Vibes

Entheogenic Psychonaught Playlist

winter 2025

Entheogenic Psychonaught

Downtempo

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 699

created: 2025/03/20

These tracks were uploaded to SC in 02/2025 and 03/2025.
except for the following, older ones:

...

The Central Committee sends its love.

[TO BE COMPLETED]

hk_Superdance_tracks_699

Tricky Fingers

[UNDER CONSTRUCTION]

Tradacoustic series no. 365

Music, mostly recent, a few days, a few months...

created: 2025/03/14

hk_tradacoustic_365

YOUR SOUL MEETS THE COLORFUL THEORY

Retro-Tone ...... World Music

experimenting with mixing some preset Garageband loops with some original rhythms and melody.

Mark's Album

Latin Kinda Thang

Ose The Getta - Whats Gotten In You (Official Video Out Now)
https://www.youtube.com/watch?v=veCo0brt_Ew
Mixtape: The Manifest Part2
Dir: Happy Rich Films
Beat by: 315 AG
Music Streaming on All PLATFORMS!!! Follow me on INSTAGRAM! @ose_the_getta Video Out on YouTube Now Osofficial Productions!

Ose The Getta - Whats Gotten In You (Official Video Out Now)

This song should be played in car after a tiring day, when you drive back home, and you feel the vibes. You start to feel how the sound envelopes you and your car, you and the road weld into one whole. I was inspired by the night Saint-Petersburg, Russia. 
I started and finished working on this song on the July 5, 2022. 
Love,
Arthur

Night Drive

Easily (free download)

Tats On My Body .prod Ahnboi

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Good Old Days

It's a spring for two! 𖦹𖦹

~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Love

Soulmates

Buenos Aires - Argentina

✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

Grabación y Producción KALPA

Mezcla y Master: Diego Silva @ese.sonido

Arte de tapa: Lucas Loto @seis0seis

✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

Derechos y Propiedad Intelectual: KALPA

IG: @_.kalpa_
samakalpa33@gmail.com

✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

Tracklist:
1- Veneno
2- Persecutor
3- Mhvom
4- Mental Movies
5- Pantallas
6- El Poder de la Gente
7- Samsara’s Grief

✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

KALPA es: Mariano A.L.A.

Mental Movies

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

We all got them, some just can’t be seen……………cheers for having a listen


A constant reminder
A memory from afar
Now etched in time
My permanent scars

There’s another side to me
That you don’t really know
But if you look real hard
There’s a story to be told

And if it’s not what you wanna see
You can look away
They’re always gonna be there
My scars are here to stay

They been years in the making
Star of their own show
I can’t ask them to leave
Like me they got nowhere to go

A constant reminder
A memory from afar
Now etched in time
My permanent scars

My Scars

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with Eclectic Collective

Cast of Characters:

 Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix

TexMex Shaman– @texmex-shaman –Stephen–  electric sitar

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel


 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 

  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 

  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New Strings Theory (Eclectic Collective)

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

Released November 1, 2024
scalq.bandcamp.com/album/paz-alegr…ecas-no-inferno

Hl Hmn Extntn

Based on a collaboration of Indii Wild Moon and Nathaniel Ehrnman found here:
 
https://soundcloud.com/nathaniel-ehrnman/blue-september

Blue September

There are many versions and different traditions of the story of the Magi and about their journey. And about their origin. Pictured on the cover is a drawing found in the 'Catalan Atlas,' a map of the world dated to the late 14th century. Pictured here are the three kings. The caption reads: “This province is called Tarshish, from which came the Three Wise Kings, and they came to Bethlehem in Judaea with their gifts and worshipped Jesus Christ, and they are entombed in the city of Cologne two days journey from Bruges.”
But where was the city (or the country) called Tarshish (Tarsis, Tharsis), whose king was already mentioned in Psalm 72?
No one, exactly, knows.

