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GOOD ENTROPY FROM THE DEEP FOREST

Daily Drops

Beautiful Entropy: 36 Prepossessing tracks from the SoundCloud community

Trancylvania Station de l'artiste

Darker And Darker

Your Mix 1

Related tracks: Weirdo

RemMix

Shock the Algorithm

RIZA Music -  In Flow

Garden Of A Thousand Candles

In the garden of a thousand candles
Dreams awake you
Silently stare at the walls
Gold adorns you
Fantastical colours
Dreams await you
Lead where you dare

In a little field beyond Granton Meadows
There's a spot of heaven under yonder tree
Step aboard my time machine 
The future looks a silent Spring
Listen to the spirits come walk with me

Look around there were trees there were fields
Seems so serene beyond finite ideals
What happened to the simplest of times?
Blood, fire and steel
The old ways die
The old ways die

In the garden of a thousand candles
Dreams await you
Silently stare at the walls
Gold adorns you
Fantastical colors
Dreams awake you 
Lead where you dare

Over and over dreams falling over
Over and over lead where you dare

Pete Austin is The 1969. Playing electric and acoustic guitars, bass guitar, piano and mellotron, lead and backing vocal. Mixing and drum loops.
Released January 2022. Recorded throughout 2021.

The Garden of a Thousand Candles

I'm very glad to share this great piece, came through an intense step by step collaboration with Jowwwafi. It started by fitting one of my old poems to some chords he sent to me, then... well you'll get the best description by listening to it 5 or 6 times ;)
Feel free to check our previous collab https://soundcloud.com/jowwwafi/nowhere, and his whole cloud @Jowwwafi.

Letras / Lyrics

Escucho tu risa  /  I listen your laugh
y oigo tus pasos, espero.  /  and hear your steps, I wait.
Te miro, y al ver tu sonrisa,  /  I look at you, and seeing your smile,
no dudo, te quiero.  /  I don’t doubt, I love you.

La suave fragancia en tu cuerpo jovial,  /  The soft fragrance in your cheerful body,
llegó el amor, tu perfume me excita,  /  love came, your scent excites me,
tu cálido aroma, es primaveral,  /  your hot aroma, is from springtime,
y versos de amor sobre tí me recita.  /  and verses of love about you it recites me.

Tu risa sincera,  /  Your laugh is honest,
tu risa, hermosa,  /  your laugh, beautiful,
tus labios, preciosa,  /  your lips, precious,
hacen que te quiera;  /  they make me to love you;
si bien yo quisiera  /  Though I wanted
con ellos hacer otra cosa:  /  with them to do another thing:

¡Ay si yo pudiera  /  Ay if I could
besar, tan siquiera,  /  kiss, at least,
tan maravillosa,  /  so wonderful,
tu boca,  /  your mouth,
color de la rosa!  /  color of the rose!

©2014 JOWWWAFI & E-RUIZZO – ®2014 FRANCÉS RECORDS ;P

Tu boca, color de la rosa (with Jowwwafi)

You're Out Wasting

u n me (ft.Lych)

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

I FLY 
Music, words and production : Bruno Chassaigne 
Guitar, vocal, keyboards & machines : Loony De Bussy 
Art cover : Nataly NGM

I Fly

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

After en el mar

After En El Mar

Weirdo

Collab with Roberto Klavi 😃
Music , Mix & Mastering:   Roberto Klavi
Lyrics & Singing:    Just 

Oryginal track:    Cybernetic Dreams -by Roberto Klavi  #SoundCloud
https://on.soundcloud.com/hDjWe.               

Enjoy listening 😃🎶🌺

In the shadow of the night

Sean Nerney:  Strings & Synths
Ben Juul:  Drums, Mix & Master at Tone Hill Studios, NY
Dirk Taubenheim:  Guitars, Bass, Vocals at Vestervang, DK

This is a true story about a beautiful lady from the north. A million thanks to Sean for his magical strings and synths and to my friend and band mate Ben who worked very hard on this song.

