Engineer/Producer Scott McEwen, opened a second analog recording studio bringing his tireless recording work ethic from his Nashville based studio (Fry Pharmacy Recording) to a vibrant and some say magical (birthplace of Rock n Roll, anyone?) area of Memphis. 
 
Welcome the new Memphis Magnetic Recording Co.

“The musical heritage not to mention the food and culture of Memphis is undeniable!  Please come record, and stay with us, and get that essential Memphis otherness on your next record!”

Established in London, 1999.

#HouseMusicAllLifeLong

Oakland, CA outfit Lumerians are a prodigious force in the extra-terrestrial realms of modern psychedelia. Since forming in San Francisco back in 2006, Lumerians have traversed their way through multiple different genres - offering mind-bending adventures into everything from space rock, kraut and noise to zamrock, free jazz, drone and dub. Drawing from a range of influences, both familiar and esoteric, past and present, Lumerians conjure up sounds from far into the future. In their twelve years as a band they’ve toured with everyone from My Bloody Valentine to Killing Joke and Black Moth Super Rainbow, putting out a number of critically-acclaimed releases including two ‘official’ albums and two collections of improvised compositions called Transmission from Tellos III & IV. On June 22nd the band will be returning with their third album, Call of the Void, on London-label Fuzz Club after four years under the radar. The album is dedicated to the memory of Barrett Clark, Lumerians’ long-time friend, sound engineer and collaborator who passed away in the tragic Ghost Ship warehouse fire in Oakland 2016.

It may have taken the band four long years to put their latest album together but it was definitely worth the wait, their mystical exploratory soundscapes at their finest. Eclectic and vastly multifaceted, the album is further proof - if you needed it - that Lumerians are a singular force in contemporary psychedelia. Talking about Call of the Void, vocalist Jason Miller explains: “If ‘Transmalinnia’ represented the exploration of an alien world and ‘The High Frontier’ a voyage through space, ‘Call of the Void’ is a penetrative exploration of Earth through an alien gaze gone native - the weight of gravity, the build-up of pollution and sediment, experiences of ecstatic revelry and tragedy.”

Straddling the midpoint between instinct and intellect whilst fusing melody with raw power, Chrome Mountain are a shot of the neat and undiluted stuff. Theirs is a debris-strewn road of impolite volume, a sense of sartorial elegance and a taste for exotic personal practices. So strap yourself in for the ride that will push your panic button and reset your moral compass to a state of existential confusion.

Hot Since 82

Yokshire based DJ & Producer.

@KneeDeepInSound

Management: Jamesd@anglomanagement.co.uk
Bookings: SHogan@wmeentertainment.com
North, Central and South America:
andrew@liaisonartists.com
mariesa@liaisonartists.com

In 2017, Seattle-based experimental artist STAHV (aka Solomon Ari Rosenschein) emerged as a shape-shifting one-person instrumental act KEXP describes STAHV as combining "elements of heavy psych-rock, doom metal, post-rock, noise-rock, and more." That sound continues to evolve with Simple Mercies, a collection of vocal driven goth pop bangers drawing on a love of '80s darkwave, synth pop, and new wave.

John Getze is following