Cool electro jazz feel on this one - - - - - - - - - the  lead guitar reminds me some J. MacLaughlin licks and the overall atmosphere "Silent Way" by M. Davis - - - -- - - - : : - - - - - - - ) )

Love the solid jazz feel of this! So evolved with really supreme performances and production.

I like this bizarre sound half Jazzy, approved  👍

ah che figata, mi piace un sacco, bravi tutti! please, enjoy translating :)))

Digging the tension created between the beats and melodies 🤍

You can clearly feel the exhaust with that fast and constant rhythm. Well done!

Another groovy fun chilled out jam I somehow missed. Kind of cool to hear the minimalism of just you and JJ jamming with Stephen on production.

PASACANA

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

Cast of Characters:
J.J. Terrell–@j-j-terrell – drums, bass, and organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar
This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked me if I would like to add a guitar part. I jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded about 20 takes of it. He finally landed on the one you hear in here now. 
  We asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.
  This was a fun, exciting collaboration, featuring just JJ and me, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (With JJ Terrell, produced by Texmex Shaman)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition
J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies
Mistermark-- @user-432503709 -- Mark – clavinet     
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 
  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.
  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.
  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 
  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let's go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Down for Anything (Eclectic Collective)

This is one of my favourite compositions. 
Knowing pretty well my vocal cannot match that of Jasmine's when the song was first posted here several years back, I still decided to do a version of my own with a slightly different arrangement.
Three songs in a row, the wonderful lyrics by Mellina Barnett. Just see what you think about it.

Merry Christmas and thanks so much for stopping by.

[CREDITS]
Music / Vocals / Arrangement / Programming :  Michael C. Lynn
Lyrics : Mellina Barnett
Guitar Solo : Brent Mason @Band_in_a_Box
Acoustic Guitar Picking : Jason Roller @Band_in_a_Box
Strings Quartet : Avery Bright @Band_in_a_Box


[LYRICS]
Children are dreaming warm in bed 
So tread carefully as you turn out the lights
Watch the shadows dance around the house
As the clock chimes day to night
Cobwebs shimmer 'cross frozen glass
Breath hangs heavy in the air
Something magical's on its way
If you try hard you can feel her near

Lay down in front of the glowing fire
Pull the blanket around your shoulders
Let the warmth of flames mesmerize
As snowflakes drop in silence
Candle flickers around the walls
Whispering for you to hear
The gentle steps and Christmas bells
As an angel draws softly near

(CHORUS)
Christmas Angel has come to visit
For she heard your Christmas prayers
She danced round the fairy lights
You didn't see her there
She kissed each sleeping child 
Wished them health and happiness
Left a white feather in your open hand
And sang to you Angels blessings

(Bridge)
She stands serene in the frosted night
Translucent with goodness
Marbled in crystal light
And when the Lord calls to her
With grace she has to go 
Sending stars from Heaven
Falling with every drop of snow

Repeat Chorus

Angels Blessings [2024 Version]

This track contains complex glitches & rhythmic patterns. a collect all parts together & came with new idea.

Vision X

Another unpretentious pop song. I kind of like the chorus and the instrumental bridge. It should be shorter, but it came out that way, with an extra minute.

since she's gone

Sur une musique de Christian Devienne, merci à lui. 

Ça fait déjà quelques années
Qu’ils préparaient son arrivée
Disant le tout et son contraire
Avec des mots très ordinaires
Prêts à tous les excès pour plaire

Charmant des esprits engourdis
par le malheur et par l’envie
De mensonges en raccourcis
La bête a fabriqué son nid

S’imaginant fille d’un dieu
Pas vraiment miséricordieux
Elle n’a plus à se confesser
Puisque le mal n’est plus péché
C’est tellement pratique pour rester

Lorsque sur des tombes encore fraîches
De morts qui sont encore pleurés
La bête prévoit d’édifier
Des Disneyland et des palais

N’importe où, qui que vous soyez
Même silencieux et caché
Louvoyant la tête baissée
Lorsque votre numéro est tiré
Ses sicaires sauront vous trouver
Pour vous pendre ou vous enrôler

Quand la raison meurt sous le fer
Le pire qu’on croyait révolu
Laboure des terres inconnues
Plus brûlantes et noires que l’enfer

Mais si la bête toujours renaît
Le meilleur aussi apparaît
Si d’autres monstres ont paradé
Ils ont tous fini par tomber




la bête

Cherokee

Pride (2006)

Four Aces

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Losing the Paparazzi (With JJ Terrell, produced by Texmex Shaman)

Entheogenic Psychonaught (Josh Clary)

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