At The End Of The Dream- bE AnOthEr

Paroles guitare interprète :EmmaJack
Musique production mixage Aor Agni
Mastering Jean Michel Vaicle

Where you gonna go , where you gonna go ?
Are you going to face your fears tonight ?
Swallow your tears 
Where you gonna go , where you gonna go ?
Are you going to face your fears tonight ?
Follow the lines , you'll be fine 
Take your time , you'll be fine
You'll be fine if you stay right in the middle
Where you gonna go , where  you gonna go, 
Are you gonna face yours fears tonight
Watch your back, check it out , don't get trapped
Stay right in the middle
Watch your back, check it out , don't get trapped
Stay right in the middle 
Don't forget , don't except anything, and you'll get, everything
Don't forget , don't except anything, and you'll get,  everything
Watch your back , check it out , don't get trapped ..

Interactions

Watch your back

Watch Your Back

White Lies

Loop World

Let her know...
Let her know you love her so.
Let her know you won't let go.
Tell her that you care.
Tell her you'll be there for her.

Let Her Know

Cast of Characters:
Cgmaness – @user-419254289-15129531 – Chris – bass,  acoustic guitar, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen–  mix, production, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – mandolin and lap steel
This song began as an idea that Chris came up with on his acoustic guitar, and shared with Josh. Josh, loving everything that Chris writes, jumped at the opportunity to work on it. 
  Josh first added the melodic lap steel you hear throughout. Then, in the same session, came up with and recorded the mandolin track. He believes Rick Rubin's mantra, when it's flowing, keep it going. This song was the first of about half a dozen that Chris shared with the Eclectic Collective back at the beginning of summer. So, it sat dormant for about five months, until Chris revived it by adding the impressive rhythm section of bass and drums to complete it. Chirs is always a multi talented part of the team. 
  When it was all in the can, we asked Stephen to mix it for us, because his mixes are always so pro sounding. He also mastered it for us, too. 
  This is the fist song that Chris and Josh have recorded as a duo in almost a year. However, they love recording together and feel this is a great way to start the New Year with some magical music. We all hope you enjoy listening to this as much as we enjoyed creating it.

Dance of the Tryptamines (with cgmaness, produced by Texmex Shaman)

Pastichomachina

Made in Februari 2025

Video; youtu.be/aVqLuSsYOxI

Genres;
#Electronic
#Experimental

Original track;
https://soundcloud.com/hega76/loveless-black-hole

Loveless Black Hole (II)

Something loose and fun to end the week.
A Howlin' Wolf style song.
Hey, in my mind, I'm a great dancer!!!

Lyrics:
We're rug cutting up a little on the dance floor
A little boot scuffin' on the rug (yes we do)
Sashay, into a little parlay with my girl
Bend, dip, twist, and twirl

I took my girl out for a dance on Friday night
And when the band kicked in, she said:
Something just doesn't seem right
I seem to dance on the 1s and the 3s (don't you see?)
High stepping, (yeah!) finger popping, that's what I do
You know when I work real hard
I really bust my moves

Yeah, I was busting my move
and she said to me
"Yeah, there's something wrong boo"
"cause you misaligned the groove'
Misaligned the groove
And that just goes to prove
Alcohol's the only thing that makes my dance moves improve

Rug cutting out on that dance floor
It's my St Louis Charleston flyover turnaround dance
Well, that's not your mother's mambo baby
Boot cutting, stripping down, turn your partner round
Bring em back around

Oh my girl, she calls me "Mr Slinky Bones"
Cause when I dance, I get real long and low
Real long and low
Mr Slinky Bones
She says: You dance like you think that you're  invisible
She calls  me
Mr Slinky Bones
I'm like a dog with 3 legs
Chasing his tail
I'm Mr Slinky Bones

Mr Slinky Bones

Strolling backwards

Looking for Notes

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Dance of the Tryptamines (with cgmaness, produced by Texmex Shaman)

Entheogenic Psychonaut (Josh Clary)