Songs with the Eclectic Collective

Trancylvania like

Some of my Soundcloud Favourites #191

MEGA MIX - 29 Nov. 2023

MegaMix  29 Nov. 2023

PlayLiszt! N°15

Related tracks: Rapid Rivers (Blazing Across My Mind)

Related tracks: IPG1 & RiZLiX - Feel The Vibe

EdgeOfDark

I am

A greenshank in the swamp´s fog reminds me of a grey sunday afternoon.

Grey Day

We Dont Get Cold

(Texte Français et Google traduction)

LE CRI DES ECRITS

A l’encre bleue indélébile,
Marqués au feu des mots fragiles,
Je vois les pleins et les déliés,
Me dire combien tu m’as aimé.

Et je retrace sur chaque phrase,
Les « je t’embrasse » dans nos extases,
Puis les formules particulières,
En majuscule pour mieux se plaire.
Mais les ratures, les gribouillis,
Mettent en bordure les mots d’oubli.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Sortent l’enfer que je respire…
C’est le cri des écrits.

Si tant de prose, de phrases folles,
Toutes ces choses qui nous envolent,
Cette dernière de la rupture,
Me met à terre sous l’écriture.

Une mise à fin de l’éternel
Et du parfum d’une vie belle.
Alors je lis les larmes aux yeux,
Quand tu écris qu’entre nous deux,
C’est plus la peine de continuer,
Car tes « je t’aime » s’en sont allés.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

THE CRY OF WRITINGS

In indelible blue ink,
Marked in the fire of fragile words,
I see ups and downs,
Tell me how much you loved me.

And I retrace on each sentence,
The "I kiss you" in our ecstasies,
Then the particular formulas,
Capitalized for convenience.
But the erasures, the scribbles,
Border the words of oblivion.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Come out the hell I breathe...
It is the cry of the writings.

If so much prose, crazy phrases,
All those things that fly away from us,
This last of the break,
Brings me to the ground under the writing.

An end to the eternal
And the scent of a beautiful life.
So I read with tears in my eyes,
When you write that between the two of us,
It's no longer worth continuing,
Because your "I love you" are gone.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

Le cri des écrits

LE CRI DES ECRITS (Chanson Française)

Azazel has always been a mysterious name that has aroused great curiosity. It is mentioned in ancient Jewish writings and has been the source of inspiration for much fiction, including some of Isaac Asimov's stories to which my song refers.

Azazel

Ken wrote this song (K2 and the Three, and K2 and the Four) a little more than three decades ago, and recorded it with a former band in '95. It's about being a guy who recovers a woman from a failed relationship, even though he doesn't expect it to last. He got the term from an episode of the '90s hit Roseanne, when one of the someone quipped after one of the daughters had been dumped by a bad boy, only to find a new boyfriend, that "it's not gonna last. He's her transition man." So, Ken, finding himself in a similar situation, picked up the term and ran with it.
His original recording was a harder rock sounding song we used a template, but only loosely. Josh Clary (Entheogenic Psychonaught) tried to answer the question, what would Flea play on this? JJ Terrell came up with the fonky funk keys. Tez (Llanpsych) and Stephen (TexMex Shaman) came up with with the lightning and fire guitar leads. Ken, of course, did the driving drumming and essential percussion. Chris (cgManess) added the really solid foundational rhythm guitar. He also sings this one. On top of that, he also did a fantastic job of producing and mixing it, as well as coming up with the art.
We hope you enjoy it. Below are the lyrics, too.

Hey won’t you listen to me?
I know I can’t set you free
But I’ll jump start your broken heart
Make it safe again for you to live and love
You know it’s all or nothing

Love see me for awhile
Let ‘em know you’re back in style
It’s touch and go, baby you should know
Feelings from your temporary heart
Leave me with all or nothing
Yeah

Girl, I’ll see you in my dreams tonight
It only takes all of my time
You see my brilliant color
Fades to black and white
For I see what you are
And I know who I am

I’m your
Your transition man, yea
Your transition man, yeah

Baby who’s to blame
Was it your fire or my flame?
Candle’s always melt to wax
But I want you to love me like “ forever “
Is all, or is it nothing?

