IT’S GOING DOWN IPG1 & Lillithe
Vocals and Lyrics IPG1 :
https://soundcloud.com/ipg1/its-going-down-88-bpm
Lillithe :  Music, Picture, Arrangement and Production
Lyrics:
t’s Going Down The wait is over ——It’s going down now Savor the moment—-for what—-time allows  it’s going down——it’s going down——now it’s going down——it’s going down——now it’s going down now———Ah
Matrix been hacked—-so check your screen feed  this that powerpack top-pick legend in the league  IPG1’s back—- low drag high-speed  explosive on impact ——-giving you what you need
Lou letting loose on the mic  hear the call ——after all here’s the proof that I’m nice  me repping me —- so you gotta feel the hype  morning day noon and night Tear the roof down ——-sure you’re right ———- hot is lava ——watch me flip the script —-as cold as ice  double down ——leveled up ——just to break you off a slice
Going to take you to the next level ——stay in stride  hold on ——baby—-strap in—-for the ride
It’s going down  it’s going down now  it’s going down  it’s going down now ———-let’s goooooooo——ooooo (pan)
🔛—— fire in the hole —-here’s another heater  blowing up the track—-Ear candy—but-sweeter  I do it-all —-cause I can —— hear me holler back just another dope jam—-fam—-- I’m—down like that Better act like you know————-the complexity  Intense —-ain’t it bro —-don’t—-even question me bob your head to the rhythm ——— like you just——-agree  beats hitting—— like I won the state lottery ticket anyway —you want to—-I broke the mold  Bringing heat nonstop——body heart and Soul On top of the world—-and I’m feeling —— great Burning up this track——- kicking ———-808’s punching through——turned up —-like a heavyweight  With that underground bounce—spreading love not hate
The Wait—is over— Its’s going down —(X2) The Wait—is over— Its’s going down —(X2)
Doing better than good—-yeah —- I’m awesome  Peace keeping—run the hood —-like my kingdom  Earbuds in my ear —-pounding on my eardrums  check the swing on the beat yo—a home run  put a smile on my face—-dope production —tight beat 808’s——— from the underground  and that’s deeper than the levels——of a Stadium

It's Going Down - Lillithe & IPG1

Franchissez la porte, qui vous permettra d'accéder, à ce concept aux voix et harmonies spécifiques qui vous permettront, de voyager un instant hors de cette réalité présente, si troublée et parfois désespérante ....

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Cross the door, which will allow you to access this concept with specific voices and harmonies that will allow you, to travel for a moment outside this present reality, so troubled and sometimes desperate ....

Fantasy Music ....

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for The Gat(s), who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling the vehicle.

Helium Weights (Eclectic Collective)

Djayz ( dont on peut entendre la superbe musique sur Soundcloud) a rappelé à mon souvenir le célèbre "Duo des fleurs" de l'opéra Lakmé de Léo Delibes; Alors j'ai gardé en tête les premières notes du duo et, de là, j'ai composé une petite rêverie qui n'a rien à voir avec lui, avec différents claviers, une guitare douze cordes et quelques autres ingrédients...

Delibes

Original music by : FPMORONSTUDIO/Francois Pierre Morin  musicians composer INDIE.

FORGIVE ME

Why Did You Stop The Jazz

JERSEY CLUB 04

those interested in a traditional recording of a Blake original, please be directed here: https://soundcloud.com/nadiaselvaggi/and-did-those-feet-april-3-5-20242 

method: sound sources (reface dx, voice, boss dr01s, vintage lemon drop) and recording and morphing devices (roland vt 4, hotone soulpress II, nux amp academy, zoom r20); intentionally no post production, raw
narration: the cycle ON PRINTING deals with projection, representation, pattern recognition, the energy of awareness and the like. it consists of six poems: rubble - horse - relic - spawn - banner- offset. this poem sonified is spawn and spawn spawns.
image: copyright jo richter

poem (as published in
A Single Loop of Fortunes) /
copyright jo richter: 

infernal energies, blake said
are unleashed in printing,
etching their way to Jerusalem

once I slept, Blake said
on a mountain and the heavens
weighed down on me, hard

now I drink, Blake said
the deep-sea ink of the valleys,
saturating every fibre in me

as for relief, Blake said,
the relief must spawn, for who wants
to make do without colours and copies

spawn

spawn - on printing 4/6

When the druids awaken you and initiate you into the secrets of life .

Has it happened ?

When The Druids Awaken

Strange Wig

Hoffnung

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me