to think about this against the backdrop of Space makes it all the more Spectacular :)

Instant fave...love your ah voice on this one...from inaudible chatter to audible...really nice use of FX XOXOXO

Music and lyrics: Jose Miguel Millán
Lyrics, Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB

Proud and  honored to once again have the invaluable collaboration of DelhyA, on this very personal and key song in the future concept album.

Lyrics:

My old notebook (with) my youth poems 
Thinking no one was the same forgotten moldy in a chest
Never found lips (that) wanted to declime 

My old canvases full of greys 
No one else was able to paint 
Moldy forgotten unfortunate 
Never found eyes that contemplate 

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

my footsteps in the sand, 
a land that no one could step on.
erased by the ocean tide, 
no one can follow them

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

Legacy - with DelhyA - Lyrics on description

mysterious imprint

Yunaversal/Wild Honey

method: field recording and vc 340 into zoom r 20,all analogue, post-prod with samplitude, no vst
narration: the original title of this poem was ‚treason‘
image: copyright jo richter ... if you look closely, you can spot my field recorder on its tiny tripod between fenceposts ... recording some of the audio for this soundscape ...

poem (as first published in
auslegpapier) copyright jo
richter (imagine a layout
along the vertical axis):

in 
orbit around
the outer perimeter
of his home
planet,
the

astro-
naut hums the
national anthems
of rival powers
when the
trans-

mitter
circuits are
closed and his mind
holds no grudge
against all
his other

selves

those who sail the stars

Recorded by TPMB in Sheffield September 2018.
Terry Todd - bass
Andy Peake - keyboards
Nigel Manning - flute/sax
Paul Bray - Percussion

REBOUND (TPMB demo)

Carátula gracias a;
 https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

Smile

UA519: XFA - CLLR [LP] 13 Tracks 30.06.2023
https://www.junodownload.com/products/xfa-cllr/6173666-02/
https://www.beatport.com/release/cllr/4142946
https://open.spotify.com/album/05W1kmamHVxOMivJCooLII

MMXIXXIIIIISTFFD

Here's a collab with the exceptionally talented https://soundcloud.com/frawstakwa

The original vocal can be found here

https://soundcloud.com/frawstakwa/lemme-show-you-whats-1


Cover art created at https://www.canva.com/

FRAWSTAKWA X RiZLiX - Lemme Show You

450 gigas de samples a échanger contre d autre samples, meme pack plus petit, échange  gratuit bien sur contacter moi sur SoundCloud  a bientôt les amies
450 gigas of samples to exchange for other samples, same smaller pack, free exchange of course contact me on SoundCloud soon friends

Four Livfe

Mojo Chimes

The Dream Continues(See You In The Continuation Of Your Dreams)

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

those who sail the stars

sonic structures and silent stretches

Recent comments

REKHA

STONERJAZZ

noxpox (page 14)

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