Scratch

Quirky, fun, unexpected, D'Aglio's music leaves you wondering what's with those titles, what's the story? Experimental pop, jazz-funk, electronic, trip hop, soundscape, subtle, whimsical.

51beats “an electronic experience” is a Cultural Association, acting as an independent label since 2008. Our prior objective is to discover and promote new artists in the electronic music scene. Unconventional sounds and experimental electronic music are our focus.

Some more (old) mixes: https://app.box.com/s/ef7xy5sudqa7us2j3lf9cp5hhrm8g646

Salut, je suis Vladim
Hi, I'm Vladim
Hallo ich bin Vladim
你好，我是弗拉基米尔
Hola, soy Vladim
Hej, jag heter Vladim
Ciao, sono Vladim
こんにちは、ウラジムです
Cześć, jestem Vladim
Hallo, ik ben Vladim
Привет, я Владим
Merhaba, ben Vladim
Olá, sou o Vladim

Raised in a small village in the very north of the Netherlands and currently residing in Utrecht, Feitsma essentially contributed new nuances to the ever-increasing scene of piano-driven music - an instrument he started to sink his teeth into at an early age already - with his 2019 debut “Under“. The album combined the timeless with the contemporary, offering an intense ride which instantly triggers a palette of emotions among the audience they weren’t aware they were hiding. Two years later, Feitsma’s exploration of the manifold possibilities to manipulate and exhaust his trusted piano continues with a 15-track album titled “Flux“, which feels like the logical successor to “Under“, even though it isn’t shying away from subtlety breaking fresh musical ground. The music of Joram Feitsma is an elaborate affair, it’s deeply heartfelt, it’s sensual, it’s ambivalent, it’s volatile, it’s stunningly beautiful - it’s a work of transience that’s here to stay with the power to emotionally destroy you in the best possible way.
–	Sven Fortmann, Lodown Magazine, on Flux and Under

Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. Even the playing is exhilarating when it is being quiet. The thing about experiencing Stroom is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time. 
–	Greg Fenton, Magazine Sixty, on Stroom

Live:
13/9/25 - Nijmegen, Stevenskerk
20/9/25 - Deventer, Schouwburg Deventer
3/10/25 - Eindhoven, Podium Ongehoord
4/10/25 - Arnhem, Rozet
19/10.25 - Bergen op Zoom, Markiezenhof
1/11/25 - Venlo, Co. de Cultuurontwikkelaar
16/11/25- Hoorn, Rozenkruis
11/12/25 - Tivoli, Utrecht

http://www.facebook.com/odessaofficial
https://www.facebook.com/odessa.dj
https://www.mixcloud.com/dj_Odessa
https://soundcloud.com/dj-odessa

Odessa is able to transcend dancefloors via a full of dreamy soundscapes since 2001. She discovers electronic music in debut 90' and gets a very accurate musical and artistic sense, getting a experienced pianist. 
She has quickly conquered a large audience and became an underground club burner with her catching sets, and she has become an acknowledged and cheered artist in the most prestigious clubs around having devoted almost to moving dancefloors from France, Europa to North-Afrika.
She was in residency in well-known clubs in Paris, like “RedLight”, (with the famous "Hypnotik" parties with Fafa Monteco..), “Bains-Douches”, “Folie's Pigalles”, “ShowCase”, "Triptyque / Social Club" and a lot of massive officials events 
Odessa plays next to dj’s like John Digweed, Dave Seaman, Ferry Corsten, Oxia, Fafa Monteco, AudioJack, Tom Pooks, Oscar De Rivera, Pablo Ceballos, Paul Nazca, Tom Parris, Delon & Dalcan, Jérome Pacman, David Kane and more..  For a 1000-to-10000 clubbers growing audience in order to inoculate her mesmeric and catching fresh sets with grace and delicacy, between progressive house & trance, breaks, new beats, minimal punchy and emotive groovy techno, disco or psyché-rock.. You'll never know what you will discover ...