Espais is John Beltran's (solo) follow up to his compilation Music for Machines. 
Inspired by film score composers Atticus Ross & Trent Reznor, Vangelis, Max Richter, Daniel Lanois and Hans Zimmer. John brings you his take on the genre. 
Coming to you on Delsin Records June 2015.

Espais (Officlal Preview)

Morning Star

Above - Stereolithica 532

mobilee - Label Lovers # 006 mixed by Ralf Kollmann

Track List & Download Mix on MI4L:
http://musicis4lovers.com/?p=34685

More Label Lovers episodes:
soundcloud.com/musicis4lovers/sets/label-lovers-episodes

Connect with mobilee:
SoundCloud: https://soundcloud.com/mobilee-records
Facebook: https://www.facebook.com/mobilee
Twitter: https://twitter.com/mobilee
Beatport: https://www.beatport.com/label/mobilee-records/1386

Stay connected with Music is 4 Lovers:
Soundcloud: @Musicis4Lovers
Twitter: twitter.com/Musicis4Lovers
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Instagram: @ Musicis4Lovers
Blog: www.MI4L.com

Label Lovers

TRACK LIST // DOWNLOAD

mobilee - Label Lovers #006 mixed by Ralf Kollmann [Musicis4Lovers.com]

The moon shows its full face to Earth once a month! This November full moon will coincide with the moon's arrival at perigee, the point at which it is closest to Earth in its monthly orbit. Such Perigee Full Moon are also sometimes called Supermoon Full Moons!
@upercent who has recently released the beautiful "Vents De La India EP" http://bit.do/VDLIEP is taking care of the new mission! Enjoy!

Don't Forget The Moon! 05 UPERCENT

Nattura [Cocoon Recordings]

Tsugi Podcast 548 : Alex Niggemann

Vinyl & digital: https://siamese-records.com/013

Sebastian Mullaert returns to Siamese! 

After his two hypnotizing remixes for our own 'Patterns of Eternity' we are welcoming Mr. Trip for a full EP. 

'Lightship 612‘ & 'Is Waves‘ are both forward thinking, spacy & melodic journeys through sound showcasing Sebastian’s full range of skills. 

The A-side quickly became a regular in our festival sets, especially when the sun has set already. It’s a mystic, dark and extremely powerful tune, if you know, you know! The live aspect of this production is the key to the arrangement of his tracks. It makes them unpredictable and always evolving like the ‚Circle Of Live‘ jams Sebastian is known for. 'Lightship 612‘ features everything what we love about his moody and melodic techno. Groove!

'Is Waves' could have been brought to us from outer space or from the future. It gets us straight into a Sci-fi mood which we love in terms of electronic music in general. The track starts a bit straighter than the A-Side, before it leaves the orbit of earth and to its own sphere. We could go on writing about this piece, but we just leave you here and advise you to take the trip yourself. Extraterrestrial techno!

Adrian & Adrian

https://www.circleof.live 
https://www.instagram.com/sebastianmullaert 
https://www.facebook.com/sebastianmullaert 
https://soundcloud.com/sebastianmullaert 
https://www.youtube.com/SebastianMullaert 
http://www.2lin.cc/SMspotify 
http://eepurl.com/cpPN5D

Sebastian Mullaert - Is Waves

Dance Spirit has been riding a huge wave of success with releases on labels such as Bedrock, Desert Hearts Black and Supernature to name a few! We at Dreaming Awake are so honored to have these Los Angeles legends on board for their 2nd release with us!

Both tracks Deep Intentions and Something From The Sky are completely twisted melodic acidic techno tracks with pitch shifting synth leads and weird FX galore!

Dance Spirit - Something From The Sky

Listen here to a brand new Spacedisco mixtape filled with personal favorites, 80’s synthesizer disco, breakbeats and melodic deephouse. Another 2,5-hour journey through the space of my music collection, with tracks from a.o. French 79, Red Axes, Marc DePulse, Trikk and Leafar Legov. 
From now on, my soundcloud platform will go trough a couple of changes during to next couple of weeks as I will focus mainly on a 'spacedisco alias'. I will keep you posted and for now, enjoy the mix!

Tracks & artists
1.	Molotov – 2028
2.	Leafar Legov – Fade
3.	Pop District – Aphrodisiac
4.	Motel77 – Three On The Floor (Original Mix)
5.	French 79 – Diamond Veins (feat. Sarah Rebecca) (Kid Francescoli Remix)
6.	Liam Kazar – Mr. Fantasy
7.	Scotch – Disco Band
8.	Fausto – Rumble (Original Mix)
9.	Guy Maayan – No Miracles (Original Mix)
10.	Guyd – Magnetic (Original Mix)
11.	Madonna – Holiday (Palavas Disco  Dub Edit)
12.	Kim Petras – Wrong Turn (Mextazuma Remix)
13.	Kimshies – Fucked Up Mama (Cabaret Nocturne Remix)
14.	Megaphonim – Passion Lé Session (Red Axes Remix)
15.	The Organism – Acrobat
16.	Tal Fussman – Synergia (Marc DePulse Remix)
17.	Kraftwerk – Computer Love (Panda Knights Remix)
18.	GAG – Flyin’ Bolero (Armonics Remix)
19.	Kincaid – On The Back Of A Serpent (Basis Instinct’s Disco Dub Of Doom Mix)
20.	Leafar Legov – Alone
21.	Trikk – Concreto
22.	Phunkadelica – Bastardi Senzo Gloria
23.	Adana Twins & Echonomist – Into The Night
24.	Agents Of Time – Drive Me Crazy
25.	Enduro Disco – Ciao (Biesmans Remix)
26.	Patrick Cowly – Megatron Man 
27.	Silent Circle – Touch In The Night (Radio Version)
28.	Alexandros Djkevingr & Greg Ignatovich – Hermoine (Original Mix)
29.	BICEP – Apricots
30.	DJ Ciderman – In The Heat Of Passion
31.	Maceo Plex – Kepler’s Journey 
32.	Brassica – Wryders (Original Mix)
33.	Alloy Mental – I Am (Marcus Houle Instrumental)
34.	Laura Branigan – Gloria 
35.	Ernesto – Synthetic World

Spacedisco Series - #7

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”