Great work & Vibes al over the place !!! : ) < 3

Truly stellar track.  Great performance by all involved!  Love the space theme!

enjoying this all over again; a real standout

Beautiful soundscape. Gorgeous orchestration !

lol.  A real whimsical scenario. I found it to be funny yet it rode well inside the psychedelic vibe. Great instruments yet again.

Really nice song with great instruments and vocals.

Better feat. Patricia Edwards
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/14815/better-by-patriciaedwards-72bpm-jazz-acapella
Paploviante:
E-Bass, Music Composing, Mix and Mastering
Picture from Mallorca Holidays Paploviante

Better feat. Patricia Edwards - Paploviante Music

Destination Love.

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

Cast of characters:
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and vocals

TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production

J.J. Terrell–@j-j-terrell– piano and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar

This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 

  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 

  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 

  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar


It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time, Late Night (Eclectic Collective)

takechee

Hyper Drive

Words I never thought I would have to write.

The great eSyrup, Thom Palumbo has tragically left us.
I am heartbroken. He has been a frequent collaborator and loyal correspondent over the last ten years. When I play guitar, I think of him and whether he would like it. When I write, I imagine his reaction. And now he is gone. He achieved his lifelong ambition of returning to Maine to live over the last few weeks. I was so proud he had done it. I had hoped for more of his time, his music and his humour. An incredible man.

We never met, but we had an uncanny connection. This was done but not finished nearly six years ago, in December 2017. Life and stuff got in the way. Time was our only enemy and sadly a cruel one.

Please listen to his fantastic legacy here and appreciate his beautiful art 
https://soundcloud.com/esyrup

Released with kind permission from David - I thank you and salute you.

Hedd, perfaith hedd, cariad

Be good

Nick

All other instruments - Thom
Guitars  - Nick

Pic: https://www.terragalleria.com/index.html

In Loving Memory Of ESyrup (Thom) - ESyrup and Nicholas Ridiculous

A new collab with my dear HyLGZ22.
Lyrics :
Arpeggio, stylish hairdo and silver witcher’s sword, you forego my toes, my modulation and white noise passion. Love my love and my void in my tiny palace of thousand rooms and coplanar sideral networks of my wiggling ears.
Ethereal sensations of shiny dragon’s leather and troll fur, in your bed and in you bath and in your milky dreams of oak and halberds.
I crave for the tinkling of ten thousands cybernetic bees buzzing around the pomegranate of my intricate emotions, tantalizing my tits, and releasing the endorphins that keep me alive in a solution of poisonous thoughts.
Your fizzling feet feed the psychopomps with the crumbs of your illusions. Like a Hierophant in love, I will synthetize the fragrance of your sweat, and drink the wine of your gaze, and kiss your boobs and your boots.
Sweating under your command, I swallow you imagination and the fluffy bouncing monsters of your polyphony play with my ears in an opera of mystical strawberries.
My glass boots tinkle on the bridge of our passion as we surpass the bondage of geometrical algebra in our creamy foreplays.
The neural network that decides which music we like, will explode under the purple blaze of our desires. Freed by Malenia’s Scarlet Rot, we shall seek new achievements for our misguided lives. In a romantic reckless move, we will go happily to a naked party at the sushi bar in Dagon Street.

Naked Party At The Sushi Bar In Dagon Street

Party At The Sushi Bar In Dagon Street (HyLGZ22 & Damga)

One of my fave comedy scenes in a movie is the "this poem sucks" beat poem in 'So I Married an Axe Murderer'. Written & performed by fellow Cannuck Mike Myers, the visual performance is as much of the fun as the lyrics. Here's my take (apologies for the vocal quality, which was recorded at different times & locations with just my phone mic). All instruments played by me on keyboard; I kind of like the realism of the snare drum brushes in particular. still needs practice tho. 
Hope you find this song "love...ed"  ;)

here's the original video from the movie: 
https://www.youtube.com/watch?v=9XgmTYm-6x4

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- 
here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Harriet ('this poem sucks') - cover

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

Video;
https://youtu.be/dVTVR1MrYvc

Made in #Ableton (December 2023)

Genres;
#Electronic
#Experimental
#Pop
#Rock

Warm Spaces

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Early Time, Late Night (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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