Nathan Dwyer is one of Dublin's biggest DJ exports and is based in Dublin. Played in some of the best venues across the UAE, Nathan's numerous residences included Five Palm Jumeirah and Soho Garden. As an in-demand DJ for private events and lifestyle brands, Nathan also regularly performs in Ibiza each summer, teaming up with with Sin Events at OBeach and STK. 

Nathan's first DJ residency at The Wright in Ireland kicked off his extensive DJ and production career at the age of 16. Since then, Nathan has proudy supported hugely successful artists such as MK, Duke Dumont, Sonny Fodera, Route 94 & Jax Jones and his DJing CV includes a multitude of festival appearances including Higher Vision, MASS, Reload & BD Festival and 2022.

On top of being an international DJ and brand ambassador for elite nightlife brands, Nathan is a prominent producer and remixer, with a host of production credits, mashups & remixes to his name. After a consistent stream of releases on Soundcloud, his official account boasts over 8 Million plays.

 
For Bookings Contact:
Nathandwyermusicirl@gmail.com

A professional DJ since the 70’s, Paul has become an international club legend with his RETRO HOUSE nights.

Since those early days in the UK, Paul has built up a reputation as the dj who is passionate about his music - knowing exactly what the people want and getting the dance floor buzzing. 

His philosophy to keep close to his audience has been an unequivocal success. Involved in the creation of the dance outfit Loveland in the early 90’s achieving four top thirty hits in the nationals and dance music record of the year in 1994 with the seminal "Let the music lift you up". Loveland also remixed and reproduced over 60 tracks for other artists from D Ream, Barbara Tucker, D Mob to Lulu.

Recently the newly formed Rox & Taylor received huge critical acclaim for the remix of Red Hot Chilli peppers ‘ Otherside’. 

Having released numerous Retro compilation albums, his residency in Pacha Ibiza sparked the release of the Pacha Classics album; a huge success on a worldwide scale and the biggest selling album in Ibiza. 

Much has been written about this enigma of a man who developed from a teen DJ on the decks in Burnley to an internationally recognised icon.

Retro straplines:
WE CALL IT RETRO
PIONEERS OF THE CLASSIC HOUSE SOUND
THE UK'S LONGEST LIVING DANCE BRAND
THE ONE AND ONLY RETRO


To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

CONTACT: tazimusic@yahoo.com
BOOKINGS: brandon.m@luckyagency.au 

Born in Australia, rising artist Tazi is paving his way by bringing his recognisable style global! Combining his love for House and Techno, Tazi’s catalogue of remixes, edits and original music have amassed over 30+ million streams across platforms. Recently releasing international hit ‘Seek Love’ with Brazilian superstar ALOK, reaching 13 million streams in just 2 months! 

Asserting himself as a household name throughout the Australian dance music scene. Tazi holds residencies at some of the countries most popular club nights, playing festivals and touring both nationally and internationally. Tazi’s growth within the last year is credited to his passion and love for the music.

Gaining support from some of the worlds biggest artists like Hardwell, Steve Aoki, Dimitri Vegas & Like Mike, Timmy Trumpet and more!

Upcoming shows: https://www.songkick.com/artists/10311761-tazi

In The House - Out Now 
Bookings - adam@unitedcommunication.org

Dutch DJ and producer Justus (full name: Justus Schipper) has seen a rapid rise with his energetic and emotionally driven sound. His track 'Flashback' debuted via Martin Garrix at Ultra Miami and was later released on STMPD RCRDS. He’s done an official remix for David Guetta & Sia’s 'Beautiful People', collaborated two times with Kaskade ('Motivated', 'Dance With Me'), Armin van Buuren ('Make It Count'), and Steve Aoki ('Better Run'), as well as on a joint remix of 'My Life'. His remix of Benny Benassi’s 'Satisfaction' went viral with over 350 million views after GORDO played it at Tomorrowland. Other highlights include massive releases on Spinnin’ Records supported by the biggest and an EP on deadmau5’ label, mau5trap.

Justus’ music is championed by major artists like David Guetta, Swedish House Mafia, Tiësto, Martin Garrix, Zedd and many more. Leaving school at 17 to pursue music, he broke through with tracks on Spinnin’ Records and has since played major festivals like Tomorrowland, Creamfields, Ushuaïa Ibiza, Saga Festival and more.

As Justus continues to grow, evolve, and increasingly influence the electronic musical landscape, the spark that came to life almost a decade ago is on course to become one of the brightest of his generation.

For bookings contact - lewis.godby@outlook.com

JB is following