@user-936947521: Hey Frans man, love reading your awesome reviews. Really glad you dig what I did with Chris here. The big sound is also a result of Stephen's awesome mix abilities. Hey brother man, your attention and approval mean the world to me. Can't thank you enough for stopping by for a visit.

This track has such a great build. The instrumentation is so intoxicating as it ebbs and flows toward that ending crescendo. Nice work all.

your welcome and thank you for that amazing response!!

@maviomessiah: Hey man, I appreciate you!

It was nice to hear how this track developed.  Great collab.

Absolutely Magick Vibes going around, Great work Dudes ; ) < 3

complex sound very well produced and mixed - nice collaboration

Such a unique and dreamy vibe! The finger-plucked guitar and piano carry the listener on the wind into a star-filled evening sky over the serene curves of the fretless bass landscape. The breathy voice like the swirling dust and magic that surrounds.

Related tracks: Thought I Was Dreaming

Photo by: Stablecog.com
(AI Generated)

Suleiman the Magnificent was the ruler of the Ottoman Empire in the 16th century. He was a conqueror, artist, poet, and lawgiver. 

This piece wanders back and forth between 4/4 and 6/8 a few times.

Suleiman The Magnificent

Lullaby orchestral (berceuse)(original soundtrack of "ALLO")

https://youtu.be/8hqMIkKlvhs?si=uvzN011zp1jwq-n8

L.P.E

Happy End

Happy End (Original M!X)[Clip Vidéo YOUTUBE]

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoutic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp, vocals, production, mix, and editing     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange (recording place of several Led Zeppelin albums). He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.
  Tez always writes songs that are fun to learn and have cool changes, so we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colourful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 
  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.
  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.
  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.

Original yrics by Llanpsych:

Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues (The Eclectic Collective)

I’m a ladybug in your dirty garden
And I fly around every morning
To every corner
Flapping my wings and I get them all wet
With the summer rain falling from the turquoise sky
And no, we don’t care for the Turkish guy
Or the Kurdish guy, or the Swedish or whatever
You woke bitches never finish a thought
This whole shit is like a Finnish art movie
About a British cunt who be really down with the left
You motherfuckers wanna copy identities
Why the fuck you asking us to be down with the theft?
Fuck the left and everyone in it
A new genocide starts every five minutes
A new generation born with advanced trauma
And that’s that democracy you’re yapping on and on about

How many more massacres do you have to fund?
How many more fake pride laps do you have to run?
Do you have to, like, post a story too?
Maybe even go and protest
Oh it’s too gorgeous of you
You’re just a true force for goodness
Doing all the things you’re supposed to just do
The soldier of truth
The wokest hocus pocus joker, shit
Ain’t no limit, you can be anything
A man, a woman, or something in between
Or out of it, whatever you feel is genuine
You can be a motherfucking penguin
You can fix the world
All it takes is to keep progressing 
‘Til we all get you live the dream
In the fields, where the cotton’s digital
And everyone’s in, no color limits y’all

Ladybug

Cast of Characters:
Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, drums, lyrics, vocals, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ and piano
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
This song started all the way back in October, when Chris came up with lyrics and a vocal melody to go over his acoustic guitar composition. He also added the drum beat that carries it along, and contrasts Josh's bass part, which he added next. JJ came along shortly after and added his twinkling piano and ambiance thickening organ. 
  We had all these parts down, but for some reason this sat on the shelf for a few months. Finally we decided to dust it off. Chris mixed it for us expertly, as always, and we decided to put a ribbon on it. 
 This is an example of Chris's brilliant songwriting, shared with a couple of other musicians who are mutual admirers of his work. This is also a trio within the Eclectic Collective family, as we sometimes do side projects with different iterations of the group. We all hope you enjoy listening to this as much as we enjoyed creating it.  
  
Original lyrics by cgmaness:

Let the night tuck you under,
When you feel you can't go on.
When you want to be happy,
I will be what you want...
And, it's you that makes me happy.
When I'm down on my bad sign.
Washing out all the tie-dye from the blue sky.

Let The Night (Eclectic Collective)

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Bolero

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

Sir Walter Taffy photo by Cole Coldheart 

Coldheart: guitar , vocals
Casio keyboard: everything else 

Key of D

120 bpm
The drum beat is bolero.  It comes from a song called Bolero, written by Maurice Ravel.  Happy 97th Bolero!

The chorus is from a song from my childhood 
We sang “Lo Bridge “ in music class
You know: I’ve gotta mule
                   Her name is Sal
                   Fifteen miles
                   On the Erie Canal…

Lo Bridge , Everybody Down - written by Thomas S. Allen in 1912.

The verses about time are mine

Thanks fer listening!

