Very tasty collab. Those guitars and mandolin bounce along very nicely under the rhythm section in a bright, uplifting piece of music.

such a beautiful homespun feel, great work as a duo !

Beautiful--Your influences are shining thru--feels like a rock n Roll tutorial:)

Weekly Wave

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

The Gardens Of Life

Satellite./ The Gardens  Of Life/ A Forest Of Fear

Cast of Characters:
cgmaness-- @user-419254289-15129531 – Chris – acoustic guitar, bass, acoustic slide guitar, drums, vocals, lyrics, mix, production, and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –-mandolin, vocal harmony

This is a song that Chris wrote and shared with me last spring. We worked on it for several months. Originally, it was just Chris's acoustic guitar and some vocals. To that, I added some mandolin, thinking it would stay that way. However, he was pleasantly surprised when Chris added the entire rhythm section after the fact. I also came up with the high harmony towards the end, too. We always have a lot of fun playing together as our tastes and references are very much aligned. We have been making music together almost since we both joined SoundCloud and found each other there about two years ago. We hope you enjoy listening to this song as much as we enjoyed making it. 
Lyrics by Chris Maness:

In Time don't you think it might be time for you to rise?
In Time lost and found sleeping soundly by her side.
I know you by now, and it's not too late to come around.
In Time thinking, missing, drinking, wishing you were here.
In Time aging, watching, turning pages yester-year.
Well, I know you by now and it's not too late to come on out.
In Time don't you think it might be time for you to fly?
In Time don't you think it might be time for you to try?
In Time lost and found sleeping soundly by her side.

In Time (with cgmaness)

Another recorder/sax mash-up, featuring opening and closing robotic alto and soprano recorders with tenor sax breaks. Middle section flute and soprano sax themes with alto and tenor sax injections.

AUTOMATON

Funny Bird!

A QUOI SERT-IL CET USTENSILE
EN QUOI NOUS EST-IL UTILE?

C’EST JUSTE UN DEAL
UN PEU DÉBILE
UNE ARNAQUE MERCANTILE

COMBIEN ÇA COÛTE ET QU’EST-CE QUE ÇA RAPPORTE
PRENDRE LA ROUTE CLAQUER LA PORTE  
COMBIEN

QUEL TEMPS FAIT-IL À NASHVILLE
ICI IL NOUS PLEUT DES TUILES 
ET DE MÉNILMUCHE À BELLEVILLE
DE NOS AMOURS QUE RESTE-T-IL

QUOIQU’IL EN COUTE ET QUOI QUE ÇA RAPPORTE
CLAQUER LA ROUTE PRENDRE LA PORTE
COMBIEN ?

JE PRENDS LA ROUTE JE CLAQUE LA PORTE
MARCHE AVANT TOUTES ET QUE LE DIABLE M’EMPORTE
AU LOIN
COMBIEN ?

OUAIS MOI JE FILE JE ME DÉFILE
SOUS UN CIEL INDÉLÉBILE

DE VILLE EN VILLE
SANS DOMICILE
DIRECTION BLUEBERRY HILL

COUTE QUE COUTE SE FOUTRE À LA PORTE
TAILLER LA ROUTE Y’A QUE ÇA QUI RAPPORTE
COMBIEN

LE TEMPS NOUS FILE ENTRE LES CILS
EN LARMES DE CROCODILE

A QUOI SERT-IL CET USTENSILE
EN QUOI PUIS-JE VOUS ÊTRE UTILE?

ET LOIN DES VILLES HORS DES CHEMINS
FINIR TRANQUILLE VIVRE SA FIN
ENFIN

USTENSILE (Lyrics)

Der Abendstern (Composer: Robert Schumann, Lyricist: Hoffmann von Fallersleben)

Translated after French text

Vidéo YouTube :  https://youtu.be/bThqxsUetr0

Nous ...
Texte de Say M
Chant : Julia
Musique : Alain Illos 

Nous,
Ne les écrirons jamais
Ces paroles qui nous aiment
Mais qui nous ont menées
Vers un jardin d'ébène
Aux amours végétés
N'y entre que la peine
Que des vœux oubliés
Nous,
Ne nous obligerons jamais
À recouvrir de haine
Nos pas ensoleillés
Autour de l'Aquitaine
Et d'une vierge dorée*
Témoin de nos "Je t'aime"
De nos rêves échangés
Nous,
Ne remplacerons jamais
Au parfum de l'hiver
Tous nos troublants étés
Au devant de la scène
Cet enfant désiré
Qui ne sera la sève
De notre amour vidé
Nous,
Ne les écrirons jamais
Ces paroles qui nous aiment
Mais qui nous ont menées
Vers un jardin d'ébène
Aux amours végétés
N'y entre que la peine
Que des vœux oubliés
Nous,
Ne le deviendrons jamais
Nous,
Ne le deviendrons jamais

