SlothBoogie is one of London’s most respected underground electronic music crews, encompassing a record label, radio show & special party series. As an ensemble, the crew have been curating the finest underground electronic music on their acclaimed platform for well over a decade. As a result, they’ve become a trusted voice and influential driving force in the discovery of new talent, as well as continued supporters of the best artists in the underground scene.

Get in touch : https://slothboogie.com
SB Bookings : patrick@slothboogie.com

Management: 
info@palmartists.com

Bookings:
UK, EU, Middle East & Africa:
Dave.Blackgrove@teamwass.com & Lucy.Putman@teamwass.com

Americas, Australia & Asia:
bshprits@teamwass.com

DJ & Producer | 10+ years behind the decks 🎶 Releases on Toolroom, Nervous + more 🔥 Playing worldwide, dropping underground tech house everywhere I go 🌍”

With exclusive remixes and edits crafted for the dance floor, this DJ set and AV party is not a tribute act, but a party that re-frames the music of Fleetwood Mac. Twirling through disco, techno and house, DJs @roxanneroll and @alexoxley have taken this dance party from Berlin to Burning Man and shared their passion with like-minded hedonists around the world.
https://linktr.ee/fleetmacwood

Bookings:

North/South America 
Earth To Peter
peter.anderson@etp.agency

AU/NZ/ASIA 
Paxx
dom@paxxgroup.com
max@paxxgroup.com 
henry@paxxgroup.com

ROW
alex@reinhardtmusic.com

Feels like: https://bit.ly/fmwsolvid 

Linktree: https://linktr.ee/fleetmacwood


2025 tour dates

Jan 16th-20th: MUSA, Mexico https://www.weareunbound.com
Jan 25th: Leonor, CDMX, Mexico https://bit.ly/3ZdXif2
Feb 13th: Sheldon Community Arts Hangar, Talkeetna, AK https://bit.ly/40P9JPQ
Feb 14th: Sitzmark, Girdwood, AK (Night 1) https://bit.ly/fmwalaskagtix
Feb 15th: Sitzmark, Girdwood, AK (Night 2) https://bit.ly/fmwalaskagtix
Feb 21st: Mothership, Auckland NZ https://ra.co/events/2006989
Feb 22nd: Electric Avenue, Christchurch NZ https://electricavenuefestival.co.nz/
Feb 28th: Nightcat, Melbourne AU https://ra.co/events/2006991
March 1st: Beast of a Feast, Mount Maunganui NZ https://www.beastofafeast.co.nz/
March 7th: The Liberty, Roswell US https://bit.ly/40WVXsM
March 8th: Meow Wolf, Santa Fe US https://bit.ly/fmwsfmwtix (Sold Out)
March 14th: Kantine am Berghaim, Berlin GER https://ra.co/events/2044680
March 15th: Jaeger, Oslo NO https://ra.co/events/2042900
March 21st: Hare & Hounds, Birmingham UK https://ra.co/events/2044684
March 22nd: Invisible Wind Factory, Liverpool UK https://ra.co/events/2044688
March 23rd: Saint Lukes, Glasgow UK https://ra.co/events/2044696
April 4th: The Crocodile, Seattle US https://ra.co/events/2042089
April 5th: Hollywood Theatre, Vancouver CA https://ra.co/events/2042105
April 18th: Crania, Cabo MX https://craniareclaim.com/
April 19th: Thunderbird Lounge, Phoenix US https://bit.ly/42tcffr
April 20th: Plazapalooza, Snowbird, US https://www.snowbird.com/
April 25th: The Rabbit Hole, New Orleans US https://ra.co/events/2092533
April 26th: Chelsea's Live, Baton Rogue US https://ra.co/events/2136892
May 10th: Pappy & Harriet's (Outdoor Show), Pioneertown US https://ra.co/events/2092717 (Sold Out)
May 16th: Meow Wolf, Denver US https://bit.ly/fmwlaldenn1 (Night 1)
May 17th: Meow Wolf, Denver US https://bit.ly/fmwlaldenn2 (Night 2)
June 7th: Velvet Tsuanmi Pool Party, LA US https://bit.ly/42fQkrL
June 13th: TBA, Ibiza Spain
June 20th: Faith in Strangers, Margate UK https://ra.co/events/2106034
June 26th-29th: Glastonbury, Worthy Farm UK https://glastonburyfestivals.co.uk/
July 25th: Shambhala, Salmo CA https://www.shambhalamusicfestival.com/
Aug 24th - Sept 1st: Black Rock City, US
Sept 13th: Car Park, Brooklyn NY https://ra.co/events/2176421
Sept 16th: 528 Club, Ibiza https://bit.ly/fivetwoeightfmw
Oct 1st: Pikes, Ibiza Spain https://ibizarocks.ac-page.com/pikes-guestlist
Oct 3rd: Lost Horizon, Bristol UK https://ra.co/events/2222436
Oct 4th:  HERE, London UK https://ra.co/events/2222424
Oct 17th: Sinclair, Boston US https://bit.ly/fmwcdbt
Oct 18th: WOW, Philly US https://bit.ly/46DQN9L
Oct 31st: Kingdom, Austin US https://ra.co/events/2225903
Nov 1st: Music Box, San Diego US https://ra.co/events/2222478
Nov 14th: Terminal West, Atlanta US https://bit.ly/fmwcdattix
Nov 15th: Boho, Miami US 
Nov 22nd: Holocene, Portland US https://ra.co/events/2222484
Nov 28th: Drumsheds, London UK https://bit.ly/46I4x1F
Nov 29th: Hidden, Manchester UK https://ra.co/events/2236726
Dec 6th: Catch One, Los Angeles US https://ra.co/events/2236675
Dec 12th: Wonderfruit, Pattaya Thailand https://wonderfruit.co/

2026 tour dates

Jan 1st: TBA
Jan 3rd: TBA, Sydney AUS
Jan 9th: TBA, Melbourne AUS
Feb 12th: TBA
Feb 14th: The Regency, San Francisco US bit.ly/fmwcdsdtix
May 10th: TBA

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


You'll see the world, just how you choose.

MGMT: becci@frameartists.co.uk

A contemporary UK electronic music institution, Eats Everything (AKA Daniel Pearce) has a global reputation built on versatility, superlative skills and a positive outlook - core fundamentals that have made him one of the most in-demand artists around. With his roots firmly embedded in the vibrant, influential music culture of his hometown, Bristol, Eats Everything channels his broad musical palette into every aspect of his output. In 2021 the globetrotting DJ, accomplished producer, prolific remixer, label owner, radio host and mastermind behind a collection of popular party brands will celebrate 10 years of his now infamous pseudonym.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

johnk99 is following