Live

A Start – ID – Mela – Twin – There – Amber – Questions – Ether – Thrown In - ID - ID – Sera - Rue Des Orteaux – Rain (Live at DUMS, Utrecht / July 2021)

Live at de Marnixzaal van De Utrechtse Muziekschool, Utrecht / 3 July 2021

Like many of you probably, spending the days at home… so decided to record a little ‘mini-at-home-concert’ with one old and two new songs as a contribution to Piano Day 2020 which will take place next week on the 28th of March – the 88th day of the year. Eerie times… you can literally hear the sound of sirens of hospital cars in the background… Wishing you all good health, take care.

Twin - ID - Scratch (Mini - Piano - Day - 2020 - At - Home - Concert)

Audio from the Xjazz online festival take, visit xjazz.net to see the video and other live streamed performances!

Live From Home I (Scratch - Loved - ID - Rain) @XJAZZ Online Festival

Audiotake from the 7th of May livestream, streamed through NeoFM and XJAZZ Online Festival

Live From Home III (Pause - ID - Disenchanted - Rain - Twin - ID - Far - Ether - Scratch) @NeoFM

Snippet of the 8th November livestream at the DUMstad series at De Utrechtse Muziekschool, including a little interview by organizer Peter Bijl. Please enjoy :)

Soll Es Sein - Lente - Rain (Live At DUMstad, Utrecht / November 2020)

Once more... live from home: a friday morning improvisation with Pete Barnes on electric guitar

Live From Home IV (Christmas Special - A Friday Morning Improvisation With Pete Barnes)

Follow @joramfeitsma / @niewiederschlafen

No More Sleep - Series :
https://soundcloud.com/niewiederschlafen/sets/no-more-sleep-sets

Here and there people speak about similiarities between certain electronic and classical music - the deeper listening experience, that envokes certain emotions through purely melodic progressions, that are bathed in crescending storytelling. The Neoclassical movement further intertwines the symbiosis of these fairly different genres and might underline the comparison between the two. After the rise of world-renowned artists like Nils Frahm, Olafur Arnalds and others, the artistic pool has started to grow within this direction.

With an ear for hypnotic repetitions and mysterious tension, Joram Feitsma further developes the spheres of neoclassical music. His dexterity and courage to push for improvised sections, that are created through his hands and onto the piano, introduce you to indescribable atmospheres. Through a strong focus on the back-and-forth play between silence and loudness, Joram captures unfiltered and vast emotions from vulnerable to ecstatic, while mostly relying on melancholic ideas that feel deep and connecting. This special set today is a first taste of Joram's ability to create a wide space, to invite you into a ride of emotional weight, while exploring various places and feelings, going up and down and hopefully taking your hand into a fascinating genre, created by just one instrument and two human hands.

No More Sleep w/ Joram Feitsma (Live)

Raised in a small village in the very north of the Netherlands and currently residing in Utrecht, Feitsma essentially contributed new nuances to the ever-increasing scene of piano-driven music - an instrument he started to sink his teeth into at an early age already - with his 2019 debut “Under“. The album combined the timeless with the contemporary, offering an intense ride which instantly triggers a palette of emotions among the audience they weren’t aware they were hiding. Two years later, Feitsma’s exploration of the manifold possibilities to manipulate and exhaust his trusted piano continues with a 15-track album titled “Flux“, which feels like the logical successor to “Under“, even though it isn’t shying away from subtlety breaking fresh musical ground. The music of Joram Feitsma is an elaborate affair, it’s deeply heartfelt, it’s sensual, it’s ambivalent, it’s volatile, it’s stunningly beautiful - it’s a work of transience that’s here to stay with the power to emotionally destroy you in the best possible way.
–	Sven Fortmann, Lodown Magazine, on Flux and Under

Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. Even the playing is exhilarating when it is being quiet. The thing about experiencing Stroom is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time. 
–	Greg Fenton, Magazine Sixty, on Stroom

Live:
11/12/25 - Tivoli, Utrecht
17/3/26 - Muting the Noise, Berlin
18/3/26 - Muting the Noise, Berlin
30/9/26 - Kloosterwelle, Noordwelle