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RESISTANCE 2020 - WORLDWIDE - IBIZA - CROATIA- MIAMI

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Welsh Dragon Dj, Producer, & Label owner of Bubblejam Recordings, Mr Jon Connor, proudly presents his Album Steam.


We are renowned for our quality and originality here at Bubblejam, but Jon has really broke the Mould with this Album, we start things off with a heavenly Celtic intro that will instantly set the tone for an unforgettable & inspirational journey from one of the UK's most creative & dedicated Techno Minds. 

Beauty, Funk, Drive & Dirt, all the best ingredients for a great album, Steam delivers all this in abundance.

Jon Connor - STEAM - ALBUM

ALL AMBIENT

Release info:

Palto Flats & WRWTFWW Records are excited to announce the forthcoming highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan. 

The fully licensed reissue will be available in March as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA). 
It will be also availalble for the first time in CD format.

Midori will be touring Europe in April to support the album reissue, with plans for additional touring in other territories.

Dates:

4/4 Copenhagen DK Jazzhouse
http://www.jazzhouse.dk/jazzklub/midori-takada-jp

6/4 Glasgow UK Counterflows Festival
https://counterflows.com/midori-takada/

7/4 Amsterdam NL World Minimal Music Festival
https://www.muziekgebouw.nl/agenda/Concerten/5309/The_Master_Musicians_of_Jajouka_led_by_Bachir_Attar_Midori_Takada/World_Roots/

9/4 Gent BE Full Moon Healing Festival
http://www.vooruit.be

11/4 London UK Cafe Oto
https://www.cafeoto.co.uk/events/midori-takada/

Bio:

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this spring.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life," and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduation from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with saxophone player Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls – composing and performing for live music for theater. She has worked with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear."

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.

Through The Looking Glass

Own a copy

2 Midori Takada - Crossing (Reel-2-Reel to Digital conversion)

1 Midori Takada - Mr Henri Rousseau's Dream (Reel-2-Reel to Digital conversion)

Track was made as an intro for my forth-coming album " Steam “ which will consist of 10 tracks of progressive and melodic techno with one extra track as a loop tool / Stem , which will complete the 12 piece set 

As I am Welsh and proud it is in a Celtic format 

The album consists of many styles of techno rolled into one creating a unique atmosphere and journey of my 20 years in techno music 

Steam will be available on vinyl and all digital formats in the coming months and available at all online digital stores 

Stay tuned for release dates 

And thank you for listening 

Jon Connor 

www.jon-connor.com
www.bubblejam.club
jc@jon-connor.com

Steam Album intro BUTTERFLY Jon connor Album bubblejam LTD 01

Sample from my Steam album 

Track 3 

Kiss me

Is one of the funky tracks from my album and a lot of fun , I found myself throwing all sorts of shapes making and constructing this one , sure was a lot was a lot of fun in the studio .

I think a video for this will come shortly 

Track will be out in May

Jon Connor - KISS ME

Deep heavy rolling affair with that naughty little groove

with flowing stabs

SLY EYE Jon Connor

MOLLY`S MINE

162017

A short recording from the ALM Akemie's Castle made into an ambient drone using the Make Noise Morphagene

Droned with Morphagene

BUY IT ON BEATPORT: https://beatport.com/release/welcome-to-the-universe-ep/2414281
STREAM: https://open.spotify.com/album/4AEGjZmFZsg1sPcnj6w7De?si=Q-up7dJoTzWJ8jGhsmveXQ

Kraftek is proud to present - label head Pleasurekraft's first release since the debut album earlier this year.  Two peak time heaters that encapsulate the essence of what Cosmic Techno is all about: dark, brooding , and atmospheric rhythm sections providing the canvas on which big synth hooks hover and grab the listener.  Pleasurekraft bids you "Welcome to the Universe".

https://instagram.com/pleasurekraftofficial
https://facebook.com/pkmusic/
https://facebook.com/kraftekmusic/
https://instagram.com/kraftekmusic/

#CosmicTechno

Welcome to the Universe

Welcome to the Universe EP

BUY IT NOW

Primordial

12 DAYS LEFT - Deborah De Luca & F-Rontal
DOLMA REC - available soon.

12 DAYS LEFT - Deborah De Luca & F-Rontal

𝗙𝗶𝗿𝘀𝘁 𝗰𝗼𝗹𝗹𝗮𝗯 𝗼𝗻 𝗘𝗾𝘂𝗶𝘃𝗮𝗹𝗲𝗻𝘁: Niereich, Shadym & Vanessa Sukowski joined forces for their common Track "𝗨𝗻𝘁𝗲𝗿𝘄𝗲𝗹𝘁𝗲𝗻". 