----

I recorded the guitar part in 2018, when bought a Guild (my Washburn had become mute ...), so the track has a lot of noise and imperfections. Then there were several attempts to organize the piece and arrange it. This could be the last one. It came rather long and slow. But long and slow was also that improbable (and hardly true) journey - perhaps one could imagine it by closing the eyes and listening to the music.

----

Composed by Michele Ansani (2018-2024).
Bansuri is courtesy of Aaroh; female vocals of Function Loops.
posted on SoundCloud: 2024, December 31

Traveling from Tarshish to Bethlehem * 🎧

The second track from my Echoes From The Wastelands EP!
And the first track to feature sounds from my new synth, the Arturia Microfreak!

Guitars used:
Gibson Les Paul Studio 
Yamaha Revstar 
Fender Precision Bass 

Novation Launchkey 49 MK3 midi keyboard 

Plugins used:
Tonex - Mesa Boogie Reference Signature Collection
Neural DSP Mesa Boogie MKiiC+ suite
Line 6 Helix Native
Arturia Analog Lab V
Spitfire Audio - BBC Symphony Orchestra 
Spitfire Audio - Labs Cassette Synth
Drums - EZ Drummer 3 - Dark Industrial 

Cover photo generated by A.I. 

Bandits

Cast of characters:

Saskiagoethals-- @saskiagoethals --Saskia — vocals, lyrics, and production
Llanpsych -- @llanpsych -- Tez – guitar, bass, VST melodica, beats, mix, production, and composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- piano, organ, and composition

This song started with Tez coming up with a heavy riddim and monster bass to go with it, over which he laid his clockwork rhythm guitar. He shared it with Josh, who came up with the piano and organ parts. It was pretty much done, but we wated vocals on it, so it languished on the digital shelf for almost half a year. 
  That is until Saskia heard and worked with Tez on a different open collab on his page. He then offered her this one. She downloaded it, added her superb vocals, and sent it back to the other two to review. They were blown away by her creativity and skill as a singer, and are very grateful to her for reviving the project. 
  When it was all laid down, Tez mixed it expertly, as always. Saskia took his mix, sped it up and adjusted her vocals, too. She is a very competent producer, as well.
  Tez and Josh are big dub fans from way back, and this is the latest in a couple year running series of collabs in the genre from the two of them. They are very grateful to Saskia for doing such a wonderful job of completing the song. Look for her in future collabs, both with Tez and Josh, as well as with their band, The Eclectic Collective. We all hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Saskiagoethals: 

I went to the love doctor
to shine his light on my loneliness
he promissed to fill the emptiness
corse
my love is gonne and since then i stayed alone
my bed is empty my feet are cold
and i don’t wanne feel already old
The love doctor said come with me
the night is young and so are we
So he kept his promise
And he warmed me with his kiss
inject me with your love
i don’ want my love back
i don’t want a quick fix i want my love doctor

Love Doctor (with Llanpsych and Saskigoethals)

Cast of Characters:

J.J. Terrell–@j-j-terrell – piano, organ, composition
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Suhr electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass

This song began one creative Saturday evening several weeks ago with JJ coming up with it on his organ, piano, bass, and drums. He wrote it with the Eclectic Collective in mind and immediately shared it with the rest of us.
  Ken was the first to jump on it, adding his strong, Masonesque drums. Josh excitedly dove in once he had a beat to play off of. Then, it was time for the guitarists in the band to show off their skills. Stephen laid down the psychedelic, textural guitar you hear throughout, as well as the thrilling solo in the middle, starting around 1:25 and ending around 1:50. Tez did his best Dave Gilmour impression, adding rest of the fiery lead solo you hear throughout, as well. 
  Once it was in the can, we needed a mix, of course, and Stephen was kind enough to work his magic on the production.
  This is a perfect example of a JJ seed that took bloom with the EC. We all love working on his songs. We hope you enjoy listening to this as much as we enjoyed creating it.

