Anything I've loved from the year 2023.  You could say it was a snapshot, if you will, of that year.

2023

June Friends

NO FLOATING DEVICES AT HOME

The Great Entheogenic Psychonaught

KENNA-RAE GREAT MUSIC FINDS XOXOXO

Trancylvania's playlist

Trancylvania like

new1 preference

4Christmas

Cyber Psychosis

This is a song by one of my favorite bands that, believe it or not, Chris suggested we do. I really feel like we're kindred musical spirits. His playing on this and his voice are excellent as always. He's on acoustic guitar and the high vocals on this one. He also mixed, produced, and arranged the song. You'll hear me on the bass, synth, slide, mandolin, and auxiliary guitar, as well as singing the two low parts. We decided to do a string of covers back in the summer. If you've taken the time to read this, then please throw out some suggestions in the comments for our next one (or the one after that). 
#gratefuldeadcover

Friend of the Devil by the Grateful Dead  (with cgmaness)

SARO ❌ CEDO - INSTAPART 🎭
Beat by Trinz

SARO x CEDO - NICHT ON SHIT (DRILL) prod. Trinz

Nights in Palm Beach / Paploviante 2022
Paploviante Bass, Music, Picture and Mix Mastering
Vocals : www.Ghosthack.de
Lyrics:
- Verse One -
Do you remember when we were carefree?
When we didn't listen to no body
Do you remember the nights in Palm Beach?
I do
- Pre Chorus -
Walking underneath the palm trees
Figuring out what sights to see
Wondering where we'll get our next drink
I know
- Chorus -
Well I don't care
as long as I am with you
We could take on the whole town
So tell me if you're down
I can bring you to
- Verse Two -
Do you remember when we were at our best?
When any comments said were left on read
Do you remember the nights in Key West
I do
- Pre Chorus -
Walking underneath the palm trees
Figuring out what sights to see
Wondering where we'll get our next drink
I know
- Chorus -
Well I don't care
as long as I am with you
We could take on the whole town
So tell me if you're down
I can bring you to

Nights In Palm Beach - Paploviante

サユリ

生きる為に生まれ死ぬ為に生き  生き続ける為についた嘘の岐路
遥か彼方 僕はそこへ見失った夢を探し続ける僕の為に

また弱い僕は僕じゃない面で見せた笑顔 嘘を振り撒いた化物
誠実は何かと問い、踏み外す脚に笑う その手に華 枷と黒い鉛の肢

空は高く 遠く淡い 息を殺し育つ 流す涙は誰の為に
空は落ちた ただ沈む陽 息を殺し生きる 誰の幸せ 誰が為に

さよなら熟れた哀 幼い日 揺籠
心はどこへいく 胸中はもう居ない

いつも空を見上げていた 愛に飢えた日々よ
遥か彼方 僕はそこへ僕の捨てた夢を
誰の為じゃない
生きる為に



vocal : SANAGI　https://soundcloud.com/mk-yk?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Composition and lyrics : カハルタカオ

Composed in December 2022

サユリ -Sayuri-

Here's A remix of Purple Microdot The Allure Pt.2 
by https://soundcloud.com/ipg1 


Here's the link to the original track;

https://soundcloud.com/ipg1/purple-microdot-the-allure-pt2


Here's the link to the original vocal;

https://soundcloud.com/ipg1/purple-microdot-the-allure-pt-2-vocals-135-bpm

IPG1 - Purple Microdot The Allure Pt.2 (RiZLiX Remix)

Cyberpunk 2077 89.7 Growl FM entry
Watch the video on YouTube: https://www.youtube.com/watch?v=nb5nfV0iNgM

Music & Production by Hobocop: @metrocityrecords

Vocals & Lyrics by Cosmic Keanu

Lyrics: 

Surrounded by chaos, 
Heroic demise
It’s time – time to rise
Our names will live forever,
Forever out of time
Live for today
Join the final fight

Rise, samurai!
Blades slash through lies
As the bullets fly
Ignite the city of night 
This is our fight
There’s victory in death
If you know when to die

We walk the razor’s edge
With death by our side
We will never be alone
Forever out of time

Rise, samurai!
Tempered by our trials
With steel in our spine
Never bow to fear
Our names will never die
Ignite the city of night,
Join the final fight!

Rise, Samurai! (Hobocop & Cosmic Keanu) VIDEO AVAILABLE

Victory of the day

Lyrics seemed pertinent with it being International Women’sDay. 
Here’s hoping that you find it okThanks as always ￼☮️❤️& Unity Mik iD.             
                         ………………….      💫.      …………………..

