FEBRUARY FRIENDS

Daily Drops

Gotta Get Out Of It - Bruno C

Similaire Ibiza 1999wav 2024remix

Daily Drops  28Feb. 2024

Entheogenic Psychonaught (Josh Clary)

JEEPERS FLIPPIN' CREEPERS, THIS STUFF ROCKS!

Robot Disco Freakout

Part of the collaborative Mixtape album: Free Hands In A Blender
soundcloud.com/themysteriousdecibel/sets/free-hands-in-a-blender
FREE FOR DOWNLOAD

Music: Composed, written, mixed, mastered, and performed by: Mahan Mahan
https://soundcloud.com/mahan-mahan

Vocals/Lyrics: Written and performed by: The Mysterious Decibel

Vocals mastered by: Mark McClellan

Lyrics:

All grows dim, time is winding down
My cheeks stay hovered over a puddle of brown
The voices outside of this cramped little box
These choices i've made to breed these cramped up blocks

The shit bubbles burst and trap all the flies
A concoction so twisted, Only someone like Bill Nye
Can decipher all these lies
Can scythe all of these cries
as this pit of stench boils in the middle of July

Out there the souls, eager for pressure to burst
Through their minds like a submarine tank submersed
Parades gather in the grass for the show to start
While these waves slowly rip my brain apart

A wetness caresses my hang lo mein
This water is rising am I going insane?
It tickles my demons but it feels so ripe
There's always a bit of shit at the end of the pipe!

I'm in a fecal position where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
Where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
The slimy hand of stench, Pulls me right down
In a puddle of madness, many shades of brown
NO NO NO NO NOOO!
Get a little taste of the waste in the swamp!

The Mysterious Decibel X Mahan Mahan - A Septic Journey (FREE DOWNLOAD)

Art cover by Nataly NGM      
Drum programming, bass, one guitar with a slight delay 😉,
and vocals  all performed by Bruno 

This title was composed in January 1990, recorded on 4tracks tape recorder in February 1991, and mastered with Audacity on March 2023! 
All by Bruno C aka Loony De Bussy 

Better play it loud 🤘🔥

I'm Leavin' - Bruno C

Like a rainbow on a misty morning the promise of something good emerges – a blessing, an affirmative prayer, and a song of hope of better times for us all.

Synth guitars, pianos, keyboard, oboe, harp, and bird chirps set to Latin and hip hop beats @ 65 bpm. 

Bird chirps recorded live in April 2023.

Emergence

'She comes to him in spirit whilst he sleeps...'

Had an idea a few days ago for a dream sequence where a dearly departed woman appeared to her lover in his sleep, so I sent it to my awesome buddy & synthmeister John Buckle for ideas.

In addition to adding his glorious synths, he was also majorly instrumental (excuse the pun lol) in the creation & production of the finished track.
 
Note: I purposely heavily processed the vocal to give the impression of a ghostly voice.

We hope you like it - free download if so.

John Buckle: (https://soundcloud.com/john-buckle-166792889) co-creator/producer, synths
Electrometis: co-creator/producer, other instruments & beats, mix/master

Thank you for listening ♥
#halloween (ish)

I'm Not Dead

I'm Not Dead - John Buckle Collab

andante

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

Cast of Characters:
Karin-Maria Brunner-- @user-53145152-479345033 -- Saxaphone virtual wind instrument
K2 and the Three (and the Four)-- @k2andthe3, @k2-kara --Ken—drums     
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 --bass, piano, composition
  This song began with a request to me made by Karin-Maria about contributing an original song as a collaboration for her new jazz album called Jazztastic. After fleshing out a song on the piano, I had to get my right-hand man Ken involved to add the drums, because of course I did. 
  After we had worked it out on bass, piano, and drums, we sent it to Karin-Maria, who added the sax solo. She had it professionally mixed and mastered, primarily because the album is now available to stream on all the major platforms. So, please give the whole thing a listen. It has a bunch of collaborators on it, many of whom you will probably recognize. 
 Here is a link to the entire album, which has 21 tracks.  youtube.com/playlist?list=OLAK5…si=LO_jtztHGxUAUiBp
   We hope you enjoy this song as much as we enjoyed creating it. A side note, this is my first jazz song that I've ever written, and I really enjoyed doing it.

Cooks Needed (with Karin-Maria Brunner and K2 and the Three)

Everyone has the right to have a place to call home.

GOING HOME

Use headphones for much better listening experience!

