Rising through the ranks, Dyslecta has firmly asserted himself as an innovative talent amongst the UK circle. Building forward-thinking club weapons that challenge the listener with unknown twists, whilst complimenting his heritage in UK breaks & rave. An expert in music production & sound design, the Yorkshireman has evolved into a weighty talent, encompassing DJing and creative design into his armoury. 

Another member of our family, Dyslecta released his ‘B&H Black’ EP on Ape-X Records last August. The debut EP speaks of a depth of understanding that belies his tender years and hints at a very exciting future. Since then he has moved forward with a number of well-received releases on Dim Sum, Out of Sorts & Paradiso. Gaining regular recognition from Zenker Brothers, Moxie, Emerald (Radio 1) and Tom Ravenscroft (BBC Radio 6).

Dyslecta offered a few words around his positive outlook on his experience as a producer during lockdown, as he looks ahead to clubs reopening…

“I have been getting loads of plays and feedback off people I really respect so to see them enjoying my music is a massive sign of gratification for me and I’m excited to hear my tracks played out at clubs and festivals”

Dyslecta has designed a mix that takes the listener on a warping path through built up tension, UK broken beats, 4/4 techno, slapped-out grime & jungle. We invite him to showcase his crafting ability as the 4th APECAST guest.

Dyslecta: 
@dyslecta
https://www.instagram.com/dyslecta/
https://ape-xrecords.bandcamp.com/album/apx03-dyslecta-b-h-black-ep

Ape-X:
www.instagram.com/apexncl/
www.facebook.com/apexnewcastle
ape-xrecords.bandcamp.com/

APECAST004 - DYSLECTA

SUPER Daronne • Neida Invite SUCHI

Rinse France Podcast

Download

YTP - 19 Octobre 2021

@DARKSIDECULT

"CLOSE YOUR EYES & LISTEN"

TRACK LIST

SIDE A: 
1. HAY ST
2. GET BUSY

SIDE B:
3. 6PM IN THE CBD
4. POOL RAVE ʼ99

**FULL STREAM ON OTHER PLATFORMS**

SUAAVI DEBUT PROJECT

Close Your Eyes & Listen

PURCHASE

CLOSE YOUR EYES & LISTEN | EP

Edit time.

Deniece Williams’s soul-stirring single ‘Free’ first flew onto the scene in 1976, from her debut album This Is Niecy. Co-written by Williams alongside Hank Redd, Nathan Watts, and Susaye Greene, and crafted under the masterful musical direction of Maurice White and Charles Stepney, the track marked her breakthrough as a solo artist. It soared to No. 2 on the US R&B (Hot Soul) chart and cracked the Billboard Hot 100 at No. 25, but it was across the pond in the UK where it truly reigned – holding the No. 1 spot on the Singles Chart for two weeks in May 1977.

Blending intimate, whispery vocals with lush, soulful instrumentation, ‘Free’ became an enduring emblem of heartfelt expression in the late-’70s soul scene. My take — made for the funky floor. To ease out your shapes. Practised and new — go get ‘em...

Bandcamp

Deniece Williams - Free (Cosmo Jam's Believe Edit)

Solarmor est un voyage house solaire, pensé pour les couchers de soleil et les soirées d’été en bord de mer. Un groove chaud, des couleurs lumineuses, et l’énergie unique d’un hymne estival qui résonne jusqu’au bout de la nuit 

NOOD (FR) - Solarmor

Link to website + full interview ->>> http://www.feelmybicep.com/fmb-mixtape-140-kessler/

Tracklist in the comments :)

FEEL MY BICEP MIXTAPE 140 | KESSLER

Orainn 02 is the second release on R.Kitt’s imprint. After initially setting up the label to release previous material featuring in live sets from festivals and club gigs last year, this release consists of brand new tracks all put together after the world fell apart. In R.Kitt’s words

“I felt like a lot of that old music was too intrinsically linked to a time and setting that doesn’t feel in any way relevant anymore. The environment of spaces like dance clubs or big open festival fields full of thousands of people seems so far away and the horizon isn’t even in sight, and it feels weird to try and understand or comprehend music that was made for those settings in a meaningful emotional way right now. Instead, this release tries to draw out some of the feelings I’ve been experiencing since everything changed.”

Volatile emotion is at the core of each of the 4 tracks on this EP. The opener, Dance Zoned, is a naïvely hopeful, rollercoaster paced, breaks infused piece that tries to distil meditative moments of elation found during this time. Due To reflects a more post-apocalyptic vision, robotic and desolate but buoyed by melodic bursts that serve to break through the cold atmosphere with injections of warmth. It’s Leaving Me feels like it is both tragically sad yet peacefully accepting, reflecting on loss, growth and change. The EP is rounded out by Not That Way, a foot down, all speed, no chance of stopping kind of tune.

These are not just tunes for the club space, which obviously doesn’t exist at the moment in anyway that we were previously familiar with. But the music is intended to summon the same kind of emotional release that we experienced in those spaces, in whatever environment you want, until we return.

Mastered by Marco Antonio Spaventi
Artwork by Mel Keane

Orainn 02 Clips

X-Coast recorded live in the Bad Room for the @sorry-records livestream on 1.29.21.

Good Room is currently closed due the COVID-19 pandemic. If you would like to donate to the club to help cover staff and fixed costs you can donate on Venmo @goodroombk or PayPal - paypal.me/goodroombk

You can follow X-Coast on Soundcloud at @x-coast

DONATE

X-Coast - Sorry Records Livestream - 1.29.21

Mix Series Vol 001 - Matt Finnegan

So glad to be back all by myself this month! Two hours of Bass Bin belters, bouncy House and some Breaks/Rave bits for good measure await you :)

We Just Used To Like on DDR #17 24/2/21

Irish Artist & DJ in London / co-founder of SMUT Press

all inquiries: jordanhearns@gmail.com

We Just Used To Like on DDR #17 24/2/21

Jordan Hearns