SOS//DEEP

Francesca Lombrado - What To Do

http://www.beatport.com/release/dont-call-me-beginner-this-no/1184260

Pura Music Label Head and talented DJ/Producer, Roberto Palmero is bringing sexy back to deep house. With releases on both Noir Music and LouLou Records, Roberto's productions combine both the smooth and sensual with the deep and groovy. "Don't Call Me Beginner / This No" are two tracks that perfectly define this sound! Looking for a groovy bass line linked to an infectious hook? Look no further! "This No" is the perfect track to be stuck in your head all night. Digging into the deeper side of the genre, "Don't Call Me Beginner" combines elements of deep house and progressive in peanut butter & jelly perfection! [Written & Produced by Roberto Carlos Palmero Hernandez. King Grooves (ASCAP). P&C 2013 King Street Sounds]

Roberto Palmero - This No / Don't Call Me Beginner

Robert Babicz - Narcoleptic Super Soul (Donatello Remix) CUT

Beatport : 20.01.2015

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Mass Digital - Never Felt Like This Before (Original Mix)

Interview: http://bit.ly/1wy3MBQ

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Interview

Premiere: Dilby ft. Kristina Sheli - U Used Me

Kholiqov - Next To You (Original Mix)

Electricano feat. Diana Payton - Make Me See // Spring Tube [SPR126]
Beatport: http://btprt.dj/WYegfC 
Genre: Progressive House
Release Date: 21-07-2014
Label: Spring Tube


Electricano Feat. Diana Payton - Make Me See (Donatello Remix)

Coming strong with his debut release on No Definition, Jamie Antonelli delivers his new Single "Envision". Packed with Driving bass, Mysterious Synths, eerie pads and a very memorable narrative.
On the Remix end we brought in Germany based Heavy Hitter 
C-ro, who complimented the original perfectly and executed a deep, dub'd out version flared with his definitive & rich sound.

www.facebook.com/NoDefinitionRecords
www.soundcloud.com/nodefinitionrecords
www.facebook.com/JamieAntonelliNYC
www.soundcloud.com/jamieantonelli
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www.soundcloud.com/c-ro_music


Jamie Antonelli - Envision

Kastis Torrau & Arnas D - Down So Long ft. Shane Blackshaw (Vocal)

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Waiting For The Daylight (Dino Lenny Remix)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

VINYL EXCLUSIVE : DIGITAL RELEASE TOWARDS THE END OF THE MONTH

We are delighted to welcome our Londoner friend John Monkman for our first vinyl release. John Monkman delivers some serious quality deep house vibes for his debut release on Kote.. This Ep raises his game with three tracks taking in funky basslines, deep-house vibes and inventive, smooth flowing arrangements. 
John Monkman’s record kicks off with the anthemic “K.I.S.S. M.E. feat. Morgan Mackintosh”. An uncharacteristically uplifting track that combines a freestyle bassline with gated 80’s drum sounds and amazing vocals by Morgan Mackintosh… 
B1 Jessica is a very special track, the descending organ riff, almost an acid house motif gives it an anthemic quality. The “You and Me” vocal offers just as much hook as it needs to be. 
B2 is a late night sleaze for the well-tuned dancefloor or the perfect track to help the crowd find its footing during the opening hour. The entire seven minutes ooze with polished future-house bass and the tracks being championed by top tier talent worldwide. Disco lasers and vocal snippets douse the track with a modern sheen we’ve heard in works from seasoned house vets, but John Monkman concoct his own chart-topping take on his debut.

http://www.deejay.de/John_Monkman-Turn_Me_On__97798

John Monkman -  K.I.S.S. M.E. feat Morgan Mackintosh. full song

Mollono Bass-Der Traumtänzer-gorge rmx

Original song : www.youtube.com/watch?v=SdPsJw5DVJA

New album available : Stendhal Syndrome

order :

musique.fnac.com/a4746766/Synapso…yndrome-CD-album

itunes.apple.com/fr/album/stendha…rome/id568152551

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John Monkman

Beesemyer | Siamese | Kompakt | Ellum | Anjunadeep 

Inquiries - Claire @ beesemyermusic.com

Europe & ROW Bookings
DB | Sally Boekler-Balaam
booking @ db-booking.com

NA/SA Bookings
Claire @ beesemyermusic.com

Elevating the global electronic music scene, John Monkman stands out with his exhilarating live performances and masterful studio creations. His recent triumphs include headlining Rainbow Serpent 2021 and crafting the spellbinding track ‘Siren’ for the esteemed Kompakt label. His collaboration 'Ecstasis' with Pete Tong for Maceo Plex's Ellum Audio, and a standout performance at London's Fabric with Kolsch and Rodriguez Jr., underline his rising prominence.

John's groundbreaking 'John Monkman: Live' show debuted to acclaim at Coachella 2018 with The DoLab, showcasing his innovative approach to performance. His significant contributions to the Anjunadeep catalogue with the 'Komplex' EP, and his versatile 'Tune In Turn On' EP for Ellum, highlight his diverse artistic range. Collaborations, including 'Placebo' with Pete Tong on Beesemyer Music and a remix of ThermalBear’s ‘U Love’ for Sasha’s LNOE 100th release, demonstrate his creative versatility. Further, his invitation by techno icon Adam Beyer to remix for Drumcode affirms his industry respect.

As the founder of Beesemyer Music, Monkman’s influence stretches from London to international stages in Amsterdam, Melbourne, Mumbai, Beirut, and Los Angeles. His sound, endorsed by labels like Kompakt, Ellum, Crosstown Rebels, and Anjunadeep, has a universal appeal. Renowned for his quality and innovation, John's journey from the US to the UK reflects a relentless pursuit of musical excellence, securing his status as a dynamic force in the electronic music landscape.

The only universal constant in an art is talent. No matter the genre or time it can be heard, seen, and felt.

John Monkman - K.I.S.S. M.E. feat Morgan Mackintosh. full song

John Monkman

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