Darling you’re in my soul
I thought I should let you know
The Spirit that is moving me
Is it all ill have, or will you take my hand?
Give me all or give me nothing

And it’s a long distance, baby!!!

Transition Man  - (Eclectic Collective)

Bottle - Music & Lyrics by Grenzlicht | Music & Additional Lyrics by REKHA - IYERN [Fe] | Dark Underground Electro-Punk Rock | YT VID

YT Video, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

YT Video, Old Energy: www.youtube.com/watch?v=vja0TOjvfSU

Hope you all enjoy this super sonic track with all of it's real-deal underground retro-electro glam-glory emissions! 

Roland of Grenzlicht creates the most amazing razor sharp modular synth music here remaining true to the electro-punk era, that pure analogue sound that I simply could not resist! 

My whole life I've wanted to record music like this ever since I discovered it in my youth...I live for this kind of sound and I thank the universe for Roland, that he came along from nowhere and then ever so nicely invited me to sing on his spectacular Bottle track, making my dream to come true! I'm deeply fascinated by this sonic creation and feel so proud to be participating!  

I just wanted to add that I went for the chronically-addicted-dark-drinker type with my (nonsensical drunken chitter-chatter) vocal performance, how this untamed woman will do anything for the drink and the company that goes with...I think that kind of personality type really comes across in this piece...keeping my fingers crossed that you agree :)

Thank you Dear Roland from the bottom of my heart for this awesome sonic gem & your stellar lyrics!  

Cover Art Design: Photo & Graphics by REKHA - IYERN [Fe]

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by Roland of Grenzlicht | Final Vocals & Harmonies Mixed & Mastered by Roland of Grenzlicht

Vocals & Harmonies Composed & Produced, Recorded & Performed, Mixed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS CANADA

More amazing music from Grenzlicht here: https://soundcloud.com/grenzlicht

Bottle - Lyrics by Grenzlicht | Additional Music & Lyrics by REKHA - IYERN [Fe]  



Cover Art Design: Photo & Graphics by REKHA - IYERN [Fe]

Bottle Final Rekha 1.2 Master Wav 44,1 Khz 16 Bit

https://www.youtube.com/watch?v=8vhVGS2PHi8

Bottle

Bottle - Music & Lyrics by Grenzlicht | Music & Additional Lyrics by REKHA - IYERN [Fe] | Electro

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. 

Josh (Entheogenic Psychonaught) enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. 

JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. 

We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

My concept for the first half was like a race - each phrase of the overall section was like a runner handing off the baton to the next racer which is a new guitar sound or tone. Ultimately leading to part 2 which is the final winning lap.

Home's Album

A Time Race  - (Eclectic Collective)

Tex Mex Shaman (Stephen)--rhythm/ slide guitars/ riff/ mix and post production--@texmex-shaman
Llanpsych (Tez)--lead guitar--@llanpsych
Entheogenic Psychonaught (Josh Clary)--bass guitar--@josh-clary-1
J.J. Terrell-- Piano/glockenspiel--@j-j-terrell 
Mysterious Decibel--lead and high backing vocals--@themysteriousdecibel
K2 and the Three (Ken)--drums/ cowbell( I had the fever)maracas/tambourine/ woodblock/ low harmonies--@k2andthe3, and @k2-kara

This is a cover from Paul McCartney and Wings, from the 1975 album, Venus and Mars, and this album was supported on their 1976 Wings over America tour. They always opened with Venus and Mars/Rockshow
     Ken sent Josh and Tez an email a few months back, about maybe covering this awesome rocker, after we released “Hello World." Before responding, Ken reposted his cover of "Richard Cory," a Simon and Garfunkel cover, sung by Denny Laine and Sir Paul on the Wings Over America triple live album. Stephen commented that “Rockshow” was one of the first songs he learned on guitar. Ken said, “Well, here’s your sign!" He freaked and invited Stephen to immediately contact Josh.
     We finished everything but the vocals by early June, but were stuck on lead vocalist. Several of the collective gave it a go, but nothing sounded right. Then came a late game idea. We had all been following and fans of The Mysterious Decibel for quite some time, so we asked him if he'd be interested in singing it. He was game, and really delivered what so many could not. He is a new, welcome addition to our mix. You'll also hear Stephen, who accomplished the herculean task of mixing and producing this song, very ably play the entire song on the guitar, with Tez playing the ripping leads. 
  We hope you enjoy our labor of love that has been an entire summer in the making.