Man’s World

Part of the collaborative Mixtape album: Free Hands In A Blender
soundcloud.com/themysteriousdecibel/sets/free-hands-in-a-blender
FREE FOR DOWNLOAD

Music: Composed, written, mixed, mastered, and performed by: Mahan Mahan
https://soundcloud.com/mahan-mahan

Vocals/Lyrics: Written and performed by: The Mysterious Decibel

Vocals mastered by: Mark McClellan

Lyrics:

All grows dim, time is winding down
My cheeks stay hovered over a puddle of brown
The voices outside of this cramped little box
These choices i've made to breed these cramped up blocks

The shit bubbles burst and trap all the flies
A concoction so twisted, Only someone like Bill Nye
Can decipher all these lies
Can scythe all of these cries
as this pit of stench boils in the middle of July

Out there the souls, eager for pressure to burst
Through their minds like a submarine tank submersed
Parades gather in the grass for the show to start
While these waves slowly rip my brain apart

A wetness caresses my hang lo mein
This water is rising am I going insane?
It tickles my demons but it feels so ripe
There's always a bit of shit at the end of the pipe!

I'm in a fecal position where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
Where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
The slimy hand of stench, Pulls me right down
In a puddle of madness, many shades of brown
NO NO NO NO NOOO!
Get a little taste of the waste in the swamp!

The Mysterious Decibel X Mahan Mahan - A Septic Journey (FREE DOWNLOAD)

This song started as an idea David and I came up with to do an afrobeat song together.  So David came up with this banger of a bass line and drums track and sent it to me. I added some guitars, electric piano, and organ. I then excitedly sent it to Mikey to add the sax, which I consider to be a key element of afrobeat music, and which he always does so well. David's version is much more drum and bass heavy. Please have a listen to both so you can hear how they both sound. I really had a good time making this song. David produced and mixed both versions, and what a fun thing it is to hear my instruments integrated into an elrctronica song by such able hands.

Under the Baobab Tree (with David K. A. Spencer and Mikey McFaffington)

Free Download for future collaboration !

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir

Old Textures

Thank You for 1000 plays ❤️

In the late 1980s, I had the opportunity to watch in the cinema Godfrey Reggio's documentary "Koyaaniquatsi" with music by Philip Glass and produced by Francis Ford Coppola, and I became a fan of the soundtrack from this film.

A few months ago I was watching the third season of "Stranger Things" and suddenly, in the third episode, in the last scene, I heard familiar sounds. Without checking, I could tell I could hear Phillip's music. And so it was. My fascination was revived and I felt the urge to create something similar to his style.
Unfortunately, my creativity and time has its limits and I haven't been able to make a full song... yet ;) But I'm sharing with you an idea, or rather an introduction to this piece. I hope you like it at least a little :)

Looking Through the Glass

Opening track on my new album with The Littoral Drift. New 14 track album due for release this Friday June 16th, 2023. 

Guitar vocals and bass: Darren Sullivan
Drums: Josh Dylan Peters https://soundcloud.com/jdylanp

Lyrics:
Won’t you leave the light on
Never could spy on
Drawn on a lake like with 
A charcoal crayon

Old men rely on 
Days of bygone
Memories traced
to the war in Saigon

Never gonna raise him
Better you forgave him
Shaving with a razor 
From the Barber’s favor

Maybe you could save him
If you forgave him
Betting on red but it’s looking pretty grim

Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
Wanting More 

Knowing Eliza
does despise him
Holding her hand when the sun has set

He listens real good
But she thinks he’s a fool
Believing that this is all he’ll get

She’s staying in the friend zone
She’s lovin Lorenzo
Never gonna have that special glow
She’s staying in the friend zone
She’s lovin Lorenzo
Never gonna have that special glow


Won’t you leave the light on
Never could spy on
Drawn on a lake like with 
A charcoal crayon

Old men rely on 
Days of bygone
Memories traced
to the war in Saigon

Never gonna raise him
Better you forgave him
Shaving with a razor 
From the Barber’s favor

Maybe you could save him
If you forgave him
Betting on red but it’s looking pretty grim

Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
Wanting More 
 
Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
 

Knowing Eliza
does despise him
Holding her hand when the sun has set

He listens real good
But she thinks he’s a fool
Believing that this is all he’ll get

She’s staying in the friend zone
She’s lovin Lorenzo
She’s staying in the friend zone
She’s lovin Lorenzo

Verdure

ELiza

Eliza (EXCLUSIVE SOUNDCLOUD EARLY RELEASE!!!!!)

