This profile is a mix of my productions and DJ sets.

I've been making music & DJiing pretty much my whole life, starting with mix tapes when they were tapes.

I've worked with Bedrock & West End Records, and recently with @moomsound, Airtight + Hooj Choons.

I make music with machines, not computers and work between London and Ibiza - my studio is a mix of vintage and modern drum machines & synths. 

I also put on parties and DJ in London and Ibiza inc Cheeky, Bless This House and Community Spirit, plus my residency at Milk Face in Shoreditch, East London at the amazing 333 Club.

Follow my Insta for news : https://www.instagram.com/midgesmusicmachines/

UK electronic music performer and recording artist. 
Bookings: michael.matuschek@triangleagency.com

BLACK LINE is an experiment with a collaborative approach. With a small core team, each track represents a moment in time, constantly evolving in both style and collaborators. Using both analog and digital equipment, new and old techniques to capture a unique sound through its recording process. With their first release in May, and touring in late 2017, BLACK LINE continues to define its signature sound. 

Collaborators: 
CYRUSREX
DOUGLAS J. MCCARTHY
KEN HIWATT MARSHALL
ZACK MEYERS
BRAD APODACA
ANTHONY BALDINO
BASECK
BON HARRIS
MICHAEL PROPHEI DIETEL
JON BATES
PAUL BARKER
CHRISTIAN EIGNER
MARK WALK

'Platform' out on 4AD/RVNG Intl.

http://www.4ad.com/releases/22603

Connecting club culture to the wider world, on screen and irl through parties, film and video.

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Jonathan Brain is following