Part of the collaborative Mixtape album: Free Hands In A Blender
soundcloud.com/themysteriousdecibel/sets/free-hands-in-a-blender
FREE FOR DOWNLOAD

Music: Composed, written, mixed, mastered, and performed by: Mahan Mahan
https://soundcloud.com/mahan-mahan

Vocals/Lyrics: Written and performed by: The Mysterious Decibel

Vocals mastered by: Mark McClellan

Lyrics:

All grows dim, time is winding down
My cheeks stay hovered over a puddle of brown
The voices outside of this cramped little box
These choices i've made to breed these cramped up blocks

The shit bubbles burst and trap all the flies
A concoction so twisted, Only someone like Bill Nye
Can decipher all these lies
Can scythe all of these cries
as this pit of stench boils in the middle of July

Out there the souls, eager for pressure to burst
Through their minds like a submarine tank submersed
Parades gather in the grass for the show to start
While these waves slowly rip my brain apart

A wetness caresses my hang lo mein
This water is rising am I going insane?
It tickles my demons but it feels so ripe
There's always a bit of shit at the end of the pipe!

I'm in a fecal position where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
Where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
The slimy hand of stench, Pulls me right down
In a puddle of madness, many shades of brown
NO NO NO NO NOOO!
Get a little taste of the waste in the swamp!

The Mysterious Decibel X Mahan Mahan - A Septic Journey (FREE DOWNLOAD)

L-Gauss

Virtual Romance

The Instigator

crazy blues

Coffee Break Bossa (Remasterd)

Forest Road

This is a song I'm very proud of because it's a musical family photo of the first time my son Marshall and I ever played string instruments together. He had just turned 9, and had only been playing the fiddle for about two months. I told him to hit an open D and the E for four beats of two measures, only I didn't say it like that. I just played it for him and he was able to keep a good rhythm for about four minutes! Originally, this song was just him on violin and me on mandolin, but I went back and added some bass, too. I really hope you enjoy my Fathers Day treat. I told him I'd let him know how many people listened to it, and show him the comments. He's come a long way since then, about 7 months ago, but this recording is very special to me, and I really wanted to share it with my SoundCloud family. Thank you so much for giving it a listen, and happy Fathers Day to everyone who is or has a father!

First Ever Marsy-Daddy Fiddle Mando Jam

A pulsing layered rock dirge about being stuck in the eating utensils of giants or unnoticed between the typeset of discarded newspapers. Bat! Bi! Hiru! Lau! We've all been there!

From the album LATITUDE BERA available at https://brittapejic.bandcamp.com/music

Latitude Bera

Between the Tines

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem

TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–electric clean/effects guitar 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song orignated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to me, and I added the bass and the synth lines. I had to, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on my first take. I then redid my bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 

  This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.

Lyrics:


Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Said
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders (Stonerjazz with Eclectic Collective)

Colorful Colorado – Autumn (feat. Video)
Watch the YouTube video featuring beautiful photography by Heidi Schnicker at:
https://www.youtube.com/watch?v=u_JLb9uDbrc
October 2023
Duration: 3:10
Cover art photo: Heidi Schnicker 
Originally composed November 2016, revised and re-orchestrated October 2023
For strings, flute, oboe d'amore, bass flute, heckelphone, piano, vibraphone, virtual instruments, sound effects and percussion.

Colorful Colorado  - Autumn (feat. Video)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me