2nd track taken from the EP, 'Poppy Seed'.

Poppy Seed EP

Very Moody Duchess

method: layering
narration: the term CHTHULUCENE was coined by Donna J. Haraway, see https://mosayebi.arch.ethz.ch/en/thesaurus/chthulucene/ 
apart from that: listening to too much Kashmir (Led Zeppelin) lately has momentarily clouded my ability to avoid silly rhymes (as good as their music is). Sorry.  
Image: self-shot and self-gimped

poem / copyright jo richter

adopting a circular angle at interrelations
we are created by our creations
‘though you can‘t put your finger on it right now
we‘ve always been earth, co-existing with the plough

averting your eyes, alien shadows will rise
while accountants still stammer out weird alibis
there is no reason to avoid one another
the same remains different, no need to bother

recording no time cannot withhold seizures
reality leaks in through multiple fissures
good manners are naughty, abstraction's obscene
arachnoids welcome the chthulucene

chtulucene

chthulucene

Studio New Delhi

Delhi 2 Raga Improvisation

(Texte Français et Google traduction)

LE CRI DES ECRITS

A l’encre bleue indélébile,
Marqués au feu des mots fragiles,
Je vois les pleins et les déliés,
Me dire combien tu m’as aimé.

Et je retrace sur chaque phrase,
Les « je t’embrasse » dans nos extases,
Puis les formules particulières,
En majuscule pour mieux se plaire.
Mais les ratures, les gribouillis,
Mettent en bordure les mots d’oubli.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Sortent l’enfer que je respire…
C’est le cri des écrits.

Si tant de prose, de phrases folles,
Toutes ces choses qui nous envolent,
Cette dernière de la rupture,
Me met à terre sous l’écriture.

Une mise à fin de l’éternel
Et du parfum d’une vie belle.
Alors je lis les larmes aux yeux,
Quand tu écris qu’entre nous deux,
C’est plus la peine de continuer,
Car tes « je t’aime » s’en sont allés.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

THE CRY OF WRITINGS

In indelible blue ink,
Marked in the fire of fragile words,
I see ups and downs,
Tell me how much you loved me.

And I retrace on each sentence,
The "I kiss you" in our ecstasies,
Then the particular formulas,
Capitalized for convenience.
But the erasures, the scribbles,
Border the words of oblivion.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Come out the hell I breathe...
It is the cry of the writings.

If so much prose, crazy phrases,
All those things that fly away from us,
This last of the break,
Brings me to the ground under the writing.

An end to the eternal
And the scent of a beautiful life.
So I read with tears in my eyes,
When you write that between the two of us,
It's no longer worth continuing,
Because your "I love you" are gone.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

Le cri des écrits

LE CRI DES ECRITS (Chanson Française)

This World Is Not My Home

Slave To The Device - Music by One Blind Mouse | Music & Lyrics by REKHA - IYERN [Fe]

Cover Art Design - Photo & Graphics by REKHA - IYERN [Fe]

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by One Blind Mouse in Scotland

Vocals & harmonies - Composed & Produced, Recorded & Performed, Initially Mixed by REKHA - IYERN [Fe] RECORDS in CANADA

Slave To The Device - Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] 

Slave to the device
I'm a slave to the device
Slave to the device, slave
I am a slave to the device 
And that is right

Friction, a false sense of addiction
Friction, a false sense of addiction
Friction, friction, more friction
Never ending friction
A false sense of addiction

I'm a a slave to the device
Slave to the device, I am
A slave to the device, a mere slave
That's right, I am a slave to the device

Hop, Hop, Hop, Hop
Hop, Hop, Hop, Hop

Slave, slave, I'm just a slave
To the device, that's right

A slave to the device, I am
A slave to the device, I am
A mere rotten slave to the device

Messing with my mind, with my mind
A slave to the device
Hop, Hop, Hop, Hop
A slave to the device
I am a slave to the device, that's right, that's right
A rotten slave to the device
I am a mere slave, to the device


Slave to the Device (ObMaster -14LUFS).wav

Slave To The Device

Slave To The Device - Music by One Blind Mouse | Music & Lyrics by REKHA - IYERN [Fe] | Electronic