We...
We will,
Will never write them
These words that love us
But have led us
To an ebony garden
To vegetated loves
Only sorrow enters
Only forgotten vows
We'll never
Will never make us
To cover with hate
Our sunny steps
Around Aquitaine
And a golden virgin*
Witness to our "I love you" moments
Of our shared dreams
We'll never
Will never replace
To the perfume of winter
All our troubling summers
To the front of the stage
This longed-for child
Who will never be the sap
Of our emptied love
We will,
Will never write
These words that love us
But have led us
To an ebony garden
To vegetated loves
Only sorrow enters
Only forgotten vows
And we,
Will never become
We'll never
Will never become

Nous .... avec Julia

JIM ANDERS _Jetzt

Apophenia

Bandcamp

Aequorin

'your addiction' 

Scratch Kelly: beats, production, photography
Scotty: lyrics, vocals, guitars 

I loom in the subconscious of your mind.
I won't reveal myself until it's time.
Assume you're well until I come to find
your weakness. Then your ass is fucking mine.
And once I get my filthy hands on you,
you'll have no idea of the things that you will do
to get me into your blood, and when I'm through,
you'll crave my love and I'll be stuck with you. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction. 

Consumed by the evils in your mind.
You're ruined by the fecal memories you find.
Your wounds that you can't forget or leave behind.
Resume with your need for my love until you die. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction.

your addiction (with Scratch Kelly)

A Song For The Dreamers

One Day Soon

When It's All Said And Done

"Robot Dance" composed by LINIR OR

Himno 61

1-Cantando alabanzas
De gloria al Señor,
Se͜ alegrarán los cielos
Oyendo nuestra voz;
Si͜ escucha todo͜ el mundo
Que damos gloria͜ a Dios,
Satán y sus legiones
Huirán con gran pavor.

2-Cerrando nuestras bocas,
El diablo sonreirá;
¿Por qué no͜ abrir batalla
Y͜ hacerlo claudicar?
Con gritos de͜ alabanzas,
Victoria y loor,
Hay que perder la cara,
Ser necios para Dios.

3-El mundo nunca͜ ayuda
Para͜ adorar a Dios,
Ni͜ a darle͜ a El las gracias,
O gloria al Salvador.
No͜ hay que pedir permiso
Para͜ alabar a Dios,
Tu͜ espíritu libera,
Recibe Su favor.

4-Hermanos, ¡no se callen!
Hermanas, ¡griten más!
El triunfo resonante
De Dios se͜ escuchará.
Es tiempo de͜ alabarle,
A cualquier precio hoy,
Por Su misericordia
Y plena salvación.


🌹🎻🎶🌺🌸🌱🌷


Hymn 1095

1-The Lord shall get the glory
If we will sing His praise,
And angel hosts will listen
When we our voices raise;
The world around will hear us
Give glory unto God,
And Satan’s hosts will tremble
And flee our conqu’ring rod.

2-Our mouth shut up defeats us
And wins the Devil’s smile;
So why not open battle
And chase him all the while.
By “sacrifice of praises”
And shouts of victory—
’Twill cost us but our faces
God’s chosen fools to be!

3-The world has never helped us
To shout our Savior’s praise,
Nor given Him the glory
Nor lent one thankful phrase;
So need we ask permission
To praise th’ ascended Lord?
Cry out! Release your spirit!
Much grace He does afford!

4-O brothers, be not silent!
O sisters, cry aloud!
The sound shall tell God’s triumph
And blessings far abroad.
Now is the time to praise Him,
Yes now, at any cost!
O joy in your salvation,
And in His mercy boast.


🌹🎻🎶🌺🌷🌱🌸

The_Lord_Shall_Get_the_Glory-Hymn 1095-Cantando Alabanzas de gloria al Señor-Himno 61 🌹🎻🎶

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW! Grab ur digital copy!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

In Time (with cgmaness)

Entheogenic Psychonaught (Josh Clary)

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