Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

“This is to support the global Ehlers-Danlos Awareness Month campaign in May. The song title is inspired by the Ehlers-Danlos Society’s ‘Light It Up” Challenge whereby landmarks and buildings are lit up in orange to raise awareness. Please repost and spread the word - this is very important to me. Please head over to ehlers-danlos.com to support and learn more. Thank you.”

light it up. (For Ehlers-Danlos Awareness Month - MAY 2025)

1,2,3,4
If I could handle the pain as half as you do
I could be a better person 
I could be like you
Some days are dark 
Some days are better
Let’s light it up
Light it together 

Let’s go

Light it up
Spread the word 
Not all pain is seen
Your voice is heard
Shine your lights around the world
Light it up
Light it up, yeah

There’s complexity
Time to make it better
With unity we can get an answer 
An impossibility becoming probable 
Time to change it and make it possible

Ehlers-Danlos Syndrome is painful all the time
Your joints hurt because of how unstable they are 
Your muscles are working twice as hard to make up for unstable joints 
Most people live with daily pain that is somewhere between 5 to 10 on the pain scale 

Up light it up 
Up light it up 
Up light it

Light it up
Your voice is heard

© heart house and the new kindness. 2025

Written, performed*, recorded, produced and mixed by heart house and the new kindness. 
*Spoken word performed by Queen Van Wife And Mamma 
Mastered by DOLBY

light it up. w/ QUEEN VAN WIFE AND MAMMA (for Ehlers-Danlos Awareness Month - MAY 2025)

Mediate

Writer : Gerry Goffin \ Composer : Michael Masser \ ISWC : T-802.082.764-0 
Publisher : Prince Street Music - Lauren Wesey Music - Universal Music Publishing
Released : August 13 1985
__________________________________________________________________

While waiting for my next cover... I found this cover from 30 years ago at the bottom of my drawers... I had the voice and the breath!...😊 But that was before! 😄 Now you have to lower it at least a tone or even two.
__________________________________________________________________

I love this song (I'm a Whitney Houston fan); it's thanks to this song that made her famous worldwide. She had a unique tone, a crystal clear voice.
--------------------------------------------------------------------------------------------------------------

Arrangement : Phong
Vocal : Anh
Album : 1995
__________________________________________________________________

Saving All My Love For You - Cover (Whitney Houston)

Link to video where I tell the story behind the song : https://youtu.be/cilXaNM0IoI?si=IbBwc2wlxYTwoADH 


In Catholic school, whenever I misbehaved, the nuns used to pull my hair.
If I could go back in time and do it all again, I’d gab some clippers and shave my head bare.
I did eight years of hard time in Catholic school
I was never the kid who was considered cool
Eight straight years of Catholic School and somehow, I survived
Eight straight years of Catholic School.  Thank God I’m still alive  
My first-grade teacher was a nun, who if you’re penmanship was sloppy
She’d make you take all your books and stand there holding them in the back of the room.
She was like a witch except instead of a pointy hat she wore a habit
She carried a crucifix instead of broom.
I did eight years of hard time in Catholic School
I was never the kid who was considered cool
The cafeteria food tasted horrible, but I had to eat it
I had to wash it down with milk that was warm and sour
I’d try to fold my plate in half and throw it away, but the nuns would catch me and make me eat it
It’s like they had this secret food wasting detection superpower
Every year your birthday, it was customary for the kids in the recess yard,
To grab you and kick you and punch you for every year of your age.
I still have flashbacks of a girl with pointy hard black shoes kicking me really hard in my rib cage.
My fifth-grade teacher Sister Margaret she’d been teaching for way too long
It was time for her to retire but they let her teach another year and that was wrong
She had long grey whiskers growing out of her chin
She’d sit at her desk and trim them with of scissors and you sure as hell better not grin
She’d tell cautionary tales about innocent kids who got into cars strangers
She seemed to enjoy describing all the bloody graphic details of the danger.
I did eight years of hard time in Catholic school
I was never the kid who was considered cool
Eight straight years of Catholic School and somehow, I survived
Eight straight years of Catholic School.  Thank God I’m still alive