Disagree

This is a song I'm very proud of because it's a musical family photo of the first time my son Marshall and I ever played string instruments together. He had just turned 9, and had only been playing the fiddle for about two months. I told him to hit an open D and the E for four beats of two measures, only I didn't say it like that. I just played it for him and he was able to keep a good rhythm for about four minutes! Originally, this song was just him on violin and me on mandolin, but I went back and added some bass, too. I really hope you enjoy my Fathers Day treat. I told him I'd let him know how many people listened to it, and show him the comments. He's come a long way since then, about 7 months ago, but this recording is very special to me, and I really wanted to share it with my SoundCloud family. Thank you so much for giving it a listen, and happy Fathers Day to everyone who is or has a father!

First Ever Marsy-Daddy Fiddle Mando Jam

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

hydrangea

This is a song that has been a long time coming. Ken (K2 and the Three [and the Four]) and I have been big fans of Artur (Surfers Like Us) for going on a year now, because of his unique, refined, genre-specific songwriting and excellent playing. We've both been bugging him almost that entire time to share one of his songs with us. So, he finally agreed. This is the result. 
  I posted it and Ken, who added the perfect drums and percussion, was already on board. Then we invited JJ for some dynamic, soulful organ. We then asked Tez to add a lead and mix it for us. He added a killer, tasteful lead, and performed the heroic task of mixing it to all of our liking. I'm on my four string fretless for this one. I wish we could've squeezed Stephen (TexMex Shaman) into this one, but he'll definitely be on the next. We all hope you enjoy it!

Surf Dance (Surfers Like Us with Eclectic Collective)

This is a song that has been one of my favorites for the last 25 years or so. It's a cover of a cover that Jerry Garcia (guitar, of course), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did (I just found out a few years ago) of a song called Finders Keepers by the Chairmen of the Board, which is definitely worth checking out, too. This version is a more laid back, but it keeps the funk alive. 
  The guys who made this quarter century dream of mine come true are JJ Terrell, who plays the funky clavichord and dynamic organ throughout, Ken (K2 and the Three, and K2 and the Four)who's playing the tight, funky drums and great percussion, and Tez (Llanpsych), who's playing the ripping guitar lead at the end. Tez also mixed and produced this, expertly, as always. I'm on guitar, bass, and the synth lead at the beginning. Can't verbalize how much fun this was for me, and I hope all of us. We hope you enjoy it, too.

Keepers by Chairman of the Board (Eclectic Collective)

This is a song that originated with Steve of Steve's Planet. He came up with a really cool guitar instrumental and the vocals, which he is very passionately singing,  while travelling through the primordial forests of Central Europe and shared it with all of us. I added the bass and the electric piano. Tez (Llanpsych) added the really cool guitar parts that sound like orchestral violins. Ken (K2 and the Three, and K2 and the Four) added the perfectly complimentary rolling drums. Stephen (TexMex Shaman) added the awesome, trippy sitar and pulled the whole thing together as an expert producer and mixer. Tez also mastered it. Hope you enjoy listening to it as much as we did making it.

Bird in the Blue Sky (Steve's Planet with Eclectic Collective)

If I were a portrait
an abstract or found art...
would you try to change me
could you hear my voice
would you acknowledge my choice
and say I spiraled
I dipped
and somehow I got ripped
do you think you'd save me
O lord
is there a world in which I'd be the star
the centerpiece the attraction...
cause let me tell you how a renaissance extraction that ended in distraction, instead of history...
the inheritor of caption in immortal meme
yea babe
pollen falls from my frustration
a masterpiece
a remonstration
and O
I was a movement I was a field in Van Gogh's dreams
I was the Mona Lisa...
but no one favored me
so now I'm in the alley and I'm feeling down and apart and
If I were a portrait
an abstract or found art...
would you change me
tear out my voice
go against my choice
so I spiral...I dip
and somehow I am ripped
so will you save me
O oh o
will you save me

Immortal Meme

Texte Français et Gogle translate

LA PHOTO

Pour la photo rapproches-toi,
Main sur le dos, donnes moi le bras.
Dans un sourire fixons la page
Et pas se dire, c’est un passage….

Beau ce cliché il est vivant,
Nos yeux brouillés en disent tant.
On y respire et çà se voit,
Tant de plaisir à être là.