Desert  Moon Flower (Eclectic Collective)

I don't spend time thinking about what I create, no formulas, no recipes, no planning, no genre in mind, I just go wherever the first few notes take me, pretty much improvised; I tend to go with the first idea that pops into my head; judge for yourself how that pans out!

ISN'T IT TIME WE DROPPED OUT AGAIN

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS semi hollow body electric guitar, seed idea
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 organ
TexMex Shaman– @texmex-shaman –Stephen–  Tom Anderson Custom T electric guitar
Llanpsych-- @llanpsych -- Tez – Squier Custom Telecaster electric guitar processed through a Line 6 interface to sound like a synth, mix, and production
Eclectic Collective -- composition
This song started around the New Year holiday, when Josh was playing around with a looper beat on his bass. He came up with the bass line and structure for it before turning it over the the rest of the Eclectic Collective to work with. 
  Ken was first up, giving the beat its due as a real drummer, and making it his own, expertly, as always. JJ was up next with his dynamic, lush organ, propping up the groove and adding sonic flavor throughout. Stephen came through after JJ with his foundatoinal, gritty, groovy guitar. It was sitting there ripe for a melody at this point, so Josh heard and added a melody vaguely inspired by the Simpson's theme and added it with his electric guitar. Tez wrapped the whole thing up with the exciting "synth" part you hear in the middle with his custom Tele, which he processes through a Line 6 interface.
  Once it was in the bag, Tez did the honors of producing and mixing it for us, and he did so exactly as we wanted it.
  This is an example of a song Josh started with a groove and set loose on the rest of the band. It is also a good example of what happens when we're all moving towards the same vision. We hope you enjoy hearing this song as much as we enjoyed creating it.

Sugar Britches (Eclectic Collective)

Clean

Cast of Characters:
Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, drums, lyrics, vocals, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ and piano
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
This song started all the way back in October, when Chris came up with lyrics and a vocal melody to go over his acoustic guitar composition. He also added the drum beat that carries it along, and contrasts Josh's bass part, which he added next. JJ came along shortly after and added his twinkling piano and ambiance thickening organ. 
  We had all these parts down, but for some reason this sat on the shelf for a few months. Finally we decided to dust it off. Chris mixed it for us expertly, as always, and we decided to put a ribbon on it. 
 This is an example of Chris's brilliant songwriting, shared with a couple of other musicians who are mutual admirers of his work. This is also a trio within the Eclectic Collective family, as we sometimes do side projects with different iterations of the group. We all hope you enjoy listening to this as much as we enjoyed creating it.  
  
Original lyrics by cgmaness:

Let the night tuck you under,
When you feel you can't go on.
When you want to be happy,
I will be what you want...
And, it's you that makes me happy.
When I'm down on my bad sign.
Washing out all the tie-dye from the blue sky.

Let The Night (Eclectic Collective)

Remix by @Remnant60 here: https://soundcloud.com/remnant60/weather-the-storm-2

Weather The Storm

Weather The Storm (Feb. 2025)

Lyrics:

You say from yesterday 
It’s all the same
You left before I came
And I had it made
These photographs
 all in frame
I left alone ashamed

Caught it
Fought it
Took off
With me inside it’s heart

Bought it
Fought it
Took off
With me inside it’s heart

We set 
the aftermath all ablaze
And put out all the flames
I’m not afraid
We’re separate
But still the same
Until we walk away

ALONE / ASHAMED (ft. Killmoure)

In a distant quadrant, far, far away... the thrusters burn, engines roar and ship names carve their legacy into the void.