Rockshow (Wings Cover)  - (Eclectic Collective)

No Hiding Place

Cast of characters:
Surfers Like Us–@user-411502040–Artur–songwriting, foundational rhythm guitar
TexMex Shaman–@texmex-shaman–Stephen–guitar solos in first half, mix, and production
J.J. Terrell–@j-j-terrell–keys, including organ and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion
Llanpsych–@llanpsych–Tez–Guitar solo in the second half
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–bass guitar

This is a song that Artur wrote in his unique, original, and signature surf rock style, and passed it on to Josh, as a gift. Josh added some bass, and, of course, had to get the rest of the Eclectic Collective involved, too. Ken came up with the energetic, driving beat, perfectly suited for the song. JJ added some really stunning, surfy organ and jamming electric piano. Tez added his signature inspired, powerful lead in the second part. Stephen added his dynamic guitar voice to the first half, and was kind, generous, patient, and talented enough to mix and produce the whole thing.

I asked Artur the meaning of the song's title, and he told me that it refers to the soulmate some people find, who can carry you through anything, even if you or they may be a little crazy. It's about crazy love!

We hope you enjoy our third installment of our surf rock series. Thanks for hanging ten with us!

The One - (Eclectic Collective)

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. 
When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. 
So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
 Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
 Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Tonkas and Matchbox Cars -(Eclectic Collective)

lamentations fusion

We are not a cover band, although we do enjoy incorporating recognizable motifs and sounds into our songs as hooks to the past and a form of tribute to artists of the past.
This song is a shout out to Supertramp, The lyrics are a bit of a ‘poke’ at these so called ‘celebrities’ that got the looks, but little else going on. They even manage to write a book about their superficial lives…well…ok…they get someone else to do that for them. 
“Look at her body?” Hmmm…well we do, probably because there’s nothing else about ‘em. 
Musically, it was always about the keyboard sound in tension with the strings that called Supertramp - the band - to mind.

*available for free - track 10 from the album Wait and See - https://www.terrywigmore.com/wigmore-allen-gibbons

                                              SUPER TRAMP

She draped one leg over the arm…She got no wit, but she’s full of charm
I got my note book out to write down all the things that she…
Had not got in her own head…
She could not look me in the eye…It started to rain and I just wanna cry
Well here she come now…Super tramp

“I’m not a super, a super tramp
I’m not a super, a super tramp
Well, I’ve got more brains than you got britches
Got more schemes than you’ve got hitches…baby…baby”

There’s nothing more that you could say…
I’m just a fly upon the wall you want to swat away
Well here you are again, with your life story…Bore me…
“Look at ma baw-dee…(Look at her bawdee)  Ain’t I gaw-geous?
I got no brains but I can fake it…haha I mean…shake it for you!”
Well here she goes again…super tramp

(Body-shake-down:)

“Well I got more brains than you got britches
Got more schemes than you’ve got hitches…”
Oooooh….She’s dangerous …
Oooooh….She’s outrageous…
Oooooh….But it makes her lots of money!

I had to stop to rub my aching eyes, all she was full of was …
Expensive perfume and cheap surprise…that’s no surprise. 
But she couldn’t… buy a halo…
And so the book came out in July…It made her a $million, 
But I don’t know why…She’s still a super…super… tramp

Wigmore: Synths, Production
Allen: Lyrics, Vocals, Bass

Wait and See - Keith's Picks

Super Tramp

Glimmer On The Horizon, A Distant Twinkling Beacon Of Hope

This is the second to last track of Fluff's third album 'Down the Rabbit Hole'. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc

We distract ourselves with meaningless noise, money and a selfish desire for 'me'. We don't realise how the skeletons in our closets, the hate and separation we breed and nurture, slowly erodes togetherness, fairness and community, while at the same time builds up to a big explosion, which probably none of us will get out of alive.

