Track made only using sounds from the Thorn Synthesizer by DS Audio

23x DS Thorn
Daw: Cubase 14 pro
Stock Cubase Effects: Roomwerks Reverb, PingPong Delay, Frequency EQ, Maximizer, Stereo Enhancer, Multiband Compressor, Magneto II Saturator, Brickwall Limiter
3rd Party Plugins:  Ozone 9 Elements (Master)

Intro

MiJoFranDa - Neptune - Intro - OSC193

Made in BitWig with 65 instances of BLEASS Monolit (the pads have like 10 instances on an instrument picker etc so not really that many, just lots of dupes)


using the following free vst and bitwig plugins:

TDR Kotelnikov
BX Masterdesk Classic
Dragonfly Room
TDR Nova
EpicPlateMk2
Valhalla Supermassive
OTT
Airwindows KplateD
Panagment2
Wider
KHS Transient Shaper
STFU
KHs Dual Delay
Raum
KHS Haas
Sound Delay
Chop
Pancz
TDR Molotok
Deelay
FreshAir
FerricTDS Mk2
GClip
Saturation Knob
BusterSE
Ozone Imager2
AirWindows BussColors4
KHs Clipper

BitWig:
Sculpt
Focus
Tool
Note Transpose
Key Filter
Instrument Layer
Instrument Picker
Delay-2
FX Layer
Humanize
Filter+
EQ-2
Convolution
Gate
Multiband FX3

Bless Moonlit Love

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

OSC#195 - FullBucket's Ragnarök 

DAW: MuLab
Instances: 40
FX: DearVR Pro 2, Deelay, Supermassive, FrankCS, OTT, LoudMax, Magic Carpet, KSHMER EssentialKick, TDR Nova, TENSjr, IVGI2, Plateau2

Taron - Stealing the Ragnarök

This is my entry for the KVR One Synth Challenge #195 Feb 2025.
All sounds are made with the "Ragnarök 2" AU plugin by Full Bucket Music in Logic Pro.

Körangar (OSC#195 May 2025)

Created with  OSC 196 Primer 2 for all sounds.

Feedback of all kind welcomed including critical for improvement.

Daywalker

My entry for KVR's One Synth Challenge 196 using Audible Genius' free Primer 2 software synthesizer. I used Reaper 7.40, 28 instances of Primer 2, 7 instances of Cockos ReaEQ, 5 instances of Sonic Anomaly's Transpire, 5 instances of Cockos ReaComp and one instance of TDR Limiter No.6. 

OSC 196 - hsje - Getting Home

This is my first ever submission for the KVR One-Synth Challenge.  This was created using 13 instances of Primer 2.  

Serenity at Sunset [OSC Primer 2]

Quiet Power Moves

cellular

Tacking the Sand**

*Tacking the Sand* is a high-energy, psychedelic dance album built for endless nights on the floor. Inspired by the image of a sailboat racing so close to the limit that its keel touches the sand, the record captures the adrenaline rush of risk, the euphoria of speed, and the hypnotic power of music that never lets go.

With **driving beats, spiraling synths, and mind-bending layers of sound**, each track pushes higher and harder, like waves that refuse to break. The album is pure momentum: vibrant, trippy, and unstoppable — a soundtrack for those who love to dance at the edge of chaos.

*Tacking the Sand* is not just a record. It’s a ride beyond the limit.


Tacking the Sand**

*Tacking the Sand* es un álbum de dance psicodélico y explosivo, creado para noches infinitas en la pista. Inspirado en la imagen de un velero en regata que vira tan al límite que su quilla toca la arena, el disco transmite la **adrenalina del riesgo, la euforia de la velocidad y la fuerza hipnótica de una música que no suelta nunca**.

Con **beats intensos, sintetizadores en espiral y capas sonoras alucinantes**, cada track sube más alto y más fuerte, como olas que nunca se detienen. El álbum es puro movimiento: vibrante, lisérgico e imparable — una banda sonora para quienes bailan al filo del caos.

*Tacking the Sand* no es solo un disco. Es un viaje más allá del límite.




Johnkhf_OSC195 Happy

JohnvanderLugt