"Music For Picture: Vol. I (Parallels)" out NOW: https://orcd.co/musicforpicture

Contact:
Management: hamish@bluetopmusic.com
Live: naomi@earth-agency.com

Biog:
London-based duo Tom Kingston and Joe Wilson are simultaneously lauded for their commercial releases and composition for TV and film. Working on both side-by-side, they combine contemporary production and classical composition to create a unique and distinctive sound.
 
Tastemaker labels Black Butter, Kitsuné and the illustrious Decca have helped push Solomon Grey’s commercial releases to the masses, whilst their work for picture across television, movies, trailers and commercials includes original soundtracks for BBC TV series The Casual Vacancy (adapted from the J.K. Rowling novel), The Last Post and Back To Life.
 
“We’re incredibly fortunate to create music for picture without compromising our sound as artists. We get to be in a band and also write for orchestras, arrange strings and work with opera singers. As musicians, we feel like we’ve come full circle,” says Tom.
 
Joe adds: “Creating soundtracks made us more experimental and aware of what we are capable of. The music we’ve always made has lots of elements that ‘shouldn’t’ go together.” With that in mind, while you’re listening you might hear the sounds of the car ‘The Weight’ was originally recorded in, spot the on-location recordings used in The Casual Vacancy score including rivers, lawnmowers and Morris dancers, and appreciate the juxtaposition of an operatic vocal over synth recordings on ‘The Drowning’.
 
Classically trained musicians and long-time friends from Oxford, Tom and Joe originally met as performers in a local covers band. The journey of Solomon Grey has seen the duo up sticks on more than one occasion, progressing from Oxford to London, finding and cementing their sound of the time with the first track they wrote ‘Last Century Man’. Musical bases took in the Australian outback and a lighthouse in the south west of Ireland, before returning to their current studio in South East London.
 
Solomon Grey’s debut release ‘Gen V’ via Black Butter Records in 2013 carved a path for a debut ‘pop’ album, but the serendipitous opportunity for score work gave them another outlet for their music. Next up was Decca-issued mini-album Selected Works, a mixture of original music and songs which featured parts of their score for The Casual Vacancy. Solomon Grey’s eponymous full-length debut followed in 2016.
 
Album two, Human Music (Mercury KX, 2018) is a poignant collection of intricate and transcendent songs, encompassing the themes of choice, love and loss following the death at Swiss clinic Dignitas of Joe’s mother Sandy. The album features the same luscious sounds provided by the 22-piece Hungarian orchestra and vintage CS-80 synth which feature on the soundtrack to the BBC/Amazon production The Last Post.
 
2019 was another abundant year for Solomon Grey’s sync and soundtrack work with the song ‘Home’ featuring in multiple hit US TV shows, and BBC/Showtime critically acclaimed series Back To Life - which topped end of year polls in Vogue, The Times, The Guardian, Digital Spy, TIME, USA Today and more - bolstered by their original soundtrack. “Carefully crafted soundtracks enhance the connections you make with the characters and overall emotive quality,” says Joe. “We’re delighted Back To Life has resonated with so many people across the UK & US.”
 
For 2020, Music For Picture: Vol. I (Parallels) EP serves as the first of a series of new works, written for & inspired by moving images. This first instalment showcases the duo’s more euphoric cinematic side, with featured track ‘The Return’ (composed for Sony PlayStation’s 2019 dystopian advert for PSVR), similar to 'The Rift' which has become synonymous with Vue Cinemas ident. Each volume in the Music For Picture series promises to explore a different part of Solomon Grey's sonic landscape, giving glimpses of the rich visual world their music evokes.

www.rodrickmix.es.tl descargate mas enganchados

Pre-Save/Order my new album here: https://armada.lnk.to/Serotonin

Deep progressive from Texas 🔊 🌵





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Bio:

Kaspar Tasane has been named "the one to watch," by Soundgarden Resident Gustin, in DMC World Magazine. "His music just totally blows me away. It's elegant yet driving, and has a timeless energy that often reminds me of the mid 1990's progressive sound." Kaspar hails from Tallinn, Estonia and uses his experience there while growing up in the European electronic music scene, to bring a unique flavor all his own to the progressive house sound. Kaspar Tasane's unique style has garnered support from the likes of trance legend Armin Van Buuren, who showcased Kaspar's track "Fusha" at A State of Trance Festival 700. Kaspar has also captivated the attention of pillars like Paul Oakenfold, Solarstone, and Cosmic Gate. As Kaspar strives to evolved to a more underground and progressive sound, DJs Hernan Cattaneo, Guy J, Darin Epsilon, Kenneth Thomas, Sandra Collins, Chris Fortier and more than a handful of others have all publicly shown and professionally lent their support.


