Name: Say When by John Greenhow
Duration: 5 min 19 s
Description: Bright, carefree minimalist piano with repeating arpeggiated figures alongside subtle chordal mood variations.

Bright, carefree minimalist piano with repeating arpeggiated figures alongside subtle chordal mood variations.

Say When

The Mix Combines Electro Genres! Feel the groove and enjoy the Atmosphere, Hard-Hitting Electro Sounds, atmospheric Techno Melodies. Hard basslines, pounding percussions. Let's Start the Party !!

DJ Neongroover - Electro Vibes 3

Turnt

https://hypeddit.com/federicoambrosi/iwantyoursoulibzedit
Played by Franky Rizardo, East End Dubs, Alan Fitzpatrick, Solardo, Detlef and more..

I Want Your Soul IBZ Edit (CUT) BUY EXT VERSION BELOW - played by Franky Rizardo

its a song about moving on from family friends and growing out of yourself and relationships 

grown up (Prod. Plezi)

ABYSS

All Vocals & Harmonies: Ethan M
Music & Lyrics: Euclid Pires
Arranger & Co-Producer: Euclid Pires & Ethan M
Copyright Euclid Music 2025

“Clown Prince of Rock ’n Roll” is a tribute-style song celebrating the wit, chaos, and charm of Joe Walsh, the legendary guitarist known for his solo work and his tenure with the Eagles. The lyrics cleverly stitch together nods to Walsh’s famous albums, song titles, and signature themes—Life’s Been Good, A Life of Illusion, You Bought It, You Name It, The Confessor, Rocky Mountain Way, and his self-deprecating “ordinary average guy” persona.
Musically and lyrically, the song paints Joe Walsh as the lovable eccentric at the centre of rock music—the “clown prince” whose humour masks depth and resilience. Verses highlight his misadventures, philosophical musings, and the ups and downs of a life lived loudly and unapologetically. Lines like “I’ve been to the mountain and the rocks came tumblin’ down” echo Walsh’s iconic Rocky Mountain Way imagery, while the chorus ties together his playful spirit and reflective side: “Life’s been good, a life of illusion / And I will bear my soul.”
The tone is energetic and affectionate, with a sense of motion—“Let’s boogie down, come ride with me”—mirroring Walsh’s fusion of rock swagger and comic unpredictability. The V3 references to city life, problems, and the triumphant line “but I can play that rock ’n roll” reinforce his everyman-but-legend identity.
A guitar solo section feels almost required—a nod to Walsh’s signature slide work and quirky virtuosity—before the song concludes with a chant-like refrain that underscores the celebratory nature of the piece.
Overall, “Clown Prince of Rock ’n Roll” feels like both a homage and a playful portrait: a song that embraces Joe Walsh’s mix of humour, heart, chaos, and guitar-driven brilliance. It celebrates not just his music, but his personality—equal parts philosopher, prankster, and rock icon.



Say When

John Greenhow

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