LYRICS:

The day was meaningless 
TV the usual mess
We had our toys and games and
Lots of noise and lots of noise

Do not appreciate 
Don’t give before you take 
What’s in it for me
And where is my money

This is out of control
We are out of control

I deserve
All this is mine
This is meant to be my time
Guilt reflects in our eyes
We didn’t get to say goodbye 

How did it turn so fast
I guess we didn’t last
Filling our closets 
With the ghosts and shadows
From the past

This is out of control
We are out of control

Looming up there all this time 
Pretending to be stars
Those lights now dripping from the sky
Like candle wax held to the fire

Rusty Emergency
Rusty Emergency
Rusty Emergency
Rusty Emergency

Down the Rabbit Hole

Rusty Emergency

13 Rusty Emergency

BEGINNING

Beginning

1.BEGINNING

Alchemical Catharsis: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Cover Art / Photo: Evandro Lira aka Vintage Mutation.

— Alchemical Catharsis: Is a term used in the context of Carl Jung’s interpretation of alchemy. According to Jung, alchemical catharsis is the first stage of transformation in the alchemical process. It is a state of disorder and disintegration that is comparable to the confession/catharsis phase of psychoanalysi. — The alchemical process of transformation has four distinct stages: Nigredo, Albedo, Citrinitas, and Rubedo. — These stages are the framework of Jung’s characterization of the four stages of character transformation: Confession, Illumination, Education, and Transformation, culminating in the completion of the Magnum Opus and the attainment of self-realization.

Alchemical Catharsis

Carlita Wants to Destroy the Moon

Carlita Wants To Destroy The Moon

Part 3 of the future E.P.  "THE HOPE OF THE SUNRISE" with the amazing 
THE TURTLE PROJECT
https://soundcloud.com/turtle-project
Lyrics:-
He made it to the clearing
And looked around
A beam of light above him
That swept the ground
A U.F.O just landed
Without a sound
The sliding doors that opened
The beings that came out
Like they were very beautiful
Seemed to know what he's about
They walked right up greet him
Spoke his language right out loud

We live on the moon
We've been watching you
And we heard your cry for help

He guessed their vibe was so brand new
He'd listen to what they could do
He felt the love in everything they said

There are many of us
We are from your future
And we're here to guide the past

Although he felt that this was true
He didn't understand the woo
I'ts like a key that unlocks a door inside

It's the woo
Yeah it's the woo
Woo's gonna getcha
Yeah it's the WOO

We've been helpng humans
Since the dawn of time
We are always on your side

It's the woo
Yeah it's the woo
Woo's gonna getcha
Yeah it's the WOO

We have got to go now
Follow all the signs
Now we're saying our goodbye

The Turtle Project / winkandwoo 2023

The Woo

The Woo - The Turtle Project & winkandwoo

PETIT PRINCE
DESSINE MOI UNE CHANSON
CHANTE MOI UN MOUTON
REFAIS MOI UN MONDE

PETIT PRINCE
J’AI APPRIS MES LEÇONS
J’AI SUIVI LES MOUTONS
ET QUE VOIS-JE À LA RONDE

C’EST UN MONDE
PAS MOYEN DE S’ENTENDRE
EST-CE SI DUR D’ÊTRE TENDRE
ET DE SE TENDRE LA MAIN

PETIT PRINCE
MONTRE MOI TON ÉTOILE
QUE J’Y METTE LES VOILES
POUR M’Y REFAIRE UN MONDE  

PETIT PRINCE
J’AI CASSÉ MON MOTEUR
TOI TU REPARS AILLEURS
T’OCCUPER DE TA FLEUR

PETIT PRINCE
PLUS MOYEN DE SAVOIR
PLUS MOYEN DE SE VOIR
SAUF AVEC LE CŒUR
 
PETIT PRINCE
C’EST POUR TOI QUE J’EN PINCE
REPARTI DANS L’ESPACE
VERS TON ASTEROÏDE

PETIT PRINCE

ASTÉROÏDE B612

ET MERCI POUR LE BLUES

PETIT PRINCE (Lyrics)

*Listen w Headphones

I'm having a hard time creating new stuff because my left 
ear is shut tight. So things might seem off here and there! 