Beautiful Helen from the north    you brightened up my dark phase like a torch, scared to ask you but I did      and I was happy like a kid.

You accepted my enquiry      a collaboration of you and me,
such an unexpected pleasure,      what a musical treasure!

I' d never heard a song of you before   when I saw your poster on a wooden door, your beautiful face just caught my eyes   -   I got kind of hypnotised.

You are also on SC      like many others and like me,
your music is stunning,      your voice is so enchanting.

Then I saw your video      of a song that' s called Ayo,
such a beauty, such a grace      in your lovely smiling face.

Oh Helen,      tears are wellin'      because of happiness      that' s how it is
I don' t wanna stress you  -  or possess you - it' s just about a song - why should that be wrong?

It took you ten months to drop a line      writing "sorry, I' ve got no time,
there are so many other things      and every minute my mobile rings".


1/2 VERSE   instr.

Beautiful Helen from the north      you brightened up my dark phase like a torch  and whatever you choose to do      I' ll be waiting for you.

CHORUS

CHORUS  instr. / FINALE

Beautiful Helen  ft. SEAN NERNEY

Composed & Produced by: Chivicke
HomeStudio Productions ©2024
Image: Mat Brown

Loving You 66 Minutes Every Hour

Kindle eBook

Marty Andersson: From the Archives - The Greatest Worst Song in the World

Sweet Bean Jam

Fantasy is a remarkable ability that allows us to imagine things that are not directly present in our environment. It allows us to develop new ideas, create alternative realities and put ourselves in the perspectives of other people or even other beings. Fantasy is often closely linked to creativity and drives innovation, art, literature, science and many other areas of human life. With our fantasy, we are able to approach problems in new ways, empathize with different situations and imagine what could be, rather than limiting ourselves to what already exists. Isn't that a wonderful gift?

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Evo Elysium
Apollo
CRE8 Poly Engine
CRE8 Wave Engine
Colors LoFi Tapes
Colors Tranquil
Colors Tensed
Mimi Page Light & Shadow

100 bpm

Picture by Alexander Roy on pixabay

fantasy

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Low Battery

Another one from previous century cassette !
Hope you enjoy the song despite the lo-fi sound 

I wrote the song, sang and played it 
Nataly NGM made the ideal artwork 🧡🩵

Gotta Get Out Of It - Bruno C

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Siege

one who could fly.

guitar, uke and vocals by andrew salvner (aka lil' spaceman, pretzels malone)

there was one bear (on speed)

pipničarski parazit(demo)

version2:
https://soundcloud.com/fuwatt/supercell-is-approaching-version2

Supercell Is Approaching (version1)

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

UnBoxed March 2024

[ d o w n l o a d a b l e ]

Spaced Out Alien Encounter

Original composition, acoustic & electric guitars, bass, drum programming by Neno J.

Good Old Days

Distorted Love

The Scorpio

comin’ over
to my place tonight
dressed in clover
whets my appetite

i want to know
the afterglow

slide on over
i’ll take it at the light
black bulldozer
tailin’ us tonight

i feel the flow
the undertow

cold turkey
no way
i’ll get there
someday

now it’s over
turnin’ out the light
bruised all over
exiting stage right

i feel the flow
the vertigo
and now you know
the scorpio

--------------------------------------------------------------------

Thanks to Janine Levinson, Cheesemont Paisley-Paisley, and Wheelwright for consultations various.

Image by Hassan Sherif via Unsplash

The Scorpio

My friend and close collaborator @rplanes offered me this great arrangement and the title and theme that he thought might make an interesting subject matter. Initially, I was scratching my head as the topic seemed too vast but then the ideas started to attach themselves to his melodies and I was hooked. Humans en masse appear to be taking wrong-turnings and making things worse rather than better. This is me letting off a little steam with Rod's help. Thanks for taking the time to listen.
Link to tracks on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics
Photograph - Courtesy of Douglas Corrance

Reverse Entropy (by Rodolfo Planes and Mark J Bennett)
We drift from order to chaos,
Like it’s the norm.
Without a sense of pathos,
To see the storm.
Following your safe instinct,
Where it may go,
Or go where you are told.

