vindicating the band and Mr. Rundgren, lo, so many years later.

Call Me Maybe

fusion of my old synth-impro with awesome drummer ZANSHIN. (new profile: https://soundcloud.com/primaloop )and a poem -synth mixed by Morten Jeamland.(@orteneamland)

Floating Drums / ft. Zanshin & Morten Jeamland

Dan Blackard and Dan Lockhart wish all of our SoundCloud friends a very Merry Christmas.   We hope you enjoy the end of 2020 and moving on to 2021.

Lyrics;
Got a bandage on my soul
It covers up a hole
And I think that I am getting better
Put some stitches in my heart
From when it once was torn apart
On the day I read dear John's letter
When I fell to pieces
Since then I've been putting them back together

You got the best of me
As anyone could see
Then you set my world up in flames

I've got scars deep down inside
From the cuts into my pride
It's such a low down dirty shame
I never learned to play this game
I should have paid attention
And I'm the only one I can blame

Got a bandage on my soul
It covers up a hole
So I think I must be getting better

Put some stitches in my heart
From when it once was torn apart
On the day I read dear John's letter
The day I fell all to pieces
But I'm putting all those pieces back together

Dear John's Letter

Just had the Christmas groceries delivered and discovered I ordered 9 bags of oranges by mistake...

Merry Christmas everyone!!

RiZLiX - Citrus Rush

Kiwi

система | system presents "Bubny Voices" audio Installation by Ukrainian Kyiv-based artists NFNR & unwavemenot.
~ "The Bubny Voices is an artistic documentation of the Nádraží Bubny area in Prague, which is about to be destroyed .
The compositions are created by Ukrainian composers unwavemenot & NFNR out of field recordings collected around the Bubny railway station by local inhabitants.
Originally the piece was supposed to be a site-specific performance at Nádraží Bubny. Due to the COVID-19 outbreak borders were closed, thus the invited artists NFNR & unwavemenot did not have access to the city. They decided to approach Bubny through auditory impressions of the local residents.
Bubny Voices reflects the experience of new places based on imagination rather than sensations. In such a way, the artists fulfill a need for discovery in times of limited freedom of movement. They suggest using imagination in order to document places that disappear. The work means to grasp collective aural memories of Bubny to be able to experience the area after its disappearance.
Bubny Voices were created as part of the Performance Crossing Festival in Prague in May-June 2020.." - NFNR & unwavemenot
*
~ "Bubny Voices — це музична документація району залізничної станції Бубни у Празі, яку невдовзі знесуть.
Композиції створені українськими композиторками NFNR & unwavemenot на основі польових записів, зібраних навколо залізничної станції місцевими жителями.
Роботи мали бути створені як site-specific інсталяція у споруді вокзалу. Через спалах COVID-19 та закриті кордони запрошені музикантки NFNR & unwavemenot не мали можливості працювати з місцем особисто. Вони вирішили вивчити Бубни через акустичні досвіди місцевих жителів.
Bubny Voices є переживанням досвіду міста на основі уяви, а не відчуттів. Так музикантки задовольняють потребу у нових враженнях і відкриттях у часи обмеженої свободи пересування. У подібний спосіб, вони пропонують використовувати уяву для документації місць, що зникають. Композиції вбирають колективі акустичні спогади про район, щоб мати можливість відчути цю місцевість після її зникнення.
Bubny Voices були створені в рамках фестивалю Performance Crossing у Празі у травні-червні 2020" - NFNR & unwavemenot