Sur ce bristol tout en couleurs,
Marque l’envol d’un grand bonheur.
Dans ces images si belles en soi
Font un passage qu'on oublie pas,

Et pas du souvenir
En restant au présent,
Sans ne jamais me dire
C’était hier, antan…
Je me tourne au futur
Le regard en av’nir,
Quand l’amour est bien mûr
Il me faut le cueillir.

Je regarde les rêves lointains,
Sans prendre garde on y revient,
Et toute la peine surgit si vite,
Quand les « on s’aime » prennent la fuite.

,Alors dis-moi que cette photo,
Elle restera comme le plus beau.
Qu’encore loin et même vieux
Ce papier peint sera nous deux.

Et pas du souvenir
En restant au présent,
Sans ne jamais me dire
C’était hier, antan…
Je me tourne au futur
Le regard en av’nir,
Quand l’amour est bien mûr
Il me faut le cueillir.

Et pas du souvenir
En restant au présent,
Sans ne jamais me dire
C’était hier, antan…
Je me tourne au futur
Le regard en av’nir,
Quand l’amour est bien mûr
Il me faut le cueillir.

Et pas du souvenir
En restant au présent,
Sans ne jamais me dire
C’était hier, antan…

Et pas du souvenir,,,

THE PHOTO

For the photo come closer,
Hand on your back, give me your arm.
With a smile let's stare at the page
And not to say to oneself, it is a passage….

Beautiful this shot it is alive,
Our blurred eyes say so much.
We breathe there and it shows,
So much fun to be there.

On this colorful bristol,
Marks the flight of great happiness.
In these images so beautiful in themselves
Make a passage that we don't forget,

And no memory
Staying in the present,
Without ever telling me
It was yesterday, yesteryear...
I turn to the future
Looking ahead,
When love is ripe
I have to pick it up.

I look at distant dreams,
Without taking heed we come back to it,
And all the pain arises so quickly,
When the "we love each other" run away.

So tell me that this photo,
She will remain as the most beautiful.
That still far and even old
This wallpaper will be the two of us.

And no memory
Staying in the present,
Without ever telling me
It was yesterday, yesteryear...
I turn to the future
Looking ahead,
When love is ripe
I have to pick it up.

And no memory
Staying in the present,
Without ever telling me
It was yesterday, yesteryear...
I turn to the future
Looking ahead,
When love is ripe
I have to pick it up.

And no memory
Staying in the present,
Without ever telling me
It was yesterday, yesteryear...

And no memory,,,

LA PHOTO (Chanson Française)

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. I enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

A Time Race (Surfers Like Us with Eclectic Collective)

Cast of characters:
mistermark--@user-432503709--Mark---piano, drums, FX, and composition
Llanpsych--@llanpsych--Tez—electric guitar, production, and mix
Entheogenic Psychonaught (Josh Clary)--@josh-clary-1—four string fretless bass and electric guitar

This originated as just a short piano thing that I (Mark), wrote a while ago after. At the kind request to collaborate on something, I sent it to Josh, who took it into a whole new direction by adding the fretless bass and some delay-heavy electric guitar. That inspired me to add some drums and a few sonic effects. Then we got Tez involved, who added not only the screaming guitar parts in the meat of the song, but also the entire insane 'reverse' coda at the end. Tez also produced and mixed this for us, expertly. This is the first of hopefully many songs I get to do with Josh & Tez - we hope you enjoy listening to it as much as we enjoyed making it.

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- 
here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Heavy Steps (with Entheogenic Psychonaught & Llanpsych)

Based on the song written by Merle Kilgore&June Carter - and good ol’ Johnny Cash’s performance.

Ring Of Fire - Merle Kilgore&June Carter - Cover

We are not a cover band, although we do enjoy incorporating recognizable motifs and sounds into our songs as hooks to the past and a form of tribute to artists of the past.
This song is a shout out to Supertramp, The lyrics are a bit of a ‘poke’ at these so called ‘celebrities’ that got the looks, but little else going on. They even manage to write a book about their superficial lives…well…ok…they get someone else to do that for them. 
“Look at her body?” Hmmm…well we do, probably because there’s nothing else about ‘em. 
Musically, it was always about the keyboard sound in tension with the strings that called Supertramp - the band - to mind.