Catholic School

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Cast of Characters:
Steve's Planet -- @steve-vervaet — acoustic guitar, vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistrermark -- @user-432503709 — Mark — organ 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string fretless Warwick bass, Roland electric piano, organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
  
This song began with Steve, who wrote it, and recorded his guitar and singing parts on the same track, before sharing it with Eclectic Collective about half a year ago, back in the fall. Always grateful to Steve for sharing his amazing music with us, we kept it alive even though it had stalled out on us for whatever reason. 
  We had a decent skeleton from our original go at it, but decided to scrap it, and start fresh. After Stephen pulled some production wizardry to isolate Steve's vocal & guitar parts into two separate tracks, Ken, being the one who actually revived it, added his solid drums first, providing for a groovy foundation. Tez came next, surprisingly, adding his hooky guitar fills throughout. Mark hopped on shortly after, adding the organ you hear coming in around the 2:00 mark. Josh took his turn after that, by adding his fretless bass to complete the rhythm section. He also, in the same recording session, added the electric piano you hear throughout, as well as the backing organ in the first half. 
  Once it was in the can, we asked Stephen to mix it for us, in his always professional manner. 
  We all love working on Steve's songs, and admire him as a musician, singer, and songwriter. This makes almost a half dozen songs on which the EC has collaborated with Steve, and we're sure to add many more. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Steve's Planet

Please Come Home (The Eclectic Collective / Steve's Planet)

The long anticipated;) follow up has arrived.  I begin the song with a brief reprise of "Two Faced" to set the stage.  After the cold and bluster of March, the gentleness of spring and early summer is felt with a walk in the park.
Thank you all for the overwhelming response to my ode to March and especially the interest shown in the little teaser, epilogue now a more complete thought.  As they say, "take time to smell the flowers":)

A Walk In The Park (David, acoustic guitars)

Old Alice Road

This is a plea from a jilted husband, who's trying to remind his wife of the things they shared.

LYRICS
(C)2025 Ggreg Snyder

(Verse 1)
We signed our names on that old front door,
Two young fools who wanted more.
The roof leaked rain, the pipes would shout,
But it was ours — that’s something to think about.

(Verse 2)
We rocked the baby, night to day,
You sang her worries all away.
First steps fell on the creaky floor,
She’s taller now, but she still wants more.

(Chorus)
So if you’re leaving, don’t rush out,
Sorry if I gave you any doubt.
I won’t beg, I won’t call you out,
I’m just giving you something to think about.

(Verse 3)
We buried folks we couldn’t spare,
Held each other through the empty chair.
You wiped my eyes, I held your hand,
That’s how we learned to understand.

(Verse 4)
Saturday mornings cleaning up the park,
Did deeds in the day, partied in the dark.
Helping the community, that was our tao,
Like a secret love, under the vow.

(Chorus)
So if you’re leaving, don’t rush out,
It's been ten years together, thereabout
I won’t beg, I won’t call you out,
I’m just giving you something to think about.

(Bridge)
Love gets restless, I suppose,
Chases a breeze where the wild wind blows.
But look at the garden, look at the town,
Look at the life we’ve hammered down.

(Chorus)
So if he’s waiting, don’t rush out,
I'll make my case and try not to pout.
I won’t beg, I won’t twist your doubt,
I’m just giving you something…
Something to think about.

(Outro)  
Yeah… just something to think about.

Something To Think About

So much trouble

Songs with a twinge of humor (and some a bit more serious).  
I do not use AI to create my songs. 
Recently I have had the urge to pick up my guitars (Taylor 114ce and Fender Squire) and I have been trying to use more guitar in my songs.  
My go to .vst plug ins are  EZkeys 2, EZ Bass and  EZ drummer 3) and my DAW is Logic Pro 11. 
I welcome your comments and enjoy listening to all the great music on SoundCloud. 
All songs are originals and copyrighted.

Catholic School

Joe Stroffolino