As a DJ, Kaspar comes from an era before the sync button and USB sticks. After spinning at various club nights in the capital of Estonia, Tallinn, Kaspar and DJ partner DTB quickly gained a residency at the hottest dance station of the time on Energy FM. Friday night's show, "Weekend Liftoff" rapidly became the most popular radio show in the capital. That resulted in trucking crates of vinyl all around the country! It landed gigs everywhere from the freshest clubs, to underground events, and even stages on major festival circuits. After transplanting back in the US, Kaspar continues to showcase his skills behind the decks. Kaspar has played at various raves and club events in Portland, Austin and San Antonio as well as, Houston. This occurred by opening up for the likes and sharing stages with Paul Oakenfold, Kenneth Thomas, First State, Myon & Shane 54 as well as, countless others. Kaspar Tasane is just getting started...

Booking Info: http://probtechmgmt.com

▲ Releases: bit.ly/3k3r3gt
▲ Gigs: bit.ly/3Mq0TzC
▲ Flowing Podcast: bit.ly/3irn11f
▲ Bookings:  
Argentina & ROW: bookings@omniaproducciones.com
Europe: daniel@biauralis.com
Asia: spectrepakistan@gmail.com

▲ Bio
Influenced by legendary acts like The Chemical Brothers, Daft Punk, and Groove Armada, he evolved from his early days as a guitarist and singer in rock bands to become an important DJ and producer in the global electronic music scene.

His acclaimed releases on labels like SUDBEAT, The Soundgarden, and Balance, along with his viral remix of Massive Attack’s "Girl I Love You," have earned him worldwide recognition. In 2024, his remix of "Underworld – Dark & Long" became a global hit, supported by Guy J, Nick Warren, Sébastien Léger, Guy Mantzur, and many more.

Recent releases like “Frequency Shift” and “I Want to Believe” both reached #1 on Beatport’s Top 100 Releases and Organic House charts, confirming his position at the forefront of the genre. With over 1.25 million Spotify streams across 162 countries in 2024, his sound continues to connect with a growing global audience.

Emi’s recent tour included Australia, Sri Lanka, Japon, Albania, Dubai, Malta, and a strong debut in Brazil, where he played iconic venues such as Warung Club (Itajaí, Búzios, Cascavel), Surreal Park and D-Edge—earning the love of the Brazilian crowd.

In 2025, he will perform for the first time at Ultra Buenos Aires on the legendary Resistance stage. With sustained support from Hernán Cattáneo, Eelke Kleijn, Above & Beyond, and many more, Emi Galván keeps rising as one of the most dynamic and influential figures in electronic music today.

Hailing from Amsterdam, Roberto van Raamsdonk aka Rovara is fast rising through the global ranks.

No stranger to serving up infectious, club focused tracks - the Dutchman takes inspiration from a wide variety of scenes & by exploring new music. His productions bypass interpretation, hurling the listener into a vortex of heightened sensation, abstract emotion and artificial energy. 

Rovara retains many of the characteristics of the origin of the genre: House, and opts for a more techno-inspired musical mix of percussion and intense synthesizer melodies.

With his studio output continuing to pick up a host of international support from: Phunk Investigation, Italian AllStars, Frisco, Oliver Heldens, Guru Project, Killfake, Sergio Matina, Leonardo Vega, Slam FM (nl), Radio 10 (nl), ManyFew, Sophie Francis, Ian Carey, Sted-E & Hybrid Heights, WaWa, Don Diablo, Unity Brothers, Judge Jules, Gaydio (uk), 105 Radio Network (it), Robby Clark (Billboard), Radio Globo (it), Block FM (jp), DI FM, Centerforce Radio (uk), Dave Matthias (Billboard), Kiss FM (ua), MNM Radio (be), Glenn Friscia (Billboard), Centerforce Radio (uk), Ron Slomowicz (Billboard), Fresh FM (nl), Taiko Radio (jp), Toman (nl), JOEY DJIA (au), and many more...

Rovara's beat goes firmly on! 

Also check out his weekly show on PERSPECTIVE / Housebeats.fm every Friday from 19:00 – 20:00.

BUENOS AIRES 3PM // NYC 1PM // LONDON 6PM // PARIS 7PM // MOSCOW 9PM

“Rovara did a guest mix earlier this year and we were so impressed by it that we decided that he should have his own weekly show.”

The show is called “Perspective” and maintains many of the compositional features of its parent genre, house, while opting for a more techno-influenced sonic palette of punctuated, distorted percussion and more intense synthetic melodies, hurling the listener into a vortex of heightened sensation, abstract emotion and artificial energy.

Stay tuned.

Labels:

eMBI Music Labelgroup
Repressure Recordings
Old School Music & The Godfather Records
MTDN Audio Records
Miaw / Whoyostro
Klinik Room
Lo4299
Gastspiel records
Subtech Collective
Hard Nation
High Pro-File Recordings
Duo Box Records
Punky Records
x-ceptionalmusic
Bad Fit Records
Taika Records
T4 Label
House of Hustle
Djia Media

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