Seem to be in permanent countdown mode: global warming,Trump’s tariffs, days left before the visa runs out. So I thought I’d plan an imaginary escape in this song.   https://youtu.be/WfT0n7nuGxE


Let’s start with the countdown
Whoop, whoop I’m going home
ZEHN
There’s nothing worse than Earthlings
NEUN
They have such weird chromosomes 
ACHT
They’re cruel and they’re deluded
SIEBEN
They’re fools, they’re mean, they moan
SECHS
So I’ve pimped up Elon’s spacecraft 
FÜNF
Just hope to take me home
VIER
Tune those raptor engines
DREI
Gotta fixe those propellent leaks
ZWEI
And fingers-crossed I’m blasting off 
EINS
Should be be home in about a week.
WIR HABEN ABGEHOBEN

The Countdown

      Howdy everyone! Ok I did a little reshuffling here and bumped this song to the front of the line! I just finished the video and put about a weeks work into it! It's a comic relief song, a novelty, about getting old! They say we should write about things we know, and I know about getting older!😂 I wrote the song in 2021 during the pandemic because we needed some comedy then and I think we need some comedy now too! This is something my friends and me used to say at work all the time when we'd forget something or did something stupid like ask where your glasses are when they are on top of your head!😂 I tweaked the lyrics a little and took several curse words out of the song but kept a couple in, so beware people, please don't call the Profanity Police on me! They're mild words like "shit" and "ass" nothing more than that!  There are some words of wisdom thrown in there too like in all my songs. It's just a fun song and video! 

VIDEO - https://youtu.be/U--jt1-4FEY

     I wrote it to a Latin Rock beat, kind of like a Santana song. I remember it took me several weeks to record the backing track because I added a ton of stuff on it Bass, Piano, Acoustic and Electric guitars, percussion, I worked very hard on it, it's all just me playing eveything with a Drum Machine because I don't play the drums. A little bit Salsa, a little bit Rock & Roll because that's how I roll!😂 The vocals are all me and I recorded them last week, I was going to have Charlie sing it but I decided to do it myself because we've been stuck on this other song for a month now and I have like 30 songs ready to go. So please forgive the vocals! The video is funny and I spent a couple weeks on that as well. It's about getting old and forgetting words and your body hurting and falling asleep, and telling kids to get off your lawn! The usual things that come with getting older. Basically "Old man yelling at clouds" syndrome!😂 I know how that is!  The video will drop on YouTube in a couple of weeks! I hope everyone laughs with me and not at me! But I won't mind as long as you laugh a little!! So sit back and have a laugh on me! Cheers! 🍻

“WE GOT THE OLDS”
          
WE GOT THE OLDS, WE GOT THE OLDS,          
OUR BODIES ACHE, WE'RE ALWAYS COLD,            
WE CAN’T STAY AWAKE,         
WE GOT THE OLDS, WE GOT THE OLDS,         
WE HATE THE RAP, CAN’T STAND THAT SHIT,         
GET OFF OUR GRASS, YOU DUMB-ASS KIDS!           
WE GOT THE OLDS, 
WE GOT THE OLDS,

THE SLIP OF TIME, TORMENTS OUR MIND,   
THE FEAR OF FATE, FUELS ALL OUR HATE,    
THE TALKING HEADS, THE WALKING DEAD,      
THE HAMMER FALLS, UPON US ALL,

WE GOT THE OLDS, WE GOT THE OLDS,         
OUR BODIES ACHE, WE'RE ALWAYS COLD,             
WE CAN’T STAY AWAKE,         
WE GOT THE OLDS, WE GOT THE OLDS,          
WE HATE THE RAP, CAN’T STAND THAT SHIT,          
GET OFF OUR GRASS, YOU DUMB-ASS KIDS!         
WE GOT THE OLDS, 
WE GOT THE OLDS,
     
THIS CLIMATE CHANGE, HAS US DERANGED,   
THE BULLETS FLY, EYE FOR AN EYE,      
CORONA COUGH, THE RICH GET OFF,      
THE FOLLY OF MAN IS WHAT GOD DEMANDS!

WE GOT THE OLDS,         
WE GOT THE OLDS,         
WE GOT THE OLDS,
           
WE HATE THE RAP, CAN’T STAND THAT SHIT,         
GET OFF OUR GRASS, YOU DUMB-ASS KIDS!      
WE GOT THE OLDS, WE GOT THE OLDS,

WE THINK WE ARE, THEREFORE WE’RE FEELING,   
OUR MIND A WAVE ON THE OCEAN OF BEING,        
DAMN, WHAT THE HELL DID WE JUST SAY?     
WE CAN’T REMEMBER DAY TO DAY!
     
WE GOT THE OLDS, WE GOT THE OLDS,         
OUR BODIES ACHE, WE'RE ALWAYS COLD,           
WE CAN’T STAY AWAKE,         
WE GOT THE OLDS,          
WE GOT THE OLDS,          
WE GOT THE OLDS.
          
BY JIM VALDES
 © 2021

"WE GOT THE OLDS" (Video - https://youtu.be/U--jt1-4FEY)

The Earth Love

the-aries-the-leo-ii

The Aries & The Leo (II)

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

J.J. Terrell– @j-j-terrell – organ and triangle (triangle of love)

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 

  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. He also added some triangle hits you can listen for, that add a little bit more pizzaz to the whole thing. 

  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 

  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go - Eclectic Collective

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is the final part of my small experimental project called „What’s Up?”.
Hope you enjoy the „rockabilly vibe” of this song ! 😎

The lead guitar part was recorded in real time, as always in my songs! 🔆🎸

Thanks a lot for listening and support!
Artur

What’s Up? (Final Part)

The Battle

Vocals: @Oddrun-Eikli 
Trumpet: @Arne-Hiorth
Lyrics: @user-264930040 (Peter)
Piano: Debra Buesking
This piano composition takes its cues from Beethoven's Bagatelle "Für Elise".  It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have.  Thank you to my dear friends Oddrun, Arne, and Peter, for this marvelous and joyful experience of working together.  It brings us all a bit closer together.

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

The Snow Queen – The Fox
October 2025
Duration: 2:15
Listen to more music from the Snow Queen ballet at: soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Based on a short melody from a Russian gypsy folk song 
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For violin, clarinet, alto sax, tenor sax, baritone sax, double bass, marimba and percussion.

The Snow Queen - The Fox

I wrote “The Thunder Rolls” for my wife — a song about love that stands through every storm. It’s where country heart meets jazz soul and blues honesty — real emotion, real grit, and a touch of gold through the rain.
This one’s for anyone who’s ever held on when the world tried to pull them apart.

🎸 A Madman Music Production
🎧 Country • Jazz • Blues Fusion

The Thunder Rolls

Songs with a twinge of humor (and some a bit more serious).  
I do not use AI to create my songs. 
https://linktr.ee/joe.stroffolino
Recently I have had the urge to pick up my guitars (Taylor 114ce and Fender Squire) and I have been trying to use more guitar in my songs.  
My go to .vst plug ins are  EZkeys 2, EZ Bass and  EZ drummer 3) and my DAW is Logic Pro 11. 
I welcome your comments and enjoy listening to all the great music on SoundCloud. 
All songs are originals and copyrighted.

Planet Of The Apes V 2.0

Joe Stroffolino