𝗕𝗘𝗔𝗧𝗣𝗢𝗥𝗧: beatport.com/release/unterwelten/2835354
All other Platforms: https://ampl.ink/obzR4

Follow Equivalent Berlin⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
𝗘𝗤 soundcloud.com/equivalentrecords
𝗘𝗤 instagram.com/equivalentberlin/
𝗘𝗤 vanessasukowski.com/equivalent
𝗘𝗤 beatport.com/label/equivalent/42401
𝗘𝗤 https://equivalent.bandcamp.com/

Released: 29.01.2020 on @equivalentrecords

Unterwelten

Buy on Beatport

Vanessa Sukowski, Niereich, Shadym - Unterwelten [Equivalent Berlin] ˢⁿᴵᵖᵖᵉᵗ

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Nostalgic for the Future (ft Jordan Smart)

Our first release on Electric Ballroom for 2020 AKIN Aligned by Nature was written and produced by our in-house dream team Thomas Schumacher and CAITLIN. As this global crisis has been unfolding we have noticed how possible it is for the entire world, regardless of economic, social, religious or political beliefs to come together as one; for the whole planet to center its focus on one united thing. We are more alike than we are different.

Thomas Schumacher & CAITLIN - Aligned By Nature

DJ - Producer & Owner & of bubblejam recordings
https://linktr.ee/Jon_Connor
Worldwide Management 
https://www.gatewaytoasiaagency.com

@Bubblejam - 
@sonaxxrecords                                                                             
ZYX Music                                                   
Techno Club Pure                                                                                         Construct Rhythm 
Autektone  
X-Trax - 
Naked Lunch 
Funk'n Deep 
Voltage  

In Groups
Andreas Kraemer & Jon Connor 
Jon Connor & RRAW 
RRAW! is the new peak time techno crossover project by DJ Legend and Technoclub founder 
"Talla 2XLC"! 

Every story has a name. Jon Connor evokes transmissions of emotions through layered textures and the soaring sounds of nostalgia. As the reality you know, he distorts and disintegrates, and he takes you on a journey between space, time, and your desires, Dissolved into sonic bliss.
Renowned for worldwide hits such as Sunshine Daydream, Acid Drop, and Taipei Awakening, Jon Connor's ever-changing sound is a testament to his innovative trance infusions Acid & techno. 

His unique techno style, constantly evolving, redefines the new-age techno scene, showcasing his creativity and originality. 

Jon Connor, a European national hailing from Wales, Uk, currently residing in Taiwan, is a fantastic pure techno-producing talent. 
Connor has been a producer & DJ for over a decade, carrying his musical message of emotionally uplifting techno to every corner of the world, from huge festivals Like ULTRA to the most prominent urban clubs & underground events. 

Devoted to his art and a true perfectionist, Jon Connor is known for his massive hypnotic explosive sets on the dancefloor & his precise, detailed production in the studio. Both are always laced with tons of feel-good musicality. 

With countless DJ gigs worldwide that he has already played and his outstanding productions, you can always find him in the top rows of the sales charts. His past and new releases can be seen regularly in the DJ sets by Nina Kraviz, Amelie Lens, Farrago, Kobosil, Daxj, 999999999, Reinier Zonneveld, Adam Beyer Klangkünstler, Deborah de Luca, and many more regarding driving techno, Jon is one of the first addresses. 

His influence on the techno and Acid trance music community is undeniable, and his story leaves ego and arrogance in the cloakroom. 

It places the focus where it should be on music.