Follow us on Spotify >>https://open.spotify.com/user/runthetrapofficial

& Youtube: http://youtube.com/user/RunTheTrapTV

SNAPCHAT: runthesnappp

Submissions: rttsubmit@gmail.com

Follow our friends >> @toofutureshop

&
@too-future-mixes
@run-the-traps-lost-gems
@rtt-the-inbox

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

was a website but those r dead now

nts show: http://nts.live/shows/michael-washington
twitter: http://www.twitter.com/michaelwashh

BOOKING INFO

North America booking - 
Alex@abtouring.com
Brian@abtouring.com

Europe/UK booking -
juliencorre.paris@gmail.com

Figure has been a household name in bass music since its American adaptation , with a catalog that spans over 15 years , more than 14 albums , and hundreds of songs. He's best known for his signature, aggressive sounds mixed with horror themes. Figure continues to release new music with various labels, friends and peers in the bass community. A touring machine, Figure feels at home on the road .. he's been around the globe many times over and recently celebrated the 14th anniversary of his Monsters series of albums and a regular contributor for Universal's Halloween Horror Nights theme parks.

     Arkasia began playing violin at age 5. By age 10 he play with an orhestra and by 12 was collaborating on the creation of mini-operas. A self-taught drummer in a metal band by 2000 he began to compose electronic music founding the ADAPTEK's collective with two friends. This collab led to the creation of the band ANTROPOD and the live performance infoumasly known as Polakatek. He left the collective in 2008 to pursue his own projects.

      His influences include classical, speedcore, breakcore, dnb, trip hop metal and more. Some of the biggest influences are Venetian Snares, Aphex Twin, Meshuggah, Bjork, Autechre etc... Those influences can be felt a lot in his compositions, trying to mix a maximum of those style into one direction. 

     In 2011 he began approaching Dubstep trying to create something new and personal with heavy distorted basses, gabber-like synths melodies with the very melodic foundation.



Since its inception in 2009, the Archnemesis sound has been in a constant state of evolution. With musical beginnings firmly established through a strict regimen of classical training on the cello and piano, eventually jazz theory and composition crept in, and more instruments like bass, drums and guitar were discovered and learned. The culmination of this vast musical knowledge ultimately shaped the Archnemesis sound before propelling it through a variety of analog stratospheres and into the digital realm of electronic music production. 

With a sound based primarily in, but not limited to, “electro hip-hop soul”, Archnemesis continues to evolve musically and socially by encompassing all styles and genres of music while simultaneously welcoming in all the fans that follow those genres.

Through extensive national touring, Archnemesis has created a steadily growing fan base aptly dubbed the “Nemesis Army”, and strives to create an un-biased community both online and at live shows where anyone can express themselves without discrimination. Also, by using music as a platform for outreach, Archnemesis is constantly generating new and innovative ideas to foster a community and encourage change.

When not touring, Archnemesis has managed to compile an extensive catalogue of EP’s, LP’s remixes and collaborations. Beginning with the 2010 release of the EP Diamonds and Glass, the full-length albums People’s Radio and Every Man For Himself were well received by fans and critics alike. The remixes of Kendrick Lamar’s “Backseat Freestyle” and Fetty Wap’s “Trap Queen” both charted on The Hype Machine and see extensive play from DJ’s across the country. A fourth EP, Follow Me, was released in July of 2013, and it took an even bigger step towards truly defining the Archnemesis sound. With the latest EP Free For All, the move towards solidifying the Archnemesis sound was complete.

Every Archnemesis encounter is a full sensory experience that is highly charged and delicious. This energetic live approach has been brought to such acclaimed festivals as The Hangout Music Festival, Wakarusa, Lights All Night, Camp Bisco, Electric Forest and SnowGlobe, as well as theatres and clubs across the country. With momentum building and no signs of slowing down, Archnemesis continues to create an amazing live experience while steadily growing the ever-faithful "Nemesis Army" and working towards a positive change through music.

jonissan91 is following