Stay save!
LS

-----------------------------------------------------
Soundcloud Samples used

Jiggy / jigs trippin

The Traveller
https://soundcloud.com/jt2-instrumentals/the-traveller

Golden Mist ( outro used )
https://soundcloud.com/jigstrippin/golden-mist

-----------------------------------------------------
River / Sukhwinder Flora

Autonomy (cover) Sleeping Bela
https://soundcloud.com/floras-1/autonomy-cover-original-by

*Check out the awesome original by Bela here
https://soundcloud.com/sleepingbela/autonomy
------------------------------------------------------------------

Intro sample
https://en.wikipedia.org/wiki/The_Blair_Witch_Project

Remixed by LS / 2023.

I Feel Emotional feat River & Jigs trippin

Music & words : Loony De Bussy 
Illustration : Nataly NGM  🧡

All played and sung by Loony :  Acoustic / Electric guitar, Fretless Bass, Slide guitar, Electric piano 

Composed and recorded in 2003
Mixed and mastered in November 2023

NIGHT TIME

Tomorrow is Already Here

Tomorrow Is Already Here

Vocals; https://soundcloud.com/ipg1

Production; https://soundcloud.com/rizlix


Here's a collab with the super talented https://soundcloud.com/ipg1

You can find his original acapella here;

https://soundcloud.com/ipg1/snippets-vox-140-bpm

Here's a link to the artwork;

https://pixabay.com/photos/architecture-modern-sculpture-art-3148080/

IPG1 & RiZLiX - Feel The Vibe

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for The Gat(s), who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling the vehicle.

Helium Weights (Eclectic Collective)

As life peacefully flows...

3notes

Even feat. Alley / Paploviante
Paploviante: Bass, Music, Composing, Arrangement, Mix, Picture and Mastering
Vocals and Lyrics: 
Alley from Ghosthack www.Ghosthack.de
- Verse One -
I’ve tried everything
My minds been racing round a track
But I’m getting numb to the feeling 
Of forcing myself to love you back
- Pre Chorus -
I should want you more 
On paper you’re the perfect man
But there’s a lingering 
Deep inside that tells me 
You’ve been wrong since we began
- Chorus -
I’d never ask you to change 
But what I need 
You can’t give me 
I won’t say an apology
You’ve been sweet
But it’s time to leave
It’s time to leave
I’ve lost feeling
I need to breathe, feed this aching
What part of this aren’t you getting
- Verse Two -
I’ve tried everything
Nothing gets through to you
I’m numb to your loving
And I can’t change
That I’m through with you

Even - feat. Alley / Paploviante Music

■Helplessly Hoping (2005 Remaster) - Crosby, Stills and Nash 
https://www.youtube.com/watch?v=BdBs7JFn9Pk

◇A historic masterpiece that can be played with a simple chord progression and basic three-finger playing technique◇

[Am7]Helplessly hoping her  [C]harlequin  hovers near-[G]by,    awaiting   a   [D]word.
[Am7]Gasping at glimpses of [C]gentle true  spirit he [G]runs wishing he could [D]fly
only to [Am7]trip at the [C]sound of good-[G]bye. [D] 
------------------
I started playing this song to get my hands used to playing a guitar with nylon strings (ball end type). This is because I often play it for tuning purposes. I feel that it will still take some time for me to get used to these strings, so I will upload a number of recordings here, including some of me sluggishly, and show off my practice scenes.

I know that this song has been covered many times by large choirs and choral groups consisting of several people at recitals and the like. I recommend that you use the link below and use it as one of your regular practice songs :)

Once you listen to this recording, you'll notice that my guitar strings have a slight crackling sound. This wouldn't be a problem if my guitar wasn't used to the new strings, but this song uses a lot of open string sounds. Therefore, even if the performer tries to control the chattering sound with his left hand, he may not be able to do so. 