- Olesia Onykiienko [NFNR] and Anna Khvyl [unwavemenot] are
Kyiv-based electronic musicians, composers, and members of Women’s Sound platform. Both experiment with field recordings and site-specific works.⠀
Olesia aka NFNR is a choir conductor, theater composer, and leftfield producer. Anna aka unwavemenot has a background in classical piano, and DJ-ing, composes music for films, has interest in urban anthropology. Both work with the idea of music for non-musicians integrating listening practices into everyday life.⠀
*
- Олеся Оникієнко [NFNR] and Анна Хвиль [unwavemenot] — українські музикантки, композиторки та учасниці платформи Women’s Sound. Обидва експериментують із польовими записами та сайт-спесіфік аудіоработамі. ⠀
NFNR — хорова диригентка за освітою, театральна композиторка і leftfield продюсерка. Unwavemenot — піаністка, ді-джейка, створює музику для кінофільмів та цікавиться урбаністичною антропологією. Обидва працюють з ідеєю музики для немузикантів, яка інтегрує практики слухання у повсякденне життя. ⠀

released December 25, 2020

Bubny Voices

Audio Installation for Performance Crossing Festival 2020 (CZ)

Composed by Olesia Onykiienko [NFNR] and Anna Khvyl [unwavemenot]

Field recordings provided by Jakub Prašivka, Adam Bláha, Klárka Ondračková, Daniel Toman, Nawar Talli, Matej Kamenicky, Iryna Zahladko, Oksana Khvostichenko, Petr Dlouhý, Timber Rattle, Heidi Hornáčková

Tracks 02, 04, 07, 09 poetry by Iryna Zahladko

Artworks: Iryna Zahladko
Mastered by Nika Zenova.

Bubny Voices

unwavemenot - The Drum station

@https://soundcloud.com/user-389265331  ( Tarek JR )
@https://soundcloud.com/silent-strike
https://www.instagram.com/octaveian/

Premiere Download : Silent Strike Ft EM - Invaders ( Octave & Tarek Jr Edit )

Understanding Nothing

Download

Understanding Nothing demo

Morehouse 2021

Part 17 of 266
Installments released every Saturday.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

Part 1: https://soundcloud.com/belial-pelegrim/taffeta-part1
Part 2: https://soundcloud.com/belial-pelegrim/taffeta-part2
Part 3: https://soundcloud.com/belial-pelegrim/taffeta-part-3
Part 4: https://soundcloud.com/belial-pelegrim/taffeta-part-4
Part 5: https://soundcloud.com/belial-pelegrim/taffeta-part-5
Part 6: https://soundcloud.com/belial-pelegrim/taffeta-part-6
Part 7: https://soundcloud.com/belial-pelegrim/taffeta-part-7
Part 8: https://soundcloud.com/belial-pelegrim/taffeta-part-8
Part 9: https://soundcloud.com/belial-pelegrim/taffeta-part-9
Part 10: https://soundcloud.com/belial-pelegrim/taffeta-part-10
Part 11: https://soundcloud.com/belial-pelegrim/taffeta-part-11
Part 12: https://soundcloud.com/belial-pelegrim/taffeta-part-12
Part 13: https://soundcloud.com/belial-pelegrim/taffeta-part-13
Part 14: https://soundcloud.com/belial-pelegrim/taffeta-part-14
Part 15: https://soundcloud.com/belial-pelegrim/taffeta-part-15
Part 16: https://soundcloud.com/belial-pelegrim/taffeta-part-16

The TAFFETA Playlist: soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-music

TAFFETA | Part 17

another saxophone collab of mine with the awesome Mr Ratzzz https://soundcloud.com/cosmic-ratzzz
Veröffentlicht von: Deutsche musikalische Hilfsmittelgesellschaft, ev aka Cosmic Ratzzz

Lunatics 27 > Zeitsprung < Ratzzz & joerxworx

"Interstellar Magnetic Song"  Album N°14

1- 023,
At 3:20 in the morning, my Moog hung on to a melody... by tinkering with it a bit, he got me off the track in 2'14". I was very happy with him, but in the morning I triturated an extra potard... and here comes 023!

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

1 - 023

Second Harvest

Listen On Spotify

Phobos

⚡️ 579.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

.
International Vermin Consortium
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is immortal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
.
...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Lunatics 27 > Zeitsprung < Ratzzz & joerxworx

joerxworx

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