Treboles - Heat Of The Beat (Patrick Podage Dub) [ Sick Watona ] OUT NOW

Beatport : 20.01.2015

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Mass Digital - Never Felt Like This Before (Original Mix)

Interview: http://bit.ly/1wy3MBQ

Soundspace
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Interview

Premiere: Dilby ft. Kristina Sheli - U Used Me

Why do you care (2021)

Kastis Torrau & Arnas D - Down So Long ft. Shane Blackshaw (Vocal)

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Waiting For The Daylight (Dino Lenny Remix)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

VINYL EXCLUSIVE : DIGITAL RELEASE TOWARDS THE END OF THE MONTH

We are delighted to welcome our Londoner friend John Monkman for our first vinyl release. John Monkman delivers some serious quality deep house vibes for his debut release on Kote.. This Ep raises his game with three tracks taking in funky basslines, deep-house vibes and inventive, smooth flowing arrangements. 
John Monkman’s record kicks off with the anthemic “K.I.S.S. M.E. feat. Morgan Mackintosh”. An uncharacteristically uplifting track that combines a freestyle bassline with gated 80’s drum sounds and amazing vocals by Morgan Mackintosh… 
B1 Jessica is a very special track, the descending organ riff, almost an acid house motif gives it an anthemic quality. The “You and Me” vocal offers just as much hook as it needs to be. 
B2 is a late night sleaze for the well-tuned dancefloor or the perfect track to help the crowd find its footing during the opening hour. The entire seven minutes ooze with polished future-house bass and the tracks being championed by top tier talent worldwide. Disco lasers and vocal snippets douse the track with a modern sheen we’ve heard in works from seasoned house vets, but John Monkman concoct his own chart-topping take on his debut.

http://www.deejay.de/John_Monkman-Turn_Me_On__97798

John Monkman -  K.I.S.S. M.E. feat Morgan Mackintosh. full song

Climbers - Equal Responsibility (Betoko Remix) [Get Physical Music] OUT NOW!!!

Millok & Zigelli - Feel Me (Original Mix)

Lightzoff - I love You (sampler)

Visos teisės į kūrinį priklauso Mario Basanov &amp; Vidis.
Originalas: http://www.music.lt/Suspend-the-Feeling-su-Vidziu-ir-Giedre-daina-266046.html

Mario Basanov & Vidis feat. Giedrė - Suspend The Feeling ( Paulius' Simple Edit )

John Monkman

Beesemyer | Siamese | Kompakt | Ellum | Anjunadeep 

All Inquiries - Claire @ beesemyermusic.com

John Monkman stands at the forefront of the global electronic music scene. Known for his dynamic performances and cutting-edge studio productions, Monkman has earned a reputation as both a live music pioneer and a master of sound design.

Affiliated with some of the most prestigious labels in electronic music, including Kompakt, Ellum, Beesemyer Music, Siamese, and Anjunadeep, Monkman delivered the spellbinding track Siren for Kompakt and collaborated with Pete Tong on Ecstasis for Maceo Plex's Ellum Audio. His releases, such as the Komplex EP on Anjunadeep and the versatile Tune In Turn On EP for Ellum, highlight his remarkable range. With two Beatport number ones—his remix of Solomon Grey's Twilight and his single Don’t Have to Be Beautiful—Monkman has further cemented his influence on the global electronic music scene.

Equally compelling is Monkman’s remix portfolio. His remix of U Love for Sasha’s LNOE 100th release, supported by Patrice Bäumel and Sasha, showcases his creative versatility. His rework of Space Date by Adam Beyer and Green Velvet for Drumcode demonstrates the respect he commands within the industry. Monkman has also been remixed by Moby. In 2023, he reunited with Pete Tong for an official remix of Duran Duran's Give It Up, marking another standout moment in his career.

On the live stage, Monkman’s impact is undeniable. He has headlined festivals like the UK’s Noisily Festival, brought his live set to the Ozora Festival in Hungary, and performed at the Anjunadeep Festival in Albania. His recent achievements include headlining Rainbow Serpent 2021. The debut of John Monkman: Live at Coachella 2018 with The DoLab was a pivotal moment, revealing his innovative approach to live performance.

The year 2024 has been a defining chapter for Monkman. His latest live show, Pulse, premiered in Paris through a collaboration with Collectif Scale, breaking new ground with its kinetic light art installation. Filmed in a Paris warehouse on July 6th, this show delivers an immersive audiovisual experience that pushes creative boundaries. In the same year, Monkman released Khord on Anjunadeep, followed by three singles—Vader, Roller Vox, and MAYA—on Beesemyer Music.

Continuously evolving as both a performer and a producer, John Monkman remains a driving force in the electronic music landscape, with his innovative studio work and electrifying live shows securing his position as a leading figure in the scene.