Release date: 21-03-2025 on Legacy of Thought label:

The tracks:
01 Ambient Indigo - Avalon
02 Time Away - Razorback
03 Wane Of Summer - Serenity
04 Tuuligan - Daniel Jackson
05 Progeny - 1 - Venture Star
06 Ambient Light - Home One
07 Colin Stevens - Tet
08 Sonic Bodhi - Nostromo
09 Hellweed - V'Ger
10 Talking to Ghosts - Orion
11 AndAWan - Daedalus
12 Time Away - MCRN Donnager
13 Nick Beman - Discovery One
14 Ancient Astronaut - Liberty Star Cruiser
15 Helsinki Project - Event Horizon

Artwork & Mastering: Chris Held


Spotify

Legacy of Thought - Interstellar Engines: Daniel Jackson

A song for the RPM challenge 2025
(Recorded on iPhone)

Sunrise

In the wash

声: ナースロボ＿タイプＴ
音楽: irukanotane
マスタリング: Gyr0
マッシヴ・サンクス: Gyr0, タチマナユ
(敬称略)

This new set builds upon the foundation laid in my 2022 mix, The Stoned Ape Theory, which explored Terence McKenna’s unique insights into the evolution of human consciousness. McKenna’s perspective challenges conventional narratives, urging us to see the mind’s awakening through a new, psychedelic lens. Now, the journey deepens. In this next chapter, we encounter Tuko, the first to awaken, and follow his transformative path—a story of discovery, enlightenment, and the dawn of a new way of seeing the world.


The sun hung low over the vast, golden grasslands. Tuko, a young hunter of the Red River Tribe, moved silently through the brush, his sharp eyes scanning for movement. The herd of great horned beasts had passed through earlier, leaving behind trampled earth, dung, and the faint scent of musk in the air.

His stomach growled. The last hunt had failed. The elders whispered of hunger, of curses from the spirits.

Then, Tuko saw some strange small golden caps pushing up from a pile of dung. He sniffed them, wrinkling his nose. Food was food. He plucked a handful and chewed. They were bitter but soft, melting on his tongue.

He waited.

Then, the world breathed.

The grass shimmered, shifting like a great ocean of light. The sky pulsed, the clouds curling into shapes he had no words for. The earth beneath him hummed, a deep sound that spoke to something ancient inside his bones.

When he turned, he saw his own hands, but they were not just hands, they were tools, they were claws, they were the roots of trees, shifting, becoming. The spirits of the land whispered to him, not as ghosts but as thoughts in his own mind.

He saw the others—his people—huddled around the fire at night, but in his mind, they were not just eating. They were telling stories, singing, dancing, painting the hunt on stone walls. He understood what could be, what should be.

For the first time, he saw the future.

When he returned to the tribe, his eyes were wild with wonder. He spoke, not in grunts, but in something new, something deeper. At first, they did not understand, but then they listened.

That night, around the fire, the first story was told.

From that moment, the world was irrevocably changed. With a single step, Tuko had set events in motion that would shape the destiny of his kind, an uncharted path toward what future generations would call civilization.

Cover art by: њӓђђӓћ JѳђЭs
https://deepdreamgenerator.com/ddream/ob0ees3u4is

Mixing decks used to perform this set: Pioneer XDJ-XZ.
https://www.pioneerdj.com/en-us/product/all-in-one-system/xdj-xz/black/overview/


Setlist:
1. Relativ & MoRsei - Are We Dreaming 
2. Fungus Funk, Ajja - Sonic Elixir 
3. Bootysattva - Groovy Sattva 
4. Djantrix & Modual  - Not Even Close 
5. Xed & Bandicoot (ARG) - Helter Skelter (PsynOpticz Records & Patronus Records)
6. Creepy Deep - How to Fake a Shadow (Patronus Records)
7. Tristan - Empire of the Sun 
8. Virtual Light & PsyFiction - Pump Up Ze Party 
9. Akatosh & Inverze - Infestation (PsynOpticz Records & Patronus Records)
10. Alienatic & Liftshift - Pineal Gland 
11. Volcano On Mars - Dream in Colors 
12. Wubba Lubba - Hologram 
13. Nukleall, Gigi - Voidwalkers Groove 
14. Fungus Funk - Moon Rock 
15. Purple Shapes & NoFace - Embrace the Random 
16. West Galaxy - Age of Stars 
17. Ingrained Instincts & Nektarios - Southern Triad 
18. Xed - We Have Everything We Need (Patronus Records)
19. Mergel & Spatial Plants - Mist
20. Magik & Iridian (UK) - Imminent Future 
21. Mekkanikka - Psychedelic Jesus
22. Radikal Moodz - Acid Layers 
23. Altered Stasis - Witch People (Patronus Records)
24. Jumpstreet & Pantomiman - Bloody Feet 
25. Technology - Tribal Technology 
26. Hallucinogen - Gamma Goblins (Soundaholix Remix) 
27. Nektarios - Thoughtless Awareness 
28. Hecate - Eudemonia Nymphe 
29. Ninesense - Rewind 
30. Shivatree - Digital Space 
31. Faders - Imagine 
32. Imaginarium - Alien Lighthouse 
33. Daksinamurti - Conductor of Magic

