Santa got Wankered

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

A very simple track I did in my partners studio about... 3 years ago and forgot about.  not the best ending I've ever done!

Recorded and produced at Rose Pro Studio,
by Cookie Jay

Joy of the Darkest Night

Cast of characters:
Well-- @user-370942421-686440500 – Hakan – synth, beat, and seed idea
Surfers Like Us– @user-411502040 –Artur– guitar
Llanpsych– @llanpsych –Tez– guitar, mix, and production 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, synth

This song began with Artur inviting Josh onto a project that he and Hakan had just started that consisted of the beat and a synth line—the one that opens the song—supplied by Hakan. Josh added his five string fretless bass to it first, coming up with an idea of how it could sound. Then, Josh asked Tez to get in on it, too, because Tez not only has an affinity for the genre, but an aptitude for it, as well. After Tez laid down his hot guitar, Josh went back and played his idea, but accounted for Tez's jamming, too, this time. After the basic tracks were done, Artur brought his vibrato/delay guitar magic to the jam, too. Then, Josh added the various synth voices that you hear throughout. ​
  Every great song needs a great producer, and Tez was the man for this job. He brought it all together and used our various parts like a conductor uses different parts of a symphony. This is the fist song that Tez and Josh have done with Hakan. Artur and he are musical partners, so if you dig this song, you would probably like what's on their pages, too. We hope you enjoy listening to this as much as we enjoyed making it.

Ghost Train   ( with Entheogenic Psychonaught, Llanpsych and Surfers Like Us )

Lyrics
Off the top ———-is where it’s at
unwrap this —————-gift RAP
hitting the streets—-it’s ——pure crack
Stone cold —-this trap ——TRACK!
Pool of knowledge ——-untapped
going —-in —-hard——we do that 
Better —-tighten up —-them bootstraps 
———SAY-——-“what the hell ——did Lou snap!!!”
swag baby —-The recap 
no snags—nah—we stop that!!!

Break the game down--it's a new map
Flow so rich--- better check that NASDAQ
Eyes on the prize---go the full lap
concrete jungle---stuck in the trap

[Verse]
From the alleys to the skyline---watch us elevate
Living large in the boroughs where we demonstrate
Every word a heavy weight--- every rhyme we detonate
New York state of mind---watch the Empire State

We on a mission---ain't no intermission, snap back
Murals on the walls--- street art on the subway track
Ambition in the air, we the kings--- claim the throne
Spittin' bars like bullets--- in this zone--- we at home

Icons of the asphalt--- legends in the flesh
Droppin' beats so heavy--it’s poundin' in your chest
From the 5 boroughs, anthems——- on full blast
Queens to the Bronx-- Brooklyn —-movin' fast
Elevate the hustle---the spirit never cracks
Struggle in the verses —-resilience in the—— tracks

Untapped

When i was a young Boy my father use to come home late at night drunk and looking for a fight with my Mother. She eventually got sick of the abuse and left him and i was left at home to help him.
Here is what i use to say to him.
I was 9 years old. 
Written and performed by : John Mc Farlane

Daddy Will You Hold My Hand

2am Animal - Edit (from Wolfweeds)

Please drop a line to us if this track talks to you. It's very much based on Kit's journey thouugh his metal health nightmare. Hills to Climb.. who hasn't got Hills to Climb?

Hills to Climb

Rockers Only Mother Fuckers

Written By https://soundcloud.com/user-705706912?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Bass And Drums https://soundcloud.com/junezunsane?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Mixing and mastering 

Studio B

eddyoffline & The Junez Mosquitoes

Maggie & Eddy 2

Hold me tight. 505 ( 1996 ) Margareta Theorin - Eddy Mango ( Margareta )

Bridges, roads ... Meetings, partings ... All this is chaos - in it we are only actors. It's so hard to remember and so easy to forget. But the house is already so close - even if you are gone ...
https://www.facebook.com/Blagovrecords
https://vk.com/dolbania

Dolbania - Ты Ушла

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me