FH HF is mainly known by her structured randomness of sound.  Her compositions build upon overlapping synth melodies that ascend variety by impromptu spacing between internal harmonic details or tones, where each frequency is integer through subtle variations of similar patterns.

"What was a crucial sound experience in your life?  "
The first blink when I appraised how much I didn't know when I started composing, and that I wouldn't be conscious of anything if I knew.

LINKS
Spotify - open.spotify.com/artist/5WY7jx9Z0SpAS2cv59OCDG  
Soundcloud - soundcloud.com/kunuist

SOUND MATERIAL AND IDEA  
Film without pictures as sound photography, the basic idea of the mix is to combine tones with a specific frequency response to enable subjectively reliable measurement of noise for creating an aspect for the entire visual image.

Tracklist  
Asmus Tietchens + Richard Chartier (Fabrication) 
Kim Cascone - Residue
Bondage  Else Marie Pade + Jacob Kirkegaard - Nimbostratus
 Natasha Barrett - Innermost
 Burkhard Beins, Enrico Malatesta, Michael Vorfeld, Christian Wolfarth, Ingar Zach - Adapt/Oppose  
Ecker & Meulyzer - Melting Refuge
 Olan Mill - The Point, the Circle and the Sphere
Black Elk - Lost Hearts 
Kim Cascone - Statistically Improbable Phrases
 Jørgen Plaetner - Continuo
 Paul Lansky - Still Time, Second Tableau: Street Scene 
Svarte Greiner - Hellebore

MNEMOSYNE #029 - FH HF

From the artist:

"While making this album I was inspired by the scientific themes and topics expressed by both 1970s magazine "Radical Software" and 1980s magazine "OMNI" for their influence on the video synthesis and broadcasting culture of our present day. Radical Software arrived in 1969 at a time of major social upheaval. The Viet Nam war was raging and the loss of Martin Luther King exacerbated feelings that a war on race war seemed inevitable. 

The Nixon presidency amplified feelings of dispare but compelled many to imagine alternatives to the soulless, murderous culture in they were existing in. The urge to create new cultural structures, developed revolutionary video hardware that would play a pivotal role in accelerating the social change people desired. Authors of the magazine understood that change would only occur by increasing the level of social pressure. 
Through their reading of Buckminster Fuller, Gregory Bateson and Marshall McLuhan, they realized what needed to be changed was not the machines, but the instructions used to operate them. The social implications proved radical hardware was fine but what was critically needed was "Radical Software". The magazine became a form of social activism. It would be a forum, a video craft how-to-magazine, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. The cover of the album is created by CINEMA.AV using LZX video synthesizers."

Anderson Chimutu is a first generation Malawian American who resides in the city of South Bend, Indiana. Growing up near Chicago and Detroit, Chimutu was exposed to many legends of the regional music scene. This influenced him to get involved with various instrumental bands and djing. Now he focuses on solo productions, which integrate the use of granular sound processors and drum machines. This new approach, coupled with the desire to represent his African heritage, has given birth to Fumbata Phiri. His first offering as Fumbata Phiri came in the form of 2020's "Decoherence", released on the Hungarian label Exiles. He followed that up with "Equipoise", released on UK label Hard Return, "Actuation" on released on Eternal Search in 2021, and now in 2022, "Liminal Space" releasing on Chicago label, Reserve Matinee ran by Michael Stumpf (FAITHFUL) and John Daniel (Forest Management). The sonic qualities found within "Liminal Space" can be described as minimalist and obscure, yet very rhythmic. It's as if a machine has re-programmed itself, using onboard interface sounds, to make cryptic dance tracks. Chimutu wants to challenge the narrative surrounding African influenced music, and does so by creating what comes naturally to him. Putting forth an extension toward the future, while being cognizant of the history that has brought him to this point.

Buy via: https://reservematinee.bandcamp.com/album/liminal-space

https://soundcloud.com/fumbataphiri
https://soundcloud.com/reservematinee

Premiere: Fumbata - Terraforms [Reserve Matinee]

https://anjicheung.bandcamp.com/album/fearless-body

Fearless Body

LEU 2021.9.19 MIRA新伝統 (DJ set)
https://soundcloud.com/mira-shindento

Pansonic - Gravitoni
Muslimgauze - Every grain of palestinian sand
Kangding Ray - These are my rivers
Mirror of perception - sorcery
Tzusing - Circa Taipei
Lei - Unfiltered Session
Heron Fisher - FTW DAMFS
Nara - There is no sky
Onleash - ten thousand horses
Antishift - Intangible Spectrum
Onleash - Trendsetters
Fetish mag
SUKUBRATZ
Anti shift - Intangible spectrum
Pasvake - impulser
Tsumutsumu - Incantation 
Diana Azzuz - Recursive Gesture
Ye Gods - Flames fall from the sky
Ancestral vision - Ragequit

LEU 2021.9.19 - MIRA新伝統 (DJ set)

German Army (@german-army) is a duo from the San Gabriel Valley. Born between Sydney Possuelo and Paulo Freire, this project is as prolific and productive as it is shrouded in mystery.
Characterised by a certain amount of experimentation aimed at sound collage, the most industrial plunderphonics and the darkest noises, the enigmatic Californian collective has accustomed us to a certain variability of musical genres, but also, without a doubt, to an unquestionably high level of quality and a perennial dark emotional component, which reveals itself in an exquisitely overbearing way in their work.