Kaltevat Marenkisillat

30/1 2024   
Parking lot Chalmers University Gothenburg
Photo H.Skeneby

Restrained

If I saw you again/I wouldn't know where to hide/I did everything to forget/I loved you so much/I hated you so much///the years taught me/to record your charms/but not to free myself from such unhealthy memories/you are capable of coming back to me /everything experienced and destructive/you are capable of returning to me /what I was avoiding so much/my great love and my perdition/my great love and my obsession/my great love and nightmare/my great love and my evil/ /////I loved you all /I loved you/and I waited for you to change/I had love and your hate/I became your mirror/tear you from my skin/it left me scars/tear you from my soul/it left years of darkness// // guitar////go back in time to the time when you were everything/cruel and burlesque poetry/even my soul burned///you are capable of returning to me/everything experienced and destructive/you are capable of returning to me/ what I was avoiding so much/my great love and my perdition/my great love and my obsession/my great love and nightmare/my great love and my evil/

ROCK METAL 1

si te viera otra vez

SI TE VIERA  OTRA VEZ    (METALIZADO)free download, share my art

Laura is my niece . The two people in the photograph above are my late mum n dad , Tom and Jean .This collaboration has been an emotional journey and our large family will now get to hear this contribution to the musical heritage of our family. She is a talented songwriter and International performer.
Laura's songs can be heard on SoundCloud and on her Website 
"Laura Oaks Music"  here  .........https://static.wixstatic.com/media/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg/v1/fill/w_2500,h_1666,al_c/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg
also on soundcloud here....https://soundcloud.com/lauraoakesmusic

There goes Tommy and Jean ( Collaboration songwriter performer  Laura Oaks a" Family Tree" tribute)

In the stillness of their small apartment, the walls are lined with photographs, newspaper clippings, and scraps of information meticulously collected over months of relentless pursuit. Their obsession consumes them, every waking moment devoted to the object of their fixation. It’s all about you, they murmur softly, their eyes tracing the lines of their target’s face in the photographs, committing every detail to memory. From a distance, they watch, unseen yet ever-present, their presence lingering in the unsettling feeling of being observed. As their fixation deepens, their grip on reality slips further away, until they can no longer distinguish between fantasy and reality. And in the darkness, their obsession takes a chilling turn, blurring the lines between admiration and something far more sinister.

All About You

Well me and the boys are goin' out on the town
We're meetin' the ladies and we're hangin' around
jump in the car and get to cruisin' it down
to wherever the party is we'll follow the sound

And she keeps me up till morning
just sittin' drinkin' on the floor
when the lights come on and we're leavin'
I'll be runnin' for the door

Leather jackets and a rowdy crew
she had sunglasses and a flower tattoo
the night was callin' and the day was through
We all meet drinkin' to familar tunes

And she's with me in the evening
tryin' to pull me to the floor
when the day comes and I'm leaving
She gets up and locks the door

Chorus
So ratchet up to the same old sound
we're all drivin' through the same old town
You're comin' with us I want you around
Just don't forget me at the party we found

She calls me in the evening
trying to pull me off the floor
but when the boys pull up and I'm leavin'
leave her standin' at my door...

(Jump in the car and get to cruisin it down
we're meetin' the ladies and we're drivin' around
Leather jackets and a rowdy crew
she had sunglasses and a flower tattoo)

Chorus

She finds me in the evening
wanderin' all around the floor 
when the nights done and we're leavin'
she gets me home and through my door

- V5.04

Ratchet Up

Epic, Cinematic and Orchestral Music
Picture Deviant Art - Asymoney
Franck C Production
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=h4QL-bbI0P4

The Last Warrior

The Smoking Trout's Quest for the Holy Dumpling continues! When we left our travelers they had just been given a tip that they needed to travel from New Mexico to Oaxaca for the next leg of their journey. This latest track is basically an instrumental interlude but it re-samples the holy dumpling ingredient list that was recited during the last episode by a "Sufi sitting on the sidewalk serenely spouting scripture from the Transcendental Dharma of the Holy Dumpling".

I started this one, Jeff infused it with some incredibly creative experimental guitar and electronic touches, Stephen killed it on rhythm and lead guitar once again, and joining us for the second (but not the last) time, Masa a.k.a. Tot reinforced the groove by adding a really nice additional drum beat.