The Stoned Ape Theory - Part 2 | A Mind Altering Evolution | 145-148 BPM

AWPHITRIUS

Artur from Surfers Like Us   https://soundcloud.com/user-411502040 
send me a fine little surf guitar file which i permutated in a mix out of the original...

surfers like us +noxpox - meltdown of the ego

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet the New Bossa (Eclectic Collective)

We Care A Lot

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

New Flamenco Improvisation III (For two guitar)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
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[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Colorless into Colorful

Time For A Revolution -with AnandaTuk

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

'The Long Game'

Cast of characters:

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–piano, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul electric guitar, mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, mandolin, and synth
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistermark-- @user-432503709 -- Mark – VST flute and symphonic VST horns, bells, 'wind' vocalization

This song began on the last day of the cold January of this year, when Ken sat down at his piano and recorded an improvisational jam. This is the first song Eclectic Collective has done where Ken started it with a piano, so we were all very excited to work on it.
  Josh was the first one to add a part, adding his fretless bass guitar, and going back and forth with Ken, while he added the drums to match the groove up right. Josh also added the mandolin after the guitars were laid down, as well as the descending synth blasts you hear throughout. Before all that, though, Stephen recorded the first half of the thrilling guitar you hear in there. After Stephen had his part down, Tez came along and finished the guitar work in the second half. Last, but certainly not least, Mark added the amazing symphonic elements, specifically the horns and flute melody. He also added the cold January wind sound, created using his breath and some tinkling bells.
  Once it was all wrapped up, we asked Stephen to put a bow on it with his expert production, which he came through with, as always.
  As mentioned, this is an extraordinary offering from EC, staring Ken not only on drums, but on the keys, as well. It felt like we were jamming all together in the same room, and hope it comes across that way. We hope you enjoy listening to this as much as we enjoyed creating it.

Check out the original piano track of Ken playing solo, where this song evolved from:
K2-kara – January-epiphany-solo-piano

January  Epiphany (Eclectic Collective)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

The Doors - The End (Eitan Reiter Remix)

Spotify https://open.spotify.com/artist/7zXAupJ1PJWa8ZloXoznuU?si=v8efCWihRVqNnhyeD0oWwg
IG www.instagram.com/kingsdenstudios
YT www.youtube.com/kingsdenstudios
BUY BEAT www.beatstars.com/kingsdenstudios/tracks

Follow link for free DL. Throw a credit to Kingsden if you use! BPM is 172 with it hitting 164 at the chorus.  Always down to collab so chuck me what you got. Message me here or info@kingsdenstudios.com

Free Download

Hip Hop/Boombap/Trap/Alt R&B Beat - (Lift) Prod by Kingsden

A song that stucks in my head for years. Download, share, enjoy!

Simple Minds - Don't You (Forget About Me) (Roman Kaschuba Bared Their Souls Edit)

Something i started almost a year ago when i spend some time in Japan while driving around the beautiful landscape of Chiba district. Looking forward to coming back there and take a long ride on my bicycle.

Chiba

Ólafur Arnalds - Gleypa Okkur (Roman Kaschuba distracted edit)

Radiohead - My Iron Lung (Roman Kaschuba missing pieces Edit)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me