In the checkout line, in the checkout line, in the checkout line at Walmart

You picked the wrong line at Walmart and now it’s moving at a snail’s pace
The cashier’s taking his good old time He’s got a bored look on his face.
You went there for the low prices cause you don’t like to over spend
and now you’re trapped in a line that feels - like it’s never goanna end.

There’s days when you're going through life like a hot knife through butter
One second You’re on the top of the world and the next you’re lying in the gutter.

In the checkout line, in the checkout line, in the checkout line at Walmart.

You just want to scream, you just want to shout, you just want to let your true feelings out.
You make a silent plea, as you stand there quietly, please hurry up, you’ve had enough.

The cashier scans an item but there is no price.  He pushes a button to get some advice. 
It takes the manager five minutes to come. He walking real slow but  you wish he’d run

Every time you get in line, you’re rolling the dice you just don’t know
Whether or not you’re goanna speed on through
 or if it’s goanna move real slow

The self-checkout line is an option, but if you’re buying a lot of stuff
The space is limited, and the ergonomics are bad and bagging it yourself can be tough.

There’s days when you are going through life like a hot knife through butter
One second you’re on the top of the world and the next you’re lying in the gutter

You try to be nice, you don’t want to be a jerk
You realize they’re just trying to do their work
Cause life can be tough, minimum wage is rough
But sometimes you feel like you’ve had enough

In the checkout line, in the checkout line, in the checkout line at Walmart
In the checkout line, in the checkout line, in the checkout line at Walmart

In The Checkout Line (at Walmart)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Hello my loyal followers, please accept my apologies that I am currently unable to attend to my hobby due to personal reasons and have temporarily withdrawn from SoundCloud. I recently logged into my account and received so many messages inquiring about my whereabouts. I wasn't expecting that. Thank you so much for your inquiries. I don't know yet when I'll be able to be active again. It may be until the end of the year. Have fun with your songs and thank you again for your loyalty.

--------------------------------------------

Thank you so much for being here and taking the time to listen to my music.

My first steps in electronic music were with the Atari 260 ST (manually upgraded to 1 MB memory), a Yamaha PSR460 keyboard and Cubeat 1.0 (later renamed to Cubase 1.0). So I've always been focused on Cubase, so to speak.

That was a long time ago. In the meantime I set up my little studio and recorded a few songs for myself. However, I didn't dare to publish them because they might not be good enough for the world. 

But at the beginning of 2023 I risked to publish the first songs. I hope you like my music, even if everything is very amateurish. 

Have fun, Werner.

Update May 26th, 2023

Now 5 months have passed and I would like to describe my impressions so far. 

This is the best community I have ever experienced. You guys are so great, motivating, inspiring, creative and constructive. This week I welcomed my 500th follower and you gave me the opportunity to reply to over 1000 comments. I never would have expected that.

Many, many thanks for your appreciative support and of course for your great music that you share with all of us here.

Songs with a twinge of humor (and some a bit more serious).  
I do not use AI to create my songs. 
Recently I have had the urge to pick up my guitars (Taylor 114ce and Fender Squire) and I have been trying to use more guitar in my songs.  
My go to .vst plug ins are  EZkeys 2, EZ Bass and  EZ drummer 3) and my DAW is Logic Pro 11. 
I welcome your comments and enjoy listening to all the great music on SoundCloud. 
All songs are originals and copyrighted.

Singer, Songwriter, Composer

About Me
I am a Songwriter, Musician, Singer  and Composer who has been writing original Songs since the Age of 14. Over the Years, I have developed my own Sound and now produce my Music independently. For me, Music is a powerful Force — A Way to express, connect, and create something that resonates beyond Words.

All Songs written and composed by Kurt Arndt 
All Cover-Artworks by Kurt Arndt 

www.youtube.com/@shadowman-music

www.facebook.com/kurt.arndt1

Shadowman Spotify
https://open.spotify.com/artist/3S41KBMI96PRLoHqlh4AdS?si=CZ6by19cR9OeRA2Mj6Jfxg


Shadowman Amazon Music
https://music.amazon.de/artists/B0CZZR23HC?ref=dm_sh_d4geMpifF4rd4VS7LJRFNPGSw 

Shadowman ITunes
https://music.apple.com/us/artist/shadowman/1739106946

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

songs & story

underwater
deep space
robotnik

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

mixes are time capsules of sound. each capturing a moment in time that will not be repeated the same way. each mix is meant to transport the listener in their own time machine to their own destination. these are soundtracks for daily living..."music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything"

In The Checkout Line (at Walmart)

Joe Stroffolino