Vishaad feat. Lush

Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN FE

Psychedelia - Music by Martin Reed

Listen to the amazing music of Rekha Here https://soundcloud.com/rekha-iyern-fe 

Psychedelia - Music & Lyrics by REKHA IYERN FE


Here is the Official Video :) https://youtu.be/lqtrRmZeSYA

Intro:
Oh-Oo
Wo-Oo-Oh
Ah...

Beautiful kaleidoscope
Suddenly appears before me
In front of my eyes
In my head
Beautiful Kaleidoscope

Of colour
Bold, bright and blue
Oh, so good

I'm floating
I, I am
In the sky
So high above I go
In my psychedelia
Oh, Yeah-Yeah
Hey, Eh-Eh

Purple, Red and Blue
Colours so pure, so pure
I'm goin' outta my head
Pleasantly I escape

To what's comin'
What's comin' ahead
In the clouds
In the misty light

Wo-Oo-Wo
Wo-Oo-Wo-Ho
Oh-Oh-Oh
Oh-Oh-Oh-Oh
Yeah-Yeah
Beautiful psychedelia
Hmn, the colours
Of the rays
Ah-Huh, Oh-Ooh, Oh-Ho

Cover Art Design: Photo & Graphics by REKHA IYERN FE

Music by Martin Reed in the UK
Music/Vocals Mixed & Mastered by REKHA IYERN FE RECORDS IN CANADA

Psychedelia M1 Basic AIFF REKHA IYERN FE -1.1db

Released by:
REKHA IYERN FE RECORDS CANADA & MARTIN REED
P-line:
℗ REKHA IYERN FE RECORDS CANADA/REKHA SONG PUBLISHING & MARTIN REED
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Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN [Fe] | Psychedelic ROCK

Morten Jeamland - music, idea, production, mix, mastering / https://soundcloud.com/mortenjeamland
joerxworx - Akai EWI flugelhorn
------------------------------------ photo by Johny Goerend, unsplash

White Cloud In A Dancing Grey / by Jeamland & joerxworx

little experimental jam with my Akai EWI, which triggers two synths: Respiro by Imoxplus and Labs by Spitfire Audio. The point was to experience the different responsiveness of the solo voice (Respiro), versus the strings (Labs) It was fun to blow this in one go ! photo by vietnguyenbu (Văn Long Bùi)on pixabay. Enjoy !

halo

Roberto B (@user-55822457) and I now present track 12, "Egeia", in our album in progress "Midnight Coffee". We hope you'll enjoy it.

Created in collaboration on 1 July and 1 September 2021 (initial and final mix and recording, respectively, in MAGIX by Roberto B), and 29, 30 and 31 August (intermediate additions, mix and recording in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 3 September 2021 (by Alex M). The used sound effects come from Alex M's own sample - Gentle Early Morning Sea Waves (recorded on 26 August 2021, on the beach in Kariani, Aegean Sea coast, north Greece).

The artwork cover is designed and implemented by Alex M on 29 June 2021 (in Tayasui Sketch in Mac OS), and cropped and annotated by Alex M (in Mac OS Preview) on 30 June 2021.

Thank you so much, Roberto - for the beautiful musical ideas and our collaborations!

Duration: 7:40 minutes

Egeia - Roberto B & Alex M

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Lilly

■コメント
ご結婚おめでとうございます！
心から幸せをお祈りしております！

・・・という独り言を歌にしました。
今回はPiccoloとShanaiを入れてみました。
あと、シャウトしちゃいました。

Congratulations on your wedding!
I sincerely wish you happiness!

I made a song of the soliloquy.
This time I added Piccolo and Shanai.
Also, I shouted.

■歌詞
困難なことはあるけれど　周りの声に惑わされないで
二人で幸せをつかむのさ　たとえ誰が何を言っていても

欲張りな人たちが　君たちを追い回す
悲し気な人たちが　それに　すがる
僕は悲しくはない　幸せを祈るだけさ
必要なのはいつだって強い　心

A Happy Wedding just for you.
どうか幸せになってね
だれも二人の間には入れない
そう願っている

たとえ君がどんな冷たい態度をしたとしても　僕は気にしないよ　僕は君じゃないから
そんなことは気にしないで　二人で幸せをつかむのさ

魂の抜けた人たちが　画面越しに君たちを語る
すべてを知っているはずなんてあるはずがないのにね
それは僕も同じだけど　ただ幸せ祈るだけさ
この単純な歌にのせて

A Happy Wedding just for you.
どうか自由になってね
皆の声なんてはるか彼方に追いやって
Spread your wings. 

欲張りな人たちが　君たちを追い回す
臆病な人たちが　それに　従う
僕は幸せを願って　そっと見守っているよ
必要なのはいつだって強い　心

A Happy Wedding just for you.
どうか幸せになってね
だれも二人の間には入れない

A Happy Wedding just for you.
どうか自由になってね
皆の声なんてはるか彼方に追いやって
しまえばいい

■ Lyrics(Google translate)
It can be difficult, but don't be fooled by the voices around you
We'll grab happiness together, no matter who says what

Greedy people chase after you
Sad people cling to it
I'm not sad I just pray for happiness
What you need is always a strong heart

A Happy Wedding just for you.
Please be happy
No one can enter between the two
I hope so

No matter what attitude you take, I don't care because I'm not you
Don't worry about that, we'll grab happiness together

People without souls talk about you through the screen
You can't know everything
It's the same with me, but I just pray for happiness
Put it on this simple song

A Happy Wedding just for you.
Please be free
Drive everyone's voice far away
Spread your wings.

Greedy people chase after you
Cowardly people obey it
I wish you happiness and I'm watching over you softly
What you need is always a strong heart

A Happy Wedding just for you.
Please be happy
No one can enter between the two

A Happy Wedding just for you.
Please be free
Exile everyone's voice far away

A Happy Wedding Just For You

My third project and first EP, WHAT YOU LOOK FOR; a sonic documentation of my journey to validation, justice, love, pleasure, satisfaction and meaning. Here, I have also begun to experiment with and tap into echoes of drone music.

THE COLOR OF IT

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

ETHEREAL - ELENARDA

Driftland

⚡️ 564.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016