I have a wide array of musical influences which include alt rock, jazz, edm, lofi and video game type music.

Gregory Allison creates with a single violin a sound that travels across great landscapes.  He brings the sensibility of a film composer into a live and intimate setting.  His training in South Indian Classical music brings a melodic fluency and emotional fire to his compositions while his Western Classical training is apparent in the wide sonic palette that he creates.  He is a sound shaper.  His violin goes from intimate weeping to orchestral soundscapes, carrying the listener on a journey all the way.  
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A composer, multi-instrumentalist, and actor who performs in a wide variety of styles and genres, Greg is originally from Madison, WI where he began studying piano at age 5 and violin at 9.  In high school he used his classical violin training as a springboard for learning about improvising, jazz, world music traditions.  He started playing the mandolin and his studies on the instrument landed him a four-year scholarship at the Berklee College of Music in Boston where he completed a degree in Composition. After college he moved to Vermont and was a founding member of the ME/2 Orchestra, a nationally-recognized full orchestra based in Burlington, VT created for people with mental disabilities and those who support them. He also performed in the traditional middle eastern music ensemble Grup Anwar, and travelled to the Edinburgh Fringe Festival with the Vermont theater troupe Spielpalast Cabaret. In Portland, OR he opened a private studio teaching violin, viola, mandolin, and piano while performing over 200 shows a year with Three for Silver, Eliza Rickman, as a sideman for various local bands, and as a studio musician. He has received two U.S. State Department grants to tour and teach in Russia.
 
In 2018 he moved to Los Angeles to pursue a solo performing, recording, and film scoring career.  He formed the acoustic trio RAQIA who will be releasing their second studio album next year. His first solo album is due out in early 2021.

My new EP, podcast & more: linktr.ee/neilcowley

no one uses Soundcloud, but this is my piano music

You can download all my multi-genre albums free at my site: http://cullah.com

Use my music in your videos!

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

Late Night Tales: artist-curated compilations. Night Time Stories: original artist releases.

Late Night Tales invites the world’s best artists to delve deep into their music collections to create the ultimate “late night” selection. The series includes expertly curated mixes by Bonobo, Jon Hopkins, Nightmares on Wax, Nils Frahm, David Holmes, Groove Armada, Belle & Sebastian, Friendly Fires, The Flaming Lips, Metronomy, The Cinematic Orchestra, Four Tet, and Jamiroquai.

The Night Time Stories imprint releases original artist recordings including Khruangbin, Chaouche, and Rae & Christian.

Emcee, lyricist, & singer. A dynamic act, this troubadour is hard to pin for any one flow and is instead best known for his vibrant vocals, verbiage, & versatility. Alternative/Boom bap. H.E.R. label/crew.

Joseph Patrick Murphy is following