love those analog space whistles.  Isao Tomita

From Solvent's original OST: 
"New Ways: music from the documentary I Dream Of Wires"

Order DIGITAL (via Ghostly International): 
http://www.theghostlystore.com/products/solvent-new-ways

Order PHYSICAL (via Suction Records):
2CD: http://www.science-with-synthesizers.com/products/solvent-new-ways-2cd-deluxe
VINYL: http://www.science-with-synthesizers.com/products/solvent-new-ways-vinyl

Official Video: http://www.youtube.com/watch?v=WzKdTpZ3KFw

This is track#8, "Pattern Recognition". Every sound on this record was created from scratch using a variety of modular synthesizer systems.

Pattern Recognition

Woe Is Me

Kult

Fantasmagorie

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - The Quiet At Night

EGYPTOLOGY "Sur Les Autres Mondes" (LP/DL)
Release date: 23rd March 2018

Cat.#: HITD 036
All tracks composed, performed & recorded by Stéphane Laporte & Olivier Lamm
Mixing @ Red Bull Studio, Paris
Mastering by Mike Grinser @ Dubplates & Mastering, Berlin
Images by Lucien Rudaux
Layout by Jean-Philippe Bretin

Label, orders: www.handsinthedarkrecords.com

EGYPTOLOGY - Wunder Der Schöpfung (Merveilles de la Création)

Efrim Manuel Menuck
Pissing Stars

Constellation
CST129
Out 02/02/18

Efrim Manuel Menuck • "LxOxVx / Shelter In Place"

Susumu Yokota - my energy

Broken Politics

Black Monday

Return of the Sun

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



Pattern Recognition

solvent

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