Eclipse Stereo

Just for fun. 

I shared a rehearsal space in the basement of Westbeth Artist Housing (please see the photo) in the late 70’s. This music has to do with my dream-memory of the place.

The basement was labyrinthine. Until a few years ago, I still had recurring dreams of that environment. It was constructed of grey painted cinder block or some such stony material. There were many bands in many rooms down there, and as you walked the halls you’d hear all the musics leaking out from under steel doors in cacophony. Often you’d hear the band in the next cell right through your own stone wall as you were playing. That made it hard to record in there. We did it anyway. 

The sonic qualities of this recording remind me of those hallways as do some of the somewhat antiquated guitar moves. And by the way, I love antiquated guitar moves!

Westbeth Catacombs

Cast of Characters:
J.J. Terrell–@j-j-terrell – drums, bass, and organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar
This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked me if I would like to add a guitar part. I jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded about 20 takes of it. He finally landed on the one you hear in here now. 
  We asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.
  This was a fun, exciting collaboration, featuring just JJ and me, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (With JJ Terrell, produced by Texmex Shaman)

Cast of Characters:

J.J. Terrell–@j-j-terrell – drums, bass, organ, triangle, and composition

TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar

This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He even added some real triange, if you listen for it, you'll be delighted. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked Josh if he would like to add a guitar part. Josh jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded more than 20 takes of it. He finally landed on the one you hear in here now. 

  They asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.

  This was a fun, exciting collaboration, featuring just JJ and Josh, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (Eclectic Collective)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition
J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies
Mistermark-- @user-432503709 -- Mark – clavinet     
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 
  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.
  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.
  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 
  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let's go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Down for Anything (Eclectic Collective)

Just a song that I love!!!  Recorded in 2022… I’m dedicating this to J.J. Terrell! He is a keyboardist extraordinaire, a fantastic friend, and our main key tinkler and songwriter in our Eclectic Collective! J.J., if you listen to this, pay attention to the lyrics, brother! Hope you all dig my version! .. as for my singing, well.. I’m good on the drums, he, he and ha!!!🤣🤩😎🙏

Southern Cross-CS&N Cover

Original by John Fred & his Playboys, 1967

Drums, bass, vocals & mix : Little Man
All other instruments : PdB Orchestra

Judy In Disguise

The end of a Day

The end of a Day (Remix)

Beyond Laniakea and the Supercluster there lies The Great Wall...apparently its only 10,000,000 light years across...  I think I'm running out of space...
I asked chatgtp how long it would take to travel that far in the fastest human built machine and it came up with this:

The fastest human-built machine so far is NASA's Parker Solar Probe, which reaches speeds of about 430,000 miles per hour (700,000 km/h) when slingshotting around the Sun.

Let's break it down:

Distance: 10 million light-years = 5.88 x 10¹⁹ miles
Speed: 430,000 miles per hour
Time: Distance ÷ Speed
Time = 1.37 x 10¹⁴ hours
= 15.6 billion years

So it would take the Parker Solar Probe roughly 15.6 billion years to travel 10 million light-years, assuming it could maintain that speed (which it can't).

That's longer than the current age of the universe (around 13.8 billion years).

My head hurts...

The Great Wall

We are pleased to present track 7 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven


Haunting One Seven

A Deity Looks After Me

shoutout to lmg shoutout to my homie for the cover

look away, stop staring. (p. lmg)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me