Erie Canal Redux

Cosmic Soup

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

A more aggressive and uplifting version. Click here for the original version.  https://soundcloud.com/hpcnw-902952/psycho-circuit

Psycho Circuit : Mind Drift

*Listen w Headphones!

Let this song be your safety-Rope
when you climb these mountains.
My thoughts are always w you my old friend!
~ LS
--------------------------------------------------------------------------

Vocals by Gary Reeves
Spoken words by Terry Reeves

Lyrics /Short version.
(Written by Terry Reeves)

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
--------------------------------------------------------------------------

Check out the original track here
https://soundcloud.com/mountain-songs/mountain-man-cripple-club
--------------------------------------------------------------------------

Sample used

Synth (Remixed / Slice & Diced / Reversed)
Kimbra - Back To You

Intro sample
Movie / Leave her to heaven (1945)

Remixed by LS/2025.

Gal-vanize Feat Gary Reeves

File Updated 21/04/25 @ 19:14 GMT - More vox power in and mixed the drum and keys cheese a little higher... possibly still not enough cheddar there

Bass run live
https://www.instagram.com/reel/DItwK6NNYAk/?igsh=ZzkwbmkzbWxmazU0

Vocal run live
https://www.instagram.com/reel/DItiaLPt5_-/?igsh=MW0xNnR4ZXRuczg5bQ==

Acoustic warmup and some background
https://www.instagram.com/reel/DItU4cHNWRZ/?igsh=MTQzemFtcTV2OWxteQ==


The Other Side remake # 5. It started in 2002. Got adjusted in 2007. Had seperate facelift's to reflect new reality in 2015 & 2024. Now # 5 is truly Alive for The Other Side. Both the Song and me appreciate your time and love ♾️ If art is conscious in a universal sense as it's doing its job of inspiring love, then that appreciation from the piece itself doesn't have to seem misplaced...

It's great to make art... But the sharing bit can truly last and maybe it can actually transcend the artist as an energetic entity. Maybe all art is that after it's created ♾️ (unless souless ai made it)


Tempo 155bpm 4/4
Tuning 417Hz A and down one semitone then capo 2 (B string back up one semitone)

Lyrics

Why go beyond this face 
To no longer replace and only embrace this soul
You can’t grow while running from this
Down clenching your fist,
Your hot heads
Too mystical

Light up the other side
Light up the other side

I know to look to this place
Search every last little trace
Find why all is interlaced with the cold
(The Beautiful Dark: In order to.know we are playing with light we unfortunately need to understand the shitty darkness that exists in this universe most of which was created by what we currently refer to as  "humanity" - Can't recall a dolphin ever bringing evil to planet Earth - They show plenty of love though... maybe that's showing us how natural love is and where all hate comes from! Humans...)

Light up the other side
Light up the other side

Love like you mean it
Love completely
Is your heart beating?
Then love like you mean it!

We're wishing for middle eastern freedom
We're wishing for Tibetan peace
For 'free' Iraqi beliefs
We let go of Mugabe 🙏🏿 🥳
Zimbawes relief
Fuck you Burmese high priests
🖕🏽All black and white beasts

Rainbows of love
Your Dharma duties
Never end Peace and Love
No shame no doubt no guilt reigns

Just love like you mean it
Love completely
Just love like you mean it
Love completely

Light up the other side
Light up your inside
Light up the other side
Light up your inside
Yeah ➕📈


Notes
Man this feels good. It's like I'm handing a big chuck of myself over and its a good chunck of good in my head.

I pledge to write this song until I die and hopefully that means me making lots and lots of versions of this over the coming decades. It has to be rewritten because this song needs to reflect my reality and that always changes. When the time is right I'll pass it on to another human who I feel will be worthy enough to keep it going for another lifetime.

I wrote this song originally 23 years ago on a two octave Casio keyboard. It was so cheesily amazing. However the beat cheese was 155bpm of high tempo rhythm so when I went to write the lyrics I slowed the gait to try and say what I wanted to say and not sound like a chipmonk.

So today we go back to that gait and we do it without like sounding like a chipmonk and with new relevance for what I see in reality.
This is the result of the first wave of recompiling the idea again from scratch. I'll hone it now...

2002 Original Jam (Casio version)
https://on.soundcloud.com/KUfoFsjM5oUTyJgg7

2007 Version
https://on.soundcloud.com/zaTQnMc55Xaiuvc39

2015 (recorded in 2024 but in the light of v2015)
https://on.soundcloud.com/YzF6zUSGoTgCKkUx

2024 version
https://on.soundcloud.com/zewarjwwqzHtftZp7

The Other Side (2025)

New Single "Curse" b/w "Living in Song" out now!

Curse

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Let The Night (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

JeffRay3

DJTJ West End Chops

Chill zone

Chill zone

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