... just added a dubby sax on an open collab track by Zandra https://soundcloud.com/sanna-4 .... I hope she likes it, I hope you enjoy it. I did :-)... The saxophone improvisation was the first pass, in one go and without any changes or cuts !

somewhere - by Zandra - open collab - sax remix

Please no offers for more followers, listeners or other advertising. I don't pay for advertising!

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

(>°.°)>¬Φ⌐<(°.°<) ................ (>°.°)>¬Φ⌐<(°.°<)
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Things are changing here...
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⚡️ 571.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

In a way or by some means that is not known or not stated:
It won't be easy, but we'll get across the river somehow.
I'm not sure how, but somehow or other we'll raise the money.
​for a reason that is not clear:
I know what we're doing is legal, but somehow it doesn't feel right.
News of the pay cuts had somehow leaked out.
A small dog had somehow managed to survive the fire.
She's managed somehow to procure his phone number.
Although her name is Clare, her little sister called her Lali, and somehow the name stuck.
Money has been extremely tight, but we’ve managed somehow.
He felt that everything was somehow connected.
He saw that the intellectual side of him could not be wrong, somehow he must baptize it.
One could point to facets of the system and to the ideal of public service broadcasting, but somehow the whole defied adequate description.
The pages turn, but somehow it never seems to get going.
Vanished now are the untroubled meadows of spring, and the landscape acquires a realism that is somehow a little harsh.
An architecture without rhetoric is evidently an architecture that does not set out to persuade, yet somehow convinces.
The only concern is somehow to ensure nice convergence.
We can see that gerund constructions only gained frequency in those areas where they somehow came in useful.
Is not everything on this planet somehow influenced by humans?
They already know something of this from the words and meanings somehow retained in the letters and words in books you can read. 
The screen window may somehow constrain wider semantic construction of the text, and foster more literal attention to the wording.
Dreaming consists of a transparently meaningful and organized perceptual world, not of random noise that the brain struggles to make sense of somehow.
However, in 54% of the threatening events the dream self was reported to react somehow to the threatening event.
There were, however, many areas that were regularly raided and somehow survived.
None of this proves it to be somehow unfair if nobody rules at all or if social order is maintained without resorting to governance.
inputs in (51a, b) must somehow yield the corresponding outputs.































SOME REVIEWS FROM 
Yankel Muromachi 
ヤンケル室町 
Янкель Муромати
of the "The Eniwetok Symphony Orchestra"

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"As usual, The Somehows make a great sound that’s musically compelling, navigated by very listenable vocals. Even though the genres change from song to song there’s an underlying coherence provided by a distinct sound."
on Some Of That Days
---
"Great soaring melody. Excellent vocal performance makes this a catchy tuneful experience"
on If You Only Were Here
---
"Laidback, pensive mood"
on See You Again
---
"What a terrific racket! This what happens when combining the DNA of Mark E. Smith & John Lydon."
on Postmodern Nightmare
---
"Pounds along like an HGV with no brakes, beyond all appealls & negotiaton. Nice guitar work"
on Never Ever Give Up
---
"Heavy as depleted uranium, wildman screams into the wilderness. Is the Last Train a metaphor? Big noise done with style & vigour."
on Escape Plan
---
"Tones of PIL"
on It Ain't Easy

DanleMiel /  BlueToad/ Official website arteDURO  @ https://peakartculminant.ca/ MAO: Computer assisted music/ All songs original: Creative Commons BY-NC 3.0. FREE DOWNLOAD / COVER ART; guimond