In other words, our acoustic journey with nylon strings has only just begun. I would be happy if you could feel that at this stage of recording, I am still in the ``beginner'' stage where I can't control myself. Because if you listen to the original work on YouTube from the link above and start singing along, you won't be able to hear the slight creak of my guitar in this recording. Please sing along with CSN's music source. 

Please master this song that has been sung by many people for decades. And sing along with my guitar. If you are practicing guitar, please follow the same steps. It would be a great honor for me to be able to start this nylon string acoustic journey with you all from the very beginning. That's a great start :)

■lyrics and chords
https://www.e-chords.com/chords/crosby-stills-and-nash/helplessly-hoping
https://chordseasy.com/song/35414/helplessly-hoping
*In the above site, the code for "They are one person" is G/C. I think that "C" may be "G7" or "G4".
■Crosby, Stills and Nash (YOUTUBE)
https://www.youtube.com/channel/UC25j4DwEaTkGHCUpQo2mZPQ

Helplessly Hoping - CSN cover

Helplessly Hoping - CSN cover (SOLO) with a gut-string guitar

[Free Download] 

O Holy Day (No More Night)

O holy day, the Son is brightly shining,
It is the day of our savior’s return;
Long lay the world in sin and error pining,
When He appears all souls feel their worth
A thrill of hope the weary world rejoices,
For yonder breaks a new and glorious morn;

Fall on your knees, Oh hear the angel voices!
O day divine! O day when Christ returns!
O day, O Holy day, O day, of His return!

Led by the light of faith serenely beaming;
Before God’s throne all of us will stand
Light of the world now forever gleaming,
There is no darkness left in the land

The King of Kings, to our weakness no stranger,
In all our trials born to be our friend;

Fall on your knees, Oh hear the angel voices!
O day divine! O day when Christ returns!
O day, O Holy day, O day, of His return.

Truly He taught us to love one another;
His law is Love and His gospel is Peace;
Chains shall he break, for the slave is our brother,
And in His name all oppression shall cease

Sweet hymns of joy in grateful Chorus raise we;
Let all within us praise His holy name!

Christ is the Lord, O praise His Name forever,
Proclaim His holy name, Jesus, Lord, forevermore,
Proclaim His holy name, Jesus, Lord, forevermore!

O Holy Day (No More Night)

White Horse / Paploviante / Open Collaboration Offer 
Paploviante: Bass, Music, Composing, Arrangement, Mix, Picture and Mastering 
BPM 126 Chord C#min 
Free Download 
If you want the track different ... contact me! 
The track is downloadable as a Wave file! 
You can complete what you want!
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White Horse / Open Collaboration Offer Paploviante

Texte Français & Google traduction

LES IMPREVUS MALENCONTREUX

Les imprévus malencontreux
Qui sèment le mal tout autour d’eux
Viennent bouleverser par leurs venus
Certains des jours et même plus
Sortent de l’ombre et des buissons
Nous jouent des tours à leurs façons
A faire des maux, pétrir nos cœurs
Partant de rires, on passe aux pleurs.

Les imprévus malencontreux
Nous font souffrir, font de leur mieux
Voudraient nous voir sur une image
Noyant nos yeux dans un naufrage
Passent à l’acte sans prévenir
Nous faisant mal, malin plaisir
Sans faire passer comme indolore
Ces coups de l’âme contre nos sorts 

Les imprévus malencontreux
Nous rongent,
Et à cause d’eux
On songe,
A ce pire, l’angoissant,
De se dire à nouveau c’est quand….

Les imprévus malencontreux
Faisant du mal tout autour d'eux
Viennent nous voir de temps en temps
Nous faire savoir tout simplement
Qu’ils peuvent d'une manière
Nous faire du mal, nous mettre en l’air
Et que seul’ment s’ils le souhaitent
Nous laisseront des jours en fêtes.

Les imprévus malencontreux
Nous rongent,
Et à cause d’eux
On songe,
A ce pire, l’angoissant,
De se dire à nouveau c'est quand….

Les imprévus malencontreux
Que cherchent-ils contre tous ceux
Qui veulent vivre tout simplement
De grands bonheurs qui durent au temps
Pensant à chaque fois que tout bien
Vivant nos jours et leurs lendemains
Jetant les doutes à tous les vents
Pour que l'amour reste bien grand.