* Stonerjazz @user-911083679 -- Vocals/Lyrics, Ebow & Mellotron

* TexMex Shaman @texmex-shaman -- Lead & Rhythm Guitar

* Tot - @tot-beat -- Drums & 808

* Tea R. Sea -- Synth & Production

-------------
Catch up with the first 5 tracks of our work-in-progress concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q
-------------

Words (HOLY DUMPLING ingredients):

Along with baking soda, salt, wheat and water
A heavy leavening of responsibility ls required ln the making--
and some mushrooms only growing ln Oaxaca

Oaxaca (Smoking Trout's HOLY DUMPLING #8) w/ Stonerjazz, TexMex Shaman, & Tot

Flox

flox

INNOVATIVE AND CREATIVE 
Vocals and Verses: IPG1 
https://soundcloud.com/ipg1/innovative-and-creative-vocal-96-bpm
Paploviante: 
E Bass, Music, Mix and Production

Innovative And Creative - IPG1 and Paploviante

Offbeat Oddity

Made in #Ableton (February 2024)

https://frozenlab.bandcamp.com/track/better-days

Genres;
#Electronic
#Pop
#Rock

Better Days (as Frozen Lab)

Glühwürmchen 
wo immer du bist
Glühwürmchen 
wo immer du bist🪲

Firefly
wherever you are
Firefly
wherever you are🔥🪰

37°

Firefly (Ambient Remix)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

Here's another little ditty for the weekend!!
Thank you all very much for all of your very generous plays, likes, reposts and playlists!! This is a great community!!!

(c) Vocalatti 2024 ASCAP

Solitude

Art Expressed in Music – Renoir's Charm
February 2024
Duration: 3:00
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Luncheon of the Boating Party 
Remix of “Afternoon in Paris” by John Lewis with original composition 
Pierre-Auguste Renoir (February 25, 1841 to December 3, 1919) was a French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women. Renoir mastered the ability to convey his immediate visual impressions, and his paintings showed great vitality, emphasizing the pleasures of life despite the financial worries that troubled him. Several of his masterpieces date from this period including Luncheon of the Boating Party.  Renoir had his first attack of rheumatism in 1894, and, as the attacks became more and more frequent, he spent more and more time in southern France, where the climate was better for his health. About 1899 he sought refuge in the small village of Cagnes; in 1907 he settled there permanently, buying the estate of Les Collettes, where he spent the rest of his life. In 1910 he was no longer able to walk. Although his infirmity became more and more constraining, Renoir never ceased to paint; when his fingers were no longer supple, he continued by binding his paintbrush to his hand.  Several months before his death, Renoir was able to go to Paris, where several friends wheeled him for the last time through the Louvre to view the masterpieces that he had venerated throughout his life. Renoir died in Cagnes-sur-Mer on December 3, 1919 at the age of 78.
For strings, piano, harp, accordion, clarinet, alto flute, sound effects and percussion.

Art Expressed in Music - Renoir's Charm

Another one from previous century cassette !
Hope you enjoy the song despite the lo-fi sound 

I wrote the song, sang and played it 
Nataly NGM made the ideal artwork 🧡🩵

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Siege

Begin Again feat. Emily Coy
Vocals: Emily Coy
https://soundcloud.com/freevocals/emily-coy-begin-again-free-acapella
Backing Track Paploviante Burn
https://soundcloud.com/paploviante-and-friends/burn-open-collaboration-offer
Lillithe: adding…Sax, Beat, Synth,Vocals, Arrangement and Production

Begin Again feat. Emily Coy & Paploviante

BonusFreeLoad
https://hearthis.at/trancylvania/montblancmisunderstood-2024/

TKX :)

Ibiza1999

Ibiza 2024 remix

Pierre Bordetti productions (c) Fev/2024.
Composed, arranged, performed, and produced by:

In tribute to all those who suffer from cold, hunger, disease, war and all human stupidity.

En hommage à tous ceux qui souffrent du froid, de la faim, de la maladie, de la guerre et de toute la connerie humaine.


Lyrics
 
despite the cold, 
despite the hunger,
when winter is the only season,
when the sun as the only light,
when the night as the only shelter,

love always survives,
Freedom has no price,
save your mind,
save your mind,
keep your pride,
keep your pride,

Love always survives

A psychedelic rock tour de force!! This is a co-write with Catherine Rose, who made excellent contributions to the lyrics.

Special thanks to my musical collaborators for using their considerable musical talents to help me bring the vision for this song to life

Rich O’Brien - Vocal, Guitars, Production, and Mix

J.J. Terrell -@j-j-terrell - Organ

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1– Bass

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken Karasek - Drums and Percussion

No Longer There (with J.J. Terrell, Josh Clary, and Ken Karasek)

JOY RIDE

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me