That's a fascinating projext and a major thinker on how we used to actually teach ourselves negativity. Been thinking a lot about this and more I do we seeded all the negativity in our heads both collectively and retain that as individuals. let's hope we completely flip that on it's head for the next generation. Great track Joe. You're a fabulous song writer man 👏🏻👌🏻🔆🫡

Each generatioh has it's fairytales, stories, reality and problems: every generation has it's own music, everyone his own song!

Howdy Joe! Another outstanding composition with fantastic lyrics about fairytales! Those tales really hard a dark edge to them! Loved it! great job!👍😎✌🏼

More interseting lyrics with a twist of humour.  :)

Good song with an original theme and you've done it again with an interesting text as always with a touch of irony. We love you for it too Joe

what a very true text! I even heard that it is good for the evolution of kids brains to hear those frightening stories to address and cope with their inner fears but might also be a folclorisitc tale in the German speaking parts if the world :-)

Nouvelle vidéo - Saturninan song ! Version live à la Barraque auprès du feu ^^ 
https://youtu.be/fP69ovvmteU

Saturnian Song - video live in description

I wrote this song 15 years ago for close friend and guitarist Elmer Stone. Elmer and I have collaborated on three songs on Soundcloud but this one is purely a tribute to him and the friendship we have shared for the past thirty-plus years.  It is also a memorial for his wife Bonnie who he lost two years ago. She was a core contributor to his music, life partner, and his best friend.
I am indebted to Mike Fox and Axel Meningen for taking my rough demo of the song and making it a broadcast quality production.  Thank you gentlemen for your time, talents, and belief that the song could be more than I could ever make it on my own.  Hear more of their amazing music @michael-fox-925325997 and @axel-m-501052973  
Good Ol' Boy
Lyrics:
He's a good ol' boy with his good ol' toys,
He likes a beer now and then.
He picks a guitar and dreams of going far,
Don't know the how, or the where, or the when.
The boys in the band play as hard as they can.
And they hitch their wagon to the star,
Of this good ol' boy, this good ol' boy.

He keeps house with his wife, the love of his life,
The kids are all grown and gone.
By the gray in his hair you can tell he still cares
'bout the things that are right and wrong.
And the question comes does it get better than this,
A hard days work and a goodnight kiss,
For this good ol' boy, this good ol' boy.

Bridge:
Well it hasn't been easy, no it's never been easy
But he keeps on keepin' on.
And what hasn't killed him he finds a way
To put into a song, 'bout this good ol' boy
This good ol' boy.

Instrumental break, repeat bridge.

He's a good ol' boy with his share of joys,
And his share of the cares of this world.
When it's all said and done, and his race has been run,
And he rests in the arms of the Lord
Of this good ol' boy, this good ol' boy.
Instrumental to the end.

Good Ol' Boy (Mike, Axel, David)

Original composition and drum programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Bass guitar Ibanez
May, 2025.

Colorful feelings

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

The blues are steeped in the tradition of bawdy/dirty songs. Think of Bo Carter (my pencil don't write no more) or Lil Johnson (Sam the hot dog man). You get the idea.
Here's my bawdy blues celebrating outdoor sex.
Added as the last track on my album "All This Useless Beauty". Check it out!


Lyrics:
Ohh my girl 
She's so cityfied
But something comes over her
In the countryside
When she tells me to pitch a tent
I see in her eyes
That bad intent
She becomes a wild woods woman (2X)

Riding down the road
She says:
"Get a blanket and pull over to the side."

We're out in nature
Doing our thing!
All god's creatures they cover their eyes
Oh, the ground is so rough
Don't ya know she can't get enough
Wild woods woman (2X)

In the tall grass
Having some fun
I feel like Mother Nature's only son
Down in the milkweeds that makes me sneeze
Don't ya know she's got me on my knees
It gets so hot!
So hot!
So hot!
She never tires
(Only you can prevent forest fires)

Wild Woods Woman

Cover Art: Wilhelm Grimm (left) and Jacob Grimm (right), portrayed by Elisabeth Jerichau-Baumann (1855) PD-US
Music and Lyrics Copyright 2025 Joe Stroffolino

Hansel and Gretel were abandoned by their parents in the forest all alone.
They stumbled across a delicious looking candy-coated home.  A cannibalistic witch captured them and put them in a cage. Those were the kind of stories they used to tell children at a young age.

