Really sincere and powerful. Thank you for sharing!

I remember loving this one first time i heard it and its just as killer now.   Really engages and draws you in.  Love the blues that live in this

Great track…..🌍☮︎👍🐞🍀2024

that guitar chord comes crashing down like a huge wave

Singing the word mud in the falsetto high note was no small feat, my friend.

AROUND IT COMES
IT COMES AGAIN
VICIOUS NIGHT
AND HURRICANE

YOU SHOULD HAVE KNOWN
YOU COULDN’T SEE
PRE-DESIGNED
THIS DESTINY

MY INSTAGRAM
AND TWITTER FEED
WILL NOT BLOCK
ATROCITY

A STROLL TO YESTERDAY
AND DON’T FORGET YOUR RAINCOAT

RECALL WHEN WE WERE SAFE
AND HISTORY WAS A GHOST

IT’S NOT TOO LATE
UNLEASH THE LIGHT
ONE MORE TIME
BEFORE THE NIGHT

Thanks to Janine Levinson, Wheelwright, Fady and Cheesemont for early listening, consultation, and support.

History

"AtmO" Composition Soundtrack By Eric Richarte

Dgé Breton: Guitar
Eric Richarte: Keyboard Programming

Enjoyed !

AtmO Feat.Dgé Breton

I was a bike messenger. It never leaves you. 

________________________________________________________________

40 quarters
in your pocket
strap your helmet
grab a lane
asphalt pinball
in the morning

rocket on
marathon

trucks and taxis
coming at you 
double dance move
get away
asphalt pinball
it’s a hustle

canvass bag
cargo tags

cop in bike lane
traffic ticket
time is wasting 
run away

open car door
broken window
glass on pavement 
shitty day

chain links clicking
through Manhattan
red light running
all the way
asphalt pinball
burning muscles

it’s the same
in the rain
_______________________________________________________________

photo by Max Bender via Unsplash.com

Thanks to Wheelwright for his sage suggestion to include backing vocals.

Asphalt Pinball

PATERNITY


if you’re going down
down onto the sea
don’t leave without me


boarded up the house
threw away the keys
blown down to my knees


once we lived as a family
splendid circle of three


fifth of bourbon won’t
kill the memories
what you meant to me


memory of a family
partner, kiddo and me:
rocky beach and light house beam
counting rabbits in sunset dream


once we lived as a family
splendid circle of three


if you’re going down
down into the mud
don’t leave without me

-------------------------------------------------------------------------------------------------------------------
Thanks to Janine Levinson, Wheelwright and David Weiss for early listening 
and encouragement.

Paternity

SK lyrics, guitar, vox
Tubo Dj Production  https://soundcloud.com/davidiere

I return from my trip to Italy last week.  wow.   incredible people, incredible country. lifelong friends  anam and tubo

ITALIA  Sk (Tubo Dj Prod)

This song started out as an attempt to cover the mostly instrumental "Sweet Florence" by the French Caribbean guitarist and originator of zouk, Jacob Desvarieux. I added lyrics and a rock-funk breakdown in the middle, and it became its own creature.

In October 2023 I went to a fantastic live show of the band Say She She in Washington, DC. Before the band came onstage, as is typical of most concerts, music was being played as the crowd chatted in anticipation of the show. A song started playing that immediately enchanted me: a deep synth bass line followed by a funky slow beat that resembled reggaeton, with a beautiful and haunting guitar solo and various synth touches. I tried using the app Shazam on my phone to identify the song, and it kept failing to hear it properly amid the loud ambient noises of the theater. I was running out of time to identify the song. As the band came onstage, and just as the song started to fade out, my phone identified it on the third try as "Sweet Florence" by Jacob Desvarieux. In the coming weeks I listened to the song over and over, and I felt that desire that musicians have to create my own version of it, to cover it.

I was unable to reproduce the wonderful synth of the original since my keyboard doesn't go that low, so I had to change the octave of one note. I also had to layer several synth basses over each other to add to the deepness. Making this song was also a lesson in sound quality; I am not able to replicate, with my current setup, the deep sonic quality of the original. Trying to play the guitar hook made me realize how skillful Mr. Desvarieux's playing is. My version is less funky than the original but interesting and rhythmic nonetheless. Rest in peace, Jacob Desvarieux, and thank you for such a fabulous song.

Here is a link to the original:
https://soundcloud.com/jacobdesvarieux/sweet-florence?si=849b37fd215648d688807694c94241fd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
It’s easy to believe
When your brain's been washed and the privilege won
It’s easy to achieve
With your fingers crossed and they’re on the gun
Ain’t hard to see the signs
Of a deep conspiracy
If you don’t read between the lines
And don’t learn the history
It’s easy to believe

Solo

You signed yourself up 
‘Cause they’re filling up your bank account with cash
You got sugar in the cup
And the lies you tell are the latest fash-ion
It’s effortless to see
When you take a big gulp of the sweet kool aid
You see the enemy
Just beat ‘em to a pulp, bow your head, and pray
And it’s easy to believe

It’s easy to achieve
When your mind’s made up and you live in fear
It’s easy not to leave 
When the only place you know is here
The only place you know is here 
It's easy, easy to believe

Music by Jacob Desvarieux and David Wagoner
Lyrics by David Wagoner

Easy To Believe (aka Sweet Florence)

Nirvana

Cast of Characters:

mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, arrangement, mix

Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals

TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, mastering

J.J. Terrell–@j-j-terrell –piano and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

      This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

       But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then Josh added his guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed well, too, so we turned to Stephen for that important role, once again, which he fulfilled expertly.  

       This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.

       We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 

Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

Artwork: Josh Clary

A Brush With Death-Eclectic Collective

Death To The Deadly Date

Wipe Out The Fate

Atlas

support the band :)

Morphine

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

Paternity

Jonathan Beckenstein

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