Ballad Of The Pines

Woe Is Me

Devendra Banhart - Woman

March 6, 2014
Live at the RISD Museum
Providence, RI


Philip Glass - Two Pages (live at the RISD museum)

(lyrics)
Bad bitch walks in with leather boots
How could I get over you
I wish I could feel you
Sign to the devil with blood on my neck
Is it hers I can't tell it's wet
It's so, so red

Slow dance turn the music up
So hush baby wanna show you some
Feel like you, washing blood off my black heels
And I write a million songs
But not one of them includes you
Oh how could I lose

You smoke reds and I smoke weed
Two different highs but we still feel the need
To feel, to be pleased and
Whatever the fuck we wanna be

By the time I arrive you would hang by the side
What you feel in the moment but I can't
Tell that you feel it more
Need a moment of silence a moment of silence
Cause they keep on talking too loud
So I wouldn't want to feel

Slow dance turn the music low
So hush baby wanna show you some
Feel like you, washing blood off my black heels
And I write a million songs
But not one of them includes you
Oh how could I lose
I love through a crystal ball
The only way that I could conjure you
Can I touch you too
You only let a select few
And I write a million songs
But not one of them includes you
Oh how could I lose

Bad bitch walks in with leather boots
How could I get over you
I wish I could feel you
Sign to the devil with blood on my neck
Is it hers I can't tell it's wet
It's so, so red
I'm light, light as a feather babe
Hold me until I go insane
Love me but don't love me the same
Only as someone to play
My shadow's just as scared as you
Someone to find and yet someone to lose
But how can my heart, hard to bruise

i love through a crystal ball

Long For You
By: Matt Menovcik



V1 
I try  I try talking
But I just
Talk to softly in this noise
And it’s
Probably better
Because I don’t 
Know what to say
To you 

C 
But I just can’t find my way
I just can’t make it through
I really hate these days 
These days when I long for you
For you 
 
V2
Oh, your 
Bleach blond hair
And your 
Soft blue eyes, so wise
When you
Look at me
It’s hard to breathe sometimes
With you around

C

Br 
And sometimes
When you hold me tight
I know there’s no chance that this might
So I just let you go
From me

C
Long for you
Long for you

Long For You (demo)

Transit

If Music Was That Easy

Live At The Venue

Never Known

From the Near Negative EP available December 15th, 2017 from Western Vinyl

"Monday Give Me Monday" showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Monday Give Me Monday"

Can 3CD Box Set - 'The Lost Tapes' released on Mute on 18 June (Europe) /June 19 (US)

PRE-ORDER NOW: http://bit.ly/can-thelosttapes
US: http://amzn.to/Jdnvds

For more information sign up here: mad.ly/signups/50703/join

Limited edition 10" square, old fashioned tape box style packaging with 24 page 10" booklet.

Includes exclusive sleeve notes by Irmin Schmidt and Ian Harrison.

The Lost Tapes is a 3 CD set of unreleased tracks, they are an opportunity to hear unreleased material, brand new tracks as if you were there, from the halcyon days, not outtakes.

The tracks cover the period from 1968 through to 1977 and were compiled by Irmin Schmidt and Daniel Miller.
The album features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.

Irmin Schmidt explains "Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn't allow forgetting."

Official Store

CAN - A Swan Is Born

Holy Hive, the group that coined the genre Folk/Soul, comes out swinging with this monster Single. “Oh I Miss Her So” is pulled from their upcoming release Harping EP: a drop dead gorgeous tune of love and longing featuring the harping of Mary Lattimore. The tune serves as a testament to The Hive’s gift for songwriting and arrangement, taking the listener on a ride from the first notes of Paul’s falsetto to the outro featuring Dave Guy’s (The Roots) gorgeous trumpet solo. 

Taken from the upcoming Holy Hive EP "Harping". 

BIG CROWN WEBSTORE: 
 https://bigcrownrecords.com/store/harping-ep/

Stream on Spotify:
https://open.spotify.com/artist/1AcZuMRjIAdmksbzApOXnw


Follow Holy Hive:
https://www.instagram.com/holyhivemusic/
https://www.facebook.com/holyhive
http://www.Holyhivemusic.com

Visit us at:
https://bigcrownrecords.com 

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://www.instagram.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.mixcloud.com/BigCrownRecords

Woe Is Me

jonathanwilson