The brothers Grim told stories that were a reflection of their time
There was disease famine and poverty and things were not going fine 
We had to sanitize the stories because our modern stomachs are weak
And you’ll get in trouble if you read a book to kids, and it makes them shriek

Three little pigs were in a brick house trying really hard to survive 
The big bad wolf came down the chimney, fell in a pot of water and was boiled alive.
Cinderella’s stepsisters wanted to marry the prince, but they couldn’t fit into her shoes so they chopped off their heels and toes because they had so much to lose 

The brothers Grim told stories that were a reflection of their time
There was disease famine and poverty, and things were not going fine 
Little Red Riding Hood in the bedroom with a wolf dressed in human clothes.
Wondering why her grandmother had sharp teeth and a snout instead of a nose. Jack climbed the beanstalk, there was a giant who wanted to grind up his bones and make some bread. He stole the magic harp and the hen that laid golden eggs and the giant ended up dead

There’s days when you want to take a sheet of tin foil and stick it in your baseball cap
To keep all those negative thoughts from getting in your head and making you a miserable chap
Did it all start when you were a child, and your mother read you that bed time story that perhaps in retrospect may have been a bit too dark and gory

The brothers Grim told stories that were a reflection of their time
There was disease famine and poverty and things were not going fine 
Now we environmental devastation, nuclear weapons and milk that might have bird flu
Just turn on the news you don’t need a fairy tale to put the fear of God in you
But if you take away all the parts that are dark, sick twisted and gory. 
Do you have anything left that actually resembles a good story.
***
Vocals and backing vocals -  Joe Stroffolino 
Guitars - Joe Stroffolino ( 2 Strumming tracks: Taylor 114ce and Fender Squire and I picking track:Taylor114ce)
Bass, Saxophone, Horns: PG Music Real tracks
Piano andi Strings: PG Music and Native Instruments
Drums: EZ drummer 3
Recorded, mixed and mastered with Logic Pro 11

The Brothers Grim

@TexMex-Shaman and I are continuing to go down the rabbit hole of exploring this heavier sound. I'm always impressed with his shredding abilities, endless creativity, and keen ear. I am mixing most of the Texas Teas but getting tons of good input from Stephen. Thanks all for checking it out!

Elevator - A Texas Tea Production

Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
Guitar (Nylon electro-acoustic guitar Cordoba GK studio) and final mix by Neno J.

Tango passionato (Collab with J.J. Terrell)

A song about Jesus' return and whether or not I want to go

If I fly

Under The Stars - Country

Verse 1
She never slowed down,  a smoke show in this town.
Shook the walls, cut no slack,
Lord, I’m prayin’ — send her back.

Chorus
I know she’s trouble, but that’s alright,
She kept me runnin’, she kept me alive.
I’ll take the fire, the storm, the laugh —
If she’s too much, Lord, send her back.

Verse 2
She gets too loud, she drinks too strong,
She’ll steal your night, but won’t stay long.
She’s the best thing I ever had,
So Lord, don’t keep her — send her back.

Chorus
I know she’s trouble, but that’s alright,
She kept me runnin’, she kept me alive.
I’ll take the fire, the storm, the laugh —
If she’s too much, Lord, send her back.

Bridge
You’ve got angels, yeah that’s true,
But none raise hell quite like she do.

Chorus (big)
I know she’s trouble, but that’s alright,
She kept me runnin’, she kept me alive.
I’ll take the fire, the storm, the laugh —
If she’s too much, Lord, send her back.
Just send her back.

Tag/Outro
Lord… just send her back.

Send Her Back

Songs with a twinge of humor (and some a bit more serious).  
I do not use AI to create my songs. 
Recently I have had the urge to pick up my guitars (Taylor 114ce and Fender Squire) and I have been trying to use more guitar in my songs.  
My go to .vst plug ins are  EZkeys 2, EZ Bass and  EZ drummer 3) and my DAW is Logic Pro 11. 
I welcome your comments and enjoy listening to all the great music on SoundCloud. 
All songs are originals and copyrighted.

The Brothers Grim

Joe Stroffolino

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