We let others cloud our vision,
Like they know best.
What happened to our ambition
Never addressed.
Following your safe instinct,
Where it may go,
Before we get too old

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge, and fulfilled by skill.
 
We fall for the theorists,
Like it’s gospel.
Go find yourself some realists,
Who’re less hostile.
Following your safe instinct,
Where it may go,
While you still have a hold.

We’ve been duped at every turn,
By those we trust.
Without alarm or concern,
Now we are bust.
Following your safe instinct,
Where it may go,
If you can still feel bold.

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge and fulfilled by skill.

All our futures are in your hands
With all that it commands
Focus on how it now all stands
Before making your demands.

Reverse Entropy - Continental Collision (by Rodolfo Planes and Mark J Bennett) now on Spotify

Mysterious creatures of the forest.

This is one of those songs, you just had to get off your chest! All of you creatives will understand that. Its not the hippest or the coolest song , even the music  is understated and the production is lacking, but the words are where the heart is .

Thank you for all of your wonderful plays playlists and shares, very much appreciated!


(c)  Vocalatti ASCAP

Deep Blue

François TAMBY: guitars, drums, bass, arrangements and production
Aline TAMBY : all voices

   A song that rocked my late teens; I've always loved the lyrics, the "Kenloachian" video, Jimmy Somerville's voice and the melody, but much less the synthetic arrangements and 80s production. It's a world far removed from our own, so we've freely reinterpreted the song in our own way...

 Une chanson qui a bercé ma fin d'adolescence ; j'ai toujours aimé les paroles, le clip "Kenloachien", la voix de Jimmy Somerville et la mélodie, mais beaucoup moins les arrangements synthétiques et la production des années 80. C'est un monde très éloigné du nôtre,  nous avons donc librement réinterprété la chanson à notre façon...

CIACCO-Cover-Smalltown Boy-Bronski Beat

takechee

Jellyfish

Written, performed and recorded by Neli Coko, all rights reserved, 2024. Headphones welcome. 
*~~*~~*~~*~~*~~*~~*
Thank you for listening :) 
*~~*~~*~~*~~*~~*~~*
Lyrics:
It´s all so beautiful, it´s oh so beautiful :II
Your eyes, your smile, your voice, your mind
Your hands, your charm, your thoughts, your moods
It´s all so beautiful, it´s oh so beautiful :II
Your strength, your brain, your pain your doubt
Your back, your lips, your food, your arts
It´s all so beautiful, it´s oh so beautiful :II
Your words, your hope, your skills, your home
Your heart, your soul, your kiss, your care, your love
It´s all so beautiful, it´s oh so beautiful :II

Beautiful

I BRING THE NOISE  feat. IPG1 & Paploviante
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Production and Arrangement

I Bring The Noise feat. IPG1 & Paploviante

I often wonder what people are talking about when they write the usual "love" song: my love is higher than a mountain/deeper than a sea/Iit will last forever ( then they add a day. great line John Prine!!)
I really think these songs do a disservice to love and confuse the inexperienced as to what to expect.
Relationships are not easy. Love at first sight is usually more physical than not and so is fragile . 
Respect/devotion/selflessness to some extent are all needed among other difficult traits to make a relationship ( ie love) last through time

lyrics

Love is not a gentle breeze
that takes you where you want to go
love is work
love is hard
not pretty birds singing in your yard

Love doesn't happen at first sight
It's not about soulmates or perfect fits
Love is give
Love is take
And do what you must 
to fix the breaks

It's about forgive it's about forget
It's not just about sex or lust
patience
trust
passion 
devotion

Love is biting your lip
It's about clenching your toes
Take the blows
take the bows
make it work
no matter how

Love is not quitting
or turning your back
take the good
with the bad
take the happy 
with the sad

Love is not the highest mountain
Love is not the deepest sea
Love is two people there for each other
Hand in hand before all others
and especially before themselves

Love is..(or isn't)