THE UNFORTUNATE EXPECTATIONS

Unforeseen events
Who sow evil all around them
Come to upset by their arrivals
Some days and even more
Come out of the shadows and the bushes
Playing tricks on us in their own ways
To cause pain, to knead our hearts
Starting with laughter, we move on to tears.

Unforeseen events
Make us suffer, do their best
Would like to see us in a picture
Drowning our eyes in a shipwreck
Take action without warning
Making us hurt, evil pleasure
Without passing it off as painless
These blows of the soul against our spells

Unforeseen events
are gnawing at us,
And because of them
We think,
At this worst, the distressing,
To say to yourself again when….

Unforeseen events
Doing harm all around them
Come see us from time to time
Just let us know
That they can in a way
Hurt us, put us in the air
And only if they wish
Will leave us days of celebration.

Unforeseen events
are gnawing at us,
And because of them
We think,
At this worst, the distressing,
To say again when is it….

Unforeseen events
What do they seek against all those
Who want to live simply
Great happiness that lasts over time
Thinking every time that everything is good
Living our days and their tomorrows
Throwing doubts to all the winds
So that love remains great.

LES IMPREVUS MALENCONTREUX

THE BOY - I NEVER SAY GOOD BYE

From MORE MONEY EP

Listen on Spotify : https://open.spotify.com/intl-ja/album/6V1G8d4Czrp4uRI0nHOwuB?si=eulsso0DQX66ROFQcuyTNg

Everything by THE BOY

*FREE DOWNLOAD on SC!
I HOPE YOU ENJOY & SPREAD THE WORD!*

I NEVER SAY GOOD BYE

Spécial thanks to Mikamik for his a cappella ......

NEED NO REASON.  feat Mikamik

No Prayers For November (featuring Tom Waits)

Composition and Sampling collage by Synline
A painting made by Henri Matisse 
”The hand of the person below is detached in this picture.”

This song is the last track of the album 'Matte Black'on.soundcloud.com/WEXET

Dance In The Sky

This song sprung out of a practice session, with the lyrics, especially the first verse, just tumbling out.
It's another love song for my partner.  Can't seem to stop writing them, but that's how much she means to me.  Will be more worried if I stop writing them.  
Hope you enjoy it.

Rapid Rivers (Blazing Across My Mind)

IPG1's vocal track Living On The Edge with Llanpsych backing.
Many thanks to Ian for sharing his incredible talent with us all :)))))
Find Ian's track here
https://soundcloud.com/ipg1/living-on-the-edge-vocals-92-bpm?si=b2305b4d249942ffa30f23c065da3381&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Living On The Edge - with IPG1

(p) & (c) 2023/2024. Taken from the debut album (to be released mid-2024, under the tittle "Rock and Roll Kills").
Youtube link: https://youtu.be/Ls4kYAwMN2w
lyrics (Parental Advisory):
------------------------------
You're so strage to me

you got offended so fast
you're not built to last
you're made of sugar, butter and shit

You think it's only you
you cry like a bitch
your job it's only to abuse

whatever i say is wrong
your life is like a crappy song
no reason to talk to you anymore!

Rock and Roll Kills

You're So Strange To Me

"If you can go home.. you are wealthy beyond your dreams".

Your Home Now (Cookie Mix)

Impact

Find The Cost Of Freedom / Crosby Stills & Nash
https://youtu.be/0nlXmYVE_X8

Find The Coast Of Freedom～vision（Instrumental cover,CSN）

Support

Photons Extended (VA Microcosmos Chillout vol. 3)

Rebirth of Astropilot's classical album in a new sound and with the new design. The first chapter of space ambient album series. Written in 2009-2010, edited & remastered in 2019.

Solar Walk

download

Inside The Harmony [Remastered 2019]

Floating

https://om-mantra-records.bandcamp.com/album/fairy-tales-vol-5

OM Mantra Records proudly presents the 5 years anniversary release of Fairy Tales.
Enjoy the flow of this exceptionally beautiful compilation!
credits
released July 25, 2020

Chronos - Inner Fire

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me