'Then is Now' certainly doesn't spare itself in this, gently dragging us (but with no way out) into a dreamlike and post-apocalyptic scenario. The air is rarefied, the atmosphere terribly poisonous; noisy organic references blend with ruined urban components. A constant tension takes over our bodies during this muddy, murky sonic journey.

Time is the merciless executioner, the place the poor sacrificial victim.

Digital + Cassette. 
Buy: afloodedneed.bandcamp.com/album/then-is-now

German Army - Obsolete Connections

BURIAL HEX 'Gauze' CD (CSR301CD)

Horror Electronics and Phantasmagoric Post-Industrial usher in the brand new ritual offering from Burial Hex.

The impulse for Gauze is to be a prophylactic talisman and ward for the families directly involved with the Burial Hex project, though it can be effective for anyone who needs an extra layer of defense. The art, lyrics and sound were all layered together with supersensible content generated specifically for this purpose. Beyond just protection and defense, Gauze is an invitation to transcend sclerotic ways of experiencing incarnation, by freely juxtaposing increasingly divergent forms, and reconciling all with warmth and passion. Such has been the work of the Burial Hex project since its inception, striving towards a gestalt of timeless and enduring realms via a benign spiritual interaction with conflicting beings.

With Gauze we hear the mouths of Burial Hex spit in the face of those who would reduce psychic experience and spiritual feeling to material processes, penetrating the density of human denial and cracking the electronic shell which crushes much of our humanity. CD in digipak.

RIYL: Coil, SPK, Psychic TV, Trepaneringsritualen.

Track Listing:

1. Lost Sailor (4:05)
2. Lion's Breath (3:34)
3. Treasure Spirits (3:48)
4. Auspices (6:32)
5. Sed Libera Nos A Malo (3:48)
6. Double Scorpio (7:55)
7. Gauze (4:55)
8. Two Rivers (7:38)

https://coldspring.co.uk/csr301cd

https://coldspring.bandcamp.com/album/gauze-csr301cd

Listen:  https://soundcloud.com/coldspring/sets/burial-hex-gauze

Watch: 
'Gauze' Album Promo: https://youtu.be/tKMvcxgyCD0
'Lost Sailor' Video: https://youtu.be/6SDrAlON8hA
(Videos by Abby Helasdottir)

BURIAL HEX:

https://burialhex.bandcamp.com
https://soundcloud.com/burial-hex
https://www.facebook.com/burialhexofficial
https://coldspring.co.uk/burial-hex

....................................................................................

Out 11th March 2022

BURIAL HEX Lions Breath

SonarIstanbul 2022
Cover Art: Batu Çakır, Göktuğ Güntav
https://www.youtube.com/watch?v=DSWXz46D_xM

evolve_dissolve (SonarIstanbul AV Live)

A little excerpt from Jose Macabra Live set at The Judgement Hall VS Chronic Illness. 

March 2022

Jose Macabra Live at The Judgement Hall VS Chronic Illness March 2022  (Excerpt)

One of tracks from album "osorezan" (com64)
https://communedisc.bandcamp.com/album/osorezan

Music by Kyosuke Terada 
Mastered by Yasfumi Suzuki 
Photo:Yousuke Fuyama

released 9th June 2022 from Commune disc

osorezan Ⅵ

ant spa •)(( 08.11.22

Active volcano recorded from the top, at the edge of the crater, during the night. 

Recorded by a DoubleMS Setup by Schoeps, CCM41+CCM8+CCM4 (in a Cinela Windscreen),
an AB Setup by DPA Microphones, 2 x 4006,
and a Geofon by LOM Audio.
On a Sound Devices 833 recorder.
Original recording in 192kHz, 24bit.
This sound has been edited and mixes the different sources.

GPS: -19.530189, 169.445493
Recorded on 6th of November 2022, between 6:30pm and 8:30pm.

Tanna Island

Volcano Mount Yasur, Tanna Island

Jose Macabra, is an artist, sound designer, producer, video director, radio DJ/podcast maker and curator. 

Jose teaches Sound Arts and Music Production at the London College of Communications, UAL and other educational establishments. His work nourishes many influences, from the industrial and noise panoramas, together with a legion of related genres such as ritual and the darker flavours of techno, blended with sound art, soundscape, art brut and experimental music.
 
Jose has worked with and for Kimatica Studio, Persona Collective, Ernesto Tomasini, Ron Athey, HR. Giger, Sally Mann, J. Milo Taylor, Nicola Serra, Christian Duka, Martin Delaney, Eraldo Bernocchi, FFIN DANCE Company, Rum Luck Theatre Company, Persona Collective, UCL, UAL, SAE Institute, HMPPS Belmarsh and Unite the Union, to name a few.
 
Jose Macabra has performed in art establishment venues, including Barbican, Tate Modern, National Gallery X, Oxford University, Tate Liverpool, BFI, The Photographer's Gallery, Waterman's Centre, The Museum of Consciousness, Camberwell College of Arts, London College of Communication and Kent University. Works involving Jose's music and sound design have toured significant festivals in London, Madrid, Barcelona, Berlin, Hamburg, Athens, Brussels, Milan, Barcelona, Lisbon, Manchester, Liverpool and other cultural centres.
 
Jose's research interests include Electronic Music, Field Recording, Noise Music, Industrial Music, Improvisation, Sound Art, Performance Art, Queer Studies, Ritual Art Practice, Collaborative Practice, Altered States of Consciousness through Sound, Horror, Darkness, Film, Surrealism, Automatic Writing and  Spatial Audio.