I’ve Got my purple guitar 
you bought for me 
At that little bazaar (I had to beg )
just along the street (I had to beg you for money)
From our house  (our house?)
Well it used to be our house (it was always fuckin your house)
Now it’s only sticks and stones 
And full of bones ( whose bones? My bones)

inside of me 
I find 
No music left behind you 
 Just My guitar and me 

Now you’re over the bridge 
And it’s burning burning 
Running over the bridge 
I’m just water under it 
Now you’re  over the bridge 
And it’s burning burning down
Running over the bridge 
I’m just troubled water now 

I Play my purple guitar 
And sing alone 
No harmony left (no harmony)
 without a Melody (you stole)
Our song (my song)
Well it used to be our song (our song?I fuckin hate our song)
Now it’s only words and notes  (it was never my song)
That stick in my throat 

inside of me I find 
No music left behind you 
Just My guitar and me 
 
Now you’re over the bridge 
And it’s burning burning 
Running over the bridge 
I’m just water under it 
Now youre over the bridge 
And it’s burning burning down
Running over the bridge 
I’m just troubled water now 

I can’t remember the songs we used to sing together
I can’t remember (bridges are burning burning) songs we used to sing together
I can’t remember…….

A void dance ….in silence
My penance…for your sins 
(so I dance on your grave ….bridges are burning burning 
Bridges are burning burning down.

Burning down around your feet ..burning down ]
Burning down around your feet . You better run you better ri

a Void Dance

(Free WAV Download available here under '••• More'; and eventually as part of my BandCamp PWWO #08 album)

Greetings to our SC friends. For those in hotter climates, we hope you’re enjoying the slow broil this fine mid-July. :) 

Today, Jo (Minimal_Drone*GRL: https://soundcloud.com/minimal_drone_grl, https://minimaldronegrl.bandcamp.com/) and I are thrilled to share our second collab, ‘Anima Unbound’. It started out as an ambient piece, but somehow evolved into something very… different. We hope you enjoy. 

Along with the new song, we’re also excited to share some ideas/excerpts from a book we discovered we both love, ‘The Untethered Soul’ by Michael A. Singer. :D

This book has some great suggestions for modifying unconscious daily routines into conscious activities designed to raise personal awareness. 

One of our favorite chapters is about ‘The Inner Roommate’, and is a surprisingly simple experiment. The idea is to imagine the voice in your head as an individual separate from you (like a roommate). Every time you have a thought, imagine those words are coming from someone on the outside (rather than in your head). If that voice happens to be ultra-chatty, and often negative, the experiment proves quite effective, quite quickly. 

As Michael suggests “How would you feel if someone outside really started talking to you the way your inner voice does? How would you relate to a person who opened their mouth to say everything your mental voice says? After a very short period of time, you would tell them to leave and never come back. But when your inner friend continuously speaks up, you don’t even tell it to leave. No matter how much trouble it causes, you listen.”

That was definitely an eye-opening experiment for both of us; with surprising results from very little effort.

Another chapter that struck a cord with us is ‘The Secrets of the Spiritual Heart’. This is an intriguing idea that when the heart is open, you fall in love with life very easily. But when the heart is closed, you lose interest and desire very quickly. It’s all about energy intake (or blockage).

A healthy heart will witness things in our surroundings, process them, and let them go… which keeps us in a state of constantly renewing energy intake. This is the way we are meant to process the astounding amounts of info coming at us. Witness, experience, learn, let go… then witness the next thing with equal openness.

But a heart trapped in fear handles things a little differently. If you encounter something that upsets you, it makes an impression (coincidentally, the Yogic/Sanskrit term for this is Samskara, meaning ‘Impression’). Since energy is a constant, but you aren’t able to release it, you find yourself trapped with that impression, although you might not realize it at the time. It’s like an audio loop that is always ready to be queued up, even if you’ve forgotten you have it stored on your hard drive. The way you know it’s still trapped inside you is when it surfaces under other similar circumstances… and that might be the first time you realize it’s still there.

Where this concept really helps is the idea that looping energy gunks up the system, like a hairball gunks up your plumbing. If the hairball gets too big (or there are too many of them) there will be a direct impact on other things flowing through the pipes effectively. This disturbing clump of negative gunk is actually interfering with more positive elements flowing through you. So if you want to return those pipes to a more natural flow of energy, you first need to clean out the gunk of those trapped old emotions. 

Sometimes the simplest analogies are the best. And this book is full of them.

So there you have it. Jo and I hope you enjoyed this inspirational little write-up (perhaps enough to spark a little interest in the book). And we also hope you enjoy our latest musical offering, ‘Anima Unbound’. :)

F.W. Friends

Anima Unbound | Minimal_Drone*GRL & GrevusAnjl

although I launched this on a different platform years ago, i decided to remix this to play on SoundCloud...enjoy

retro (instrumental)

Lunar Language

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for The Gat(s), who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling the vehicle.

Helium Weights (Eclectic Collective)

Samurai Ranbu

My profound thanks to Gaz and Andy for allowing me to tag along on their excellent track! What an aboslute pleasure to work with these two pro's.. !!!  
A great song written by Gaz, it tells the story of the recklessness we must grow out of, to finally become wise,  which only comes from bitter experience. 
Expertly produced and mixed by Noobly..   I give you .. the Conscience of Kings!

Copyright 2024 Conscience of Kings
Vocal copyright Nat Daniels / Gentle Rain Records
Mixed and produced by Andy "Noobly" Hall
Vocals: Gaz Brownie and Nat Daniels

Lyrics By Gaz Brownie:

You have a  affliction 
(to your addictions)
You have looked death in the eye
(Shed the  crocodile tear dry )
A life that’s been designed 
(You Crashed, burnt &  survived )
In the early hours 
(Thank god no roadside flowers )
You gambled on your life 
Took a massive risk that night 
Pushing against the rules
Thinking your invincible

This is to  the man  who’s a boy 
Who’s had everything x2
You are down  to the wire 
Running faster getting Higher

This is your father and your mother 
Dealing with you  like no other
Your in  danger of going to far
Especially that night in the car 
Something will give or happen 
So break the cycle of this  pattern
It’s time to grow up 
For the boy who’s  had everything

To The Man Who's A Boy - Conscience Of Kings With Nat Daniels

Wind Dancer

They are the portrait of the essence. Telepathic divination to balance and stabilize the human structure in all its beauty. With the blessing of love.

Music and Painting by Paulina Gomis
Human architecture. The portrait of your sacred geometric being. Being is perfect in its human essence. this portrait is of my sister's daughter Kristel.
With love.

PROD. BY P.G FOR KRISTEL

Φ un¡ntɝnt¡ōnal sacr¡f¡cɝ Φ (demo)

Originally unleashed in 1999, Rogue Marble by TW/SK returns in 2025 with a fully remixed, remastered, and meticulously restored edition. Every track has been completely reimagined with brand-new remixes, breathing fresh life into the album’s legacy while giving lifelong fans a whole new way to experience it.

ViceCops

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me