Back On Track 130 BPM (Downloadable)

Live one shot take on modular units = Novation circuit,DSI Mopho keyboard,Novation mini nova ,Juno 60, wav recording onto H5 Zoom recorder ,hope you enjoy it ,Thanks for listening 😊

Summon The Dub 😊🖖 live impro

Original composition by The Real Runna @the-real-runna
* Art based on @the-real-runna photo and manipulated by Grzegorz Kawka (kavvka):
* Special thanks goes to @r-u-r-pl for all the help and consultations

audio.com
https://audio.com/grzegorz-kawka/audio/the-real-runna-leave-it-kavvka-remix

More art by Grzegorz Kawka:
https://www.deviantart.com/grzegorz-kawka/gallery

The Real Runna - LEAVE IT /kavvka spit-the-fire-mix/

Where You Been?

Cast of characters:
RIch O'Brien-- @rich-obrien -- composition, intro guitar solo
TexMex Shaman–@texmex-shaman –Stephen– third guitar solo  
J.J. Terrell–@j-j-terrell -- Clave and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, production, and mix
Llanpsych–@llanpsych –Tez–final guitar solo
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four-string fretless bass and second guitar solo
This song started as a full composition on all instruments by Rich. He asked me if I'd be interested in a collaboration with it. I jumped at the chance to share it with the Eclectic Collective. So, I invited the gang to join in, replacing most of the original instrumentation, and adding some new. After Ken had added his driving, foundational drums, I added my bass to match. JJ soon after cranked up the funk-o-meter by adding his clave and screaming organ. Then, I added a guitar solo, which comes in right after Rich's intro. Stephen was up next with his badass licks in the third solo. Then Tez got a hold of it, and ripped a hole in the ether with his guitar in the last solo.
  Ken was generous enough to produce and mix this for us. And what an outstanding job he did, too. We hope you enjoy listening to this song as much as we enjoyed making it.

Bottled Lightning (Rich O'Brien and Eclectic Collective)

Après avoir découvert cette voix atypique sur ce site, DelhyA ( @user-945711181 ) a accepté de partager cette aventure musicale avec enthousiasme et gentillesse. Le concept que je vous propose d'écouter ici, vous permettra d'entrevoir toutes ses particularités vocales et de parolière. N'hésitez pas à parcourir sa page musicale, où vous découvrirez son talent éclectique. Une prévision de moments d'écoute agréable.

Échos d'Automne

"Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.
(All summer can bring may just leave in autumn with a breeze)
Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le Doré vire au Noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!
Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!
Le temps de s’entendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!" ....

*******************************************************************************************************
Echoes of Autumn ....

After discovering this atypical voice on this site, DelhyA ( @user-945711181 ) agreed to share this musical adventure with enthusiasm and kindness. The concept I'm offering you to listen to here will give you a glimpse of all her vocal and lyricist particularities. Don't hesitate to browse through her music page, where you'll discover her eclectic talent. A forecast of pleasant listening moments.

"If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.
(All summer can bring may just leave in autumn with a breeze)
The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!
The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!
The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything!" ....

Échos d'Automne .... With DelhyA

Personnel:
Paul Bray - Drums
Terry Todd - Bass
Andy Peake - Keyboards
Nigel Manning - Tenor Sax

GRITSTONER  - (TPMB rehearsal 2018)

Elvis in the 1970’s in his jumpsuit and his cape.
Some say he didn’t really die he just decided to escape.
Over the year’s there’ve been sightings like Bigfoot and UFO’s.
Of Elvis shopping at Walmart dressed in ordinary clothes.

They say it’s good to be king – but sometimes maybe it’s not.
When you’re coasting on your past glory and now, you’re lukewarm instead of hot.

If Elvis was still alive, he’d be approaching the century mark.
He’d be a tired old hound dog - would he still be able to bark.
If he put on a pair of blue sued shoes and he tried to shake his hips.
And he strummed his guitar on a street corner would people give him any tips.

They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot
There’s day’s when you feel like you’re trapped in a routine 
And you’re going through the motions and you want to start fresh and clean.

Somewhere between 1968 and 1977 Elvis took a detour and he ended up in Heaven.
It’s  nice to imagine that maybe he was sick of sick and tired of all that fame.
And one day he just decided to retire from playng the game.

If he sang that song love me tender would it till make the young women swoon.
Or would they stare at him with curiosity like at the zoo when  you see a baboon.
If he put on the  black leather costume that he wore in 1968 
And he played the same set list would people still think he was so great?

Elvis in Black leather in 1968 strumming his guitar he looked so good
And his voice was really great.
At the top of his game in perfect form he could have stopped right then
He could have walked away - still would have still been a rock and roll legend

They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot.
They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot

Lukewarm King

Aenigma

method: field recording and vc 340 into zoom r 20,all analogue, post-prod with samplitude, no vst
narration: the original title of this poem was ‚treason‘
image: copyright jo richter ... if you look closely, you can spot my field recorder on its tiny tripod between fenceposts ... recording some of the audio for this soundscape ...

poem (as first published in
auslegpapier) copyright jo
richter (imagine a layout
along the vertical axis):

in 
orbit around
the outer perimeter
of his home
planet,
the

astro-
naut hums the
national anthems
of rival powers
when the
trans-

mitter
circuits are
closed and his mind
holds no grudge
against all
his other

selves

those who sail the stars

Total war atmosphere, suffering and pain, final destruction.

ARMAGEDDON

Armageddon instrumental

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Bottled Lightning (Rich O'Brien and Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)