Before The Sakura Fall

Lyrics 

Can’t shake the feeling 

I made my way home 
To my television 
Tried to sell my soul
But didn’t have permission

No one knows 
Im the second coming 
I’ve failed on my own 
But I’ve had the calling

Live your life in reverse
And you feel your cursed

Can’t shake the feeling 
Can’t shake the feeling 

Your demons unearthed
Hiding in the masses 
I’m shouting up first 
Sat on the second class list

Life Live in reverse
And your feel your cursed 

Can’t shake the feeling
Can’t shake the feeling 


Live your life in reverse 
Feel like your cursed 

Can’t shake the feeling
Can’t shake the feeling

V3- 
Your moneys no good 
Can’t buy your way out 
But if you act like you should 
Please Whisper don’t shout 

Live your life in reverse 
Feel like your cursed 

Cos They seek to destroy 
Your world is their toy
You stand in line 
And you nod in time 
The worlds at your feet
But it feels like a defeat 

Bridge)
Can’t take this 
It’s mayhem 
Time to take your  
Medicine 

Some Angels 
Some demons 
Deal your fate in an instant 

Can’t shake the feeling  
can’t shake the feeling 
Can’t shake the feeling

Life Live in reverse
Cant find the meaning 
Feels like you’re cursed
Can’t shake the feeling x3

Cant shake the feeling

This song is again recorded with my phone. (Next probably a DAW song!) Motörhead has a cover of "Johnny B. Goode", so I Iistened to the original from the 50s! Chuck Berry Rock ‘n Roll. The intro is great, there are more songs with similar intros. They are so cool that I wanted to learn them at the end of last year and did. In this song, I just use my version of it as the intro. I play it a little lower so it's appropriate for my song. The last chord of the intro is the 1st chord of my song, except I play it as a power chord instead of a major chord. Some of my intro version is pretty much like the original, some is my version. It's really fun to play with these Rock ’n Roll intros, I could do it for hours. In one of the covers of the songs with these intros, the one with Beethoven in the title, there's an orchestral version of Beethoven's famous symphony at the beginning. I wanted that too, but of course only on my guitar, so I made up a guitar version of it and put it in front of the Rock ‘n Roll intro. Only after that my own song begins. It's even more freely than my 1st song here. I know the chords and riffs and lyrics, but decide always when playing when to change the riff. So the recording is a way for me to learn to produce one special version and not play it differently each time. You will hear that it is played and sung very freely. So consider it as a song performance for friends, not really a well-structured and finished song. Furthermore, I play nearly everything as slides, so it is harder to play then it sounds. I wanted to play it a bit faster, but it was not possible, this is the fastest drum accompaniment my amplifier has, it doesn't go any faster. One the other hand, for some parts of the lyrics it would be really difficult to sing it any faster.
Since someone asked for the lyrics of my last song I provide it here:
Guitar Heros
Guitar heroes of the past, may be gone, their music will last.
Chuck Berry, Jimi Hendrix gave us all the great licks
Angus Young, so alive, plays day and night
Eternal guitar riffs sound so loud
Make Berry’s Rock’n’Roll proud

Guitar heroes of the past, may be gone, their music will last.
Eddie van Halen’s fire hand, Tony Iommi’s powerful band
And not forget all the women of Rock:
Lita Ford’s solos wild and bold
Joan Jett’s chords breaking the mold
From their style I find my own
Like from seeds they have sown
With their songs I find my way
Getting better every day
Discovering riffs old and new
Offers a lesson for me and you
For me and you, for me and you

Guitar Heros

Get the free original long version, part1 & part2, avant-première 😲 freeload 🤪🤩😄✌️ @ ;
https://hearthis.at/trancylvanian-records/thepsychosymphony-part12-originallongversion-24524/

2024

PsychoSymphony part2

Psycho Symphony-part2-2024

Composition and Sampling collage by Synline
Artwork by Tung Lam

Addictions

Пожалуйста, только не домой

Hunter

Money

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

The Scorpio

Jonathan Beckenstein