From Solvent's original OST: 
"New Ways: music from the documentary I Dream Of Wires"

Order DIGITAL (via Ghostly International): 
http://www.theghostlystore.com/products/solvent-new-ways

Order PHYSICAL (via Suction Records):
2CD: http://www.science-with-synthesizers.com/products/solvent-new-ways-2cd-deluxe
VINYL: http://www.science-with-synthesizers.com/products/solvent-new-ways-vinyl

Official Video: http://www.youtube.com/watch?v=WzKdTpZ3KFw

This is track#8, "Pattern Recognition". Every sound on this record was created from scratch using a variety of modular synthesizer systems.

Pattern Recognition

One of the pieces I wrote as part of the score to the 2012 documentary film, "Outliers Vol. 1: Iceland".

More info here: www.outliersiceland.com

Choir (Outliers Vol.1)

Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
UPC
199800919473
Release Date
Nov. 24, 2025
Primary Genre
Easy Listening
Secondary Genre
Easy Listening
Primary Subgenre
Background Music
Secondary Subgenre
Instrumental Pop
Mood/Style
Type: Instrumental
Album Language
English
Artist Sounds Like
Add Info
Artist Location
Canada

Little Reminder

The idea for this track came to me when I was listening to the rattling of a passing train in Tokyo. I imagined the sound to be extremly slowed down.

November - 11月

Tuxedomoon / Cult With No Name - "Do It For Van Gogh"

múm (Gunnar Örn Tynes, Örvar Smárason & Samuli Kosminen) live at Radialsystem on 14 February, 2016.

Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, performed an improvised live score to “Menschen am Sonntag”, a masterpiece of silent film. 

Special thanks to the artists for a great performance, to Jan Gieseke for the amazing sound and to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

múm plays Menschen am Sonntag @ UM:LAUT -  Live Snippet 1

What Is Love [uncut]

Irrepressible Dutch electronic producer Kettel steps up to deliver his unique take on Lost Idol's Mechanically Void, a track lifted from the forthcoming new Lost Idol longplayer Chrome Machine Tales. End of summer vibes abound on Kettel's remix as he rouses the discotheque with sprightly beats and his unique melodic flair from the get-go.

Mechanically Void Kettel Remix

EGYPTOLOGY "Sur Les Autres Mondes" (LP/DL)
Release date: 23rd March 2018

Cat.#: HITD 036
All tracks composed, performed & recorded by Stéphane Laporte & Olivier Lamm
Mixing @ Red Bull Studio, Paris
Mastering by Mike Grinser @ Dubplates & Mastering, Berlin
Images by Lucien Rudaux
Layout by Jean-Philippe Bretin

Label, orders: www.handsinthedarkrecords.com

EGYPTOLOGY - Wunder Der Schöpfung (Merveilles de la Création)

Christopher Willits - Olancha Hello
taken from Oktaf#04
Various Artists - Lost In The Humming Air (Music inspired by Harold Budd)
Out on Oktaf (Kompakt) april 9th.

Buy CD/DIGITAL at: oktaf.bandcamp.com

Also at:
itunes:
http://itunes.apple.com/de/album/sleepover/id511873032?i=511873124&ign-mp...
boomkat:
http://boomkat.com/downloads/507702-various-oktaf-lost-in-the-humming-air-mus...
beatport:
http://www.beatport.com/search?query=music+inspired+by+harold+budd
bleep:
https://bleep.com/release/35734

With "Lost In The Humming Air - Music inspired by Harold Budd" oktaf records announces an amazing collection of thirteen exclusive tracks made by a selection of some of todays best known ambient music producers giving their tribute to the outstanding piano legend Harold Budd.

The playlists features names as: Deaf Center, Loscil, Martin Fuhs, Biosphere, Xela, Marsen Jules, Andrew Thomas, Mokira, Christopher Willits, Taylor Deupree, Rafael Anton Irisarri, Porn Sword Tobacco and bvdub feat. Criss Van Wey.

Well known for his spaceful piano playing and his early cooperations with Brian Eno, Harold Budd has inspired a whole generation of modern protagonists of ambient, jazz and especially the so called modern classical genre. WIth his recent releases on David Sylvians Samadhi Sound label as well as on Darla, he is still showing his outstanding musical genius to the world.

"Lost in the Humming Air (Music inspired by Harold Budd)" will be released on April 9th (March 26th digital) on oktaf records. Exclusively distributed by Kompakt.

Olancha Hello

Ze - Ka

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.