*available for free - track 10 from the album Wait and See - https://www.terrywigmore.com/wigmore-allen-gibbons

                                              SUPER TRAMP

She draped one leg over the arm…She got no wit, but she’s full of charm
I got my note book out to write down all the things that she…
Had not got in her own head…
She could not look me in the eye…It started to rain and I just wanna cry
Well here she come now…Super tramp

“I’m not a super, a super tramp
I’m not a super, a super tramp
Well, I’ve got more brains than you got britches
Got more schemes than you’ve got hitches…baby…baby”

There’s nothing more that you could say…
I’m just a fly upon the wall you want to swat away
Well here you are again, with your life story…Bore me…
“Look at ma baw-dee…(Look at her bawdee)  Ain’t I gaw-geous?
I got no brains but I can fake it…haha I mean…shake it for you!”
Well here she goes again…super tramp

(Body-shake-down:)

“Well I got more brains than you got britches
Got more schemes than you’ve got hitches…”
Oooooh….She’s dangerous …
Oooooh….She’s outrageous…
Oooooh….But it makes her lots of money!

I had to stop to rub my aching eyes, all she was full of was …
Expensive perfume and cheap surprise…that’s no surprise. 
But she couldn’t… buy a halo…
And so the book came out in July…It made her a $million, 
But I don’t know why…She’s still a super…super… tramp

Wigmore: Synths, Production
Allen: Lyrics, Vocals, Bass

Wait and See - Keith's Picks

Super Tramp

Glimmer On The Horizon, A Distant Twinkling Beacon Of Hope

LOVE SIGNS  feat. Alicatt & Paploviante
Vocals : Alicatt
https://www.looperman.com/acapellas/detail/21749/love-signs-feat-alicatt-130bpm-funk-acapella
Bass : Paploviante
https://soundcloud.com/paul-racle
Music Lillithe & Paploviante
Lillithe: Percussions , Arrangement and Production

LOVE SIGNS Feat. Alicatt & Paploviante

Carlita Wants to Destroy the Moon

Carlita Wants To Destroy The Moon

After The Evening News

The Cliffs of Moher form a famous cliff coast in Ireland. They are located on the west coast of Ireland's main island in County Clare near the towns of Doolin and Liscannor. 
Height: 155 m (509 ft)

Les Falaises de Moher forment une célèbre côte de falaises en Irlande. Elles se trouvent sur la côte ouest de l'île principale irlandaise, dans le comté de Clare, près des localités de Doolin et Liscannor.
Hauteur: 155 m (509ft)
Production: Lillithe

Journey To The Cliffs Of Moher

My dj session Energymaker on Spectrum On Air radio www.spectrumonair.com
Sundays 9 p.m (GMT),
show is repeated Wednesdays 9 p.m (GMT) and Fridays 1 a.m (GMT)!
More techno, less drama!

Energymaker on Spectrum On Air Vol.29, IMFDO 0058, 03.12.2023

In the Mood For Love feat.Shamoozey, Emily Coy & Paploviante
Backing Track: Paploviante 
https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Vocals and Lyrics : Shamoozey
https://www.looperman.com/acapellas/detail/11846/in-the-mood-for-love-100bpm-blues-acapella
Vocals and Lyrics : Emily Coy
Freevocals – Emily-coy-trust-us-free-acapella
Lillithe: Mix and Production

In the Mood For Love feat. Shamoozey, Emily Coy & Paploviante

(I replaced the previous file with this new, improved and longer version.)  I hope you will listen again to this version!  Finding the way is as simple as following a smell, a sound, a premonition, a previous experience, spiritual guide, (and Google!). My inner compass is to trust my instincts, my senses and conscience. Life is way too complicated, and sometimes there are no right answers.  In music, I can usually find my way to the end of a song.  When it happens, the reward is beautiful! (somethings it takes many tries too!)
Yamaha DGX 660 Natural Strings

The Way

My old SC mate Micah played drums to test a friend’s recording set, and sent me some cuts full of improvised breaks and tempos. I love time changes, yet this was really challenging!

I finally chose two of them and jammed with bass until I learnt his story telling.
Then, I clicked on the red button, again and again.

Drums played ad libitum by Micah Gettys https://soundcloud.com/graphicsontelevisions https://soundcloud.com/letterpressmighty 
Drums engineered and mixed by Dean Johnston https://soundcloud.com/forest-of-dean
Other sounding stuff made in Ruizzoidman's bedroom.
Artwork also makeshifted by Micah Gettys, oh, what a dude !!

Floating Point (with Micah Gettys)

Child in Time Instrumental Cover
Cover „Deep Purple“ Child in Time
Musik and Production Paploviante 2020
One of the best from Deep Purple

Child In Time - Cover

Floating

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me