WELCOME to my musical diary!
PAGE 12 NO LONGER USED GOTO https://soundcloud.com/noxpox14 NOW
!!!!!!! PLEASE
soon or later is OUT NOW!!!on bandcamp
this page is shortly before being stuffed to the maximum.
this means page 13 already activated!!!!!♥☻https://soundcloud.com/noxpox13
!!!New crashers EP out on Bandcamp now and
stuff on Skull Triangle Skull netlabel!!! 
https://archive.org/details/fav-kawaii_witch

If you want to use some files for noncommercial use, as remixes or collab, PersonalMessage me please!☻☻☻☻☻

you can unfollow the older accounts for there will be no new releases anymore on these
see me here (long time ago)(face at 2:25 the little of the scientists)
https://www.youtube.com/watch?v=N3h4dTHLweo

Chrissy Redwine:)-pianist, keyboard player, singer:)I am a classically trained pianist since the age of 6, passionate for funk music and singing/arranging jazz-acapella vocal harmonies. Keyboad player & Singer for various funk/pop bands in the 90s. Recently focusing on doing my own recordings, on which all of the instruments and all vocal tracks are done by me.  I'm married to the most talented creative and sweetest guitar player and musician in the world my childhood sweetheart:):) I am a DonaldFagan/SteelyDan/StevieWonder/FourFreshmen  FAnATIc.  Peace:)

NOW PAGE 14 !!! www.soundcloud.com/noxpox14 INVITATION
finally dreamin ov moonrocks on bandcamp now!!!
"soon or later" OUT NOW on bandcamp.
i only handle the last two accounts frequently.
you truly can unfollow the old pages
for there won't be new material on them

Page for vocal improv, out of place vocal covers without much editing and duduk playing. 

For compositions between sound editing and music, 
see this main page :
https://soundcloud.com/vincentbergerond

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Random quote about the music : 

'It's 100% unnecessary for this music and may lead to a condition that even Marcus Welby, Dr. Jekyll, or Gregory House would be unable to diagnose. The disc is, however, perfectly suited for howling at the moon, attempts to walk on water, and unceasing torrents of inspired Beefheartian babblalia. Swedenborg would be struck dumb and Blake would attribute the affair to mad angels and overeducated demons. You, however, may get a leg over on them, resting assured that this is classicalism recapturing a neo- era that still has not ended and is, by evidences here abundantly enshrined, getting its second breath.' 

FAME
http://www.acousticmusic.com/fame/p06948.htm

Pianiste et compositeur invitant les auditeurs à un voyage à travers des paysages sonores imaginaires.

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU

(English Below) Música creada en estados meditativos llenos de paz, inspiración, amor, felicidad, creatividad, unidad, belleza, profundidad, consciencia, despertar, universalidad, conexión, frescura, gratitud y vida.

Music created in meditative states full of peace, inspiration, love, happiness, creativity, beauty, unity, depth, consciousness, awakening, universality, connection, freshness, gratitude and life.

Followers of John-Marc Ventimiglia