This is a piano- improvisation I made several years ago.  
By the water were I can rest. 
May the melodi give rest to my listeners to. 
Take care. 
Marianne. 

Photo: https://www.facebook.com/vikfoto/?fref=ts 

Ved vann der jeg finner hvile / By water where I can rest.

An intimate, evocative cinematic track featuring graceful bells and glockenspiel, subtle marimba textures, haunting female background vocals and atmospheric celli.

https://musicvine.com/track/1677

The Void Between

Purchase License

Young

A somber, atmospheric cinematic track that creates a spacious, bleak, contemplative soundscape. The main theme, played by a small string section, rises and falls in solemn melodic waves. the violins and celli are accompanied by subtle synth textures, graceful bells and discreet orchestral percussion.   Usage example: This track was featured in the award-winning 2012 short film 'The Rising' that was shown on a festival tour in cinemas around the world.

https://musicvine.com/track/1648

A Barren Land

Atmospheric-energetic film score full of action and suspense, modern rock / orchestra mix, featuring a catchy-playful mallet theme, a hammering piano, impulsive guitars, dramatic percussions as well as a fast yet grooving beat.

https://www.soundtaxi.com/en/Film-scoreCinematic/Rising-Tides-FullMix::87445

Horizon

Rising Tides

Forgetting You

I'm Not the Good Guy Anymore

Deep in the Mojave Desert, Valley of Fire, Nevada is 45,000 acres of brilliant red Aztec sandstone. With the scorching desert sun reflecting its rays off of the various rock formations, the entire landscape appears to be on fire.  In prehistoric times, dated between 300 BC - 1150 AD, Ancient Pueblo Peoples, known as the Anasazi, inhabited the land, leaving behind amazing petroglyphs on the face of the formations throughout the valley. 

If you're lucky enough to visit Valley of Fire during sunset, you'll experience an explosion of vibrant reds, oranges, and yellows radiating across the landscape, all while feeling a sense of complete isolation.

I tried to capture this sensation by slowly building a crescendo of arpeggiated synthetic textures and clock effects, exploding into ambient guitars and pulsing drum beats, ending with only a trace of ambient chaos noise representing the dark of night enveloping the valley.

Valley Of Fire

John Knipp