Jazz Fusion instrumental with the collaboration of JC Bordetti on Drums
Thanks to Julie for this magnificent photo of Tanzanie.

After the Rain

After the rain  (feat JC Bordetti on drums)

Friends,

On behalf of my son Jeffrey Husted and myself we present a song called:
93 Million Miles. Jeff is the featured vocalist. He is my all-time favorite rock/pop star; Thank You Jeff! I Love You.

The lyrics were written well over a year ago but several lines in separate verses are resonating with me with greater charge today given the state of our world.

"You could just turn-away and let them have their way
Tell us all the reasons why it's too late
Fall into that rage
A burning star of pain 
and you may believe your crazy
You're not alone, we're all afraid"

"…I know it ain't been easy 
To be that change, to be that peace today"

 "Stand-up; gotta Stand-up
they'll be a sweet sunrise in the morning"
 

The phrase “Close your eyes and see” is reflected in my original lyrics as the final line but not sung in the final mix of the song. You will have to imagine them.

Please subscribe to my YouTube Channel and follow my Artist Profile on Spotify and Facebook just because because!!
David Husted Music Youtube Channel
David Husted Music Spotify Artist Profile
David Husted Music Facebook Page

Thank You Again for giving this song a spin!
May there be a sweet sunrise in the morning 
Close your eyes and see.

I continue to love creating music and I continue to be honored that you share a bit of your time with me.Thank You.

Sincerely
Dave
davidhusted.com

Full Lyrics
93 Million Miles  
David Husted  
Feat. Jeffrey Husted
 

You could just turn-away and let them have their way
Tell us all the reasons why it's too late
Fall into that rage
A burning star of pain 
and you may believe your crazy
You're not alone, we're all afraid

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

Can you take me to that refuge that feel's like a mother's grace
Can you burn away the madness in the light of day
Can you take me too that place?
I know it ain't been easy  
To be that change, to be that peace today  

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

Stand-up; gotta Stand-up
they'll be a sweet sunrise in the morning  
Close your eyes and see

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

93 Million Miles

Der Hunne Vol2

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder (Eclectic Collective with Mahan Mahan)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet the New Bossa (Eclectic Collective)

How was your weekend?
(Added to my album "Röckers". Hey, check it out)
Note: AI artwork. No AI music

Lyrics:
She asked me:
If I untie you from this bed post
Take off those handcuffs
And promise to give back your pants
Do you promise to follow all my nighttime plans?
She said: I'm gonna take you to a party on the West Coast
I know the host
They'll have something there you'll like
Inhalants
Smoking platlets
Models drinking Popov
On a hunger strike

(Chorus)
I'm learning human nature
I'm a skinny man at the feast
I'm under the influence of charismatic people
I'm the tapeworm in the belly of the beast

Yeah, I guess I was feeling alright
I parked a car in a mansion driveway
She said: This couple, they have more money than brains
But they're celebrities
So I can't say any names
She took me to a party on the west coast
She knew the host
They have something there I like
Caviar and Cheetos
We steal a couple of Japanese motorbikes
(Chorus)

We're tripping the lights fantastic
We hit the highway
As our speed kicks in
Techno music blasting
220 BPM
I say: Cue the split screen
And don't hesitate 
Sticky, sticky, sticky, sticky, sticky
Fingers in the collection plate
Because life doesn't have to be perfect
It just has to be great
(chorus)

She said: 
"Life doesn't have to be perfect, it just has to be great!"

A Tapeworm In The Belly Of The Beast

Cast of Chracters:
 Sean Smith /|||||| Orange Paperbacks -- @the-orange-paperbacks — acoustic guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-  four string fretted bass and organ
Llanpsych -- @llanpsych -- Tez – electric guitar
TexMex Shaman–@texmex-shaman –Stephen– electric guitar, mix, mastering, and production

This song began when Sean, who is a superb writer of catchy pop songs, was inspired by the classic surfer movie, The Endless Summer. He wrote it on his acoustic guitar with a mind to sharing it with Eclectic Collective. He first shared it with Ken, who promptly provided driving drums and invited the rest of us to play on it, too. Josh hopped on first, adding his bass and completing the rhythm section.
  About this time, Tez got involved, laying down the Ventures-esque melodic electric guitar you hear throughout. Right after Tez did his thing, Stephen came along soon after and completed the lead part with his fuzzy, adventurous guitar. 
  At this point, it still felt very stringy, so Josh decided to lay down the organ part you hear in there, too. Once it was cooked, we tapped Stephen to do his expert brand of production, mix, and mastering to get it ready to serve. 
  This is the second time Ken and Josh have collaborated with Sean, the first being almost two years ago on a song called Diamond Marigold. When Sean approached Ken with a second song, not only Ken was thrilled, but Josh and the rest of the gang were, too. Sean has a lot of great, catchy, accessible music on his page that is all worth putting in your ears.
  We dedicate this song to Artur of Surfers Like Us. Although he didn't play on this one, he spirit lives inside of all of our music, especially the surfer kind. We hope you enjoy listening to this as much as we enjoyed creating it.

Favorite Pair of Sandals (Eclectic Collective with Sean Smith /|||||| Orange Paperbacks)

A chuga- chuga good time blues song (ZZ Top meets Chuck Berry) about not indulging in vices. Also, race car driving.

Lyrics:
Hey friends, you know I need to give up drinking
It's tearing up my guts
But still, I'm over eating
It leaves me so perplexed
I've got to give up that 
Marijuana
It makes me malleable
Lackadaisical
Like a slow-motion hex
I've got to give up this pornography
Because it's fucking up my sex

(chorus) Oh, you've got to give up a little something
To get yourself a little bit more(2X)

Take that race car around the bend
Put the hammer down
This could be the end?
Or maybe it could be good fortune shining on your door!

I've got to stop spending so much time on the internet
It makes my attention small
I never, ever finish what I start
I've got to give up these perfumed flavored vapes
The smell reminds me
Of the woman who were 
'In love' 
With me
But now they are
'In hate'
I've got to give up the women with dark circles under their eyes
The nighttime lies
That I take
And I paint
In my darkest arts

I've got an extremely high tolerance for risk
It's more than I can take
(yeah)
Tell my friends and family
To book me a heavy metal band
For my wake
I'm gonna say to everybody
Hey, do you see that coming?
That's my Mojo rising
On the horizon
Stop criticizing
I'm just waiting for my big break
(chorus)

Take that race car around the bend
Drop the hammer down
It could be the end?
With self control
You could get the win!
You've got to give up a little something
To get yourself a little bit more...

More! (or) How I learned To Get Ahead

Neli CoKo - After The Storm

Piano Day is celebrated every year on the 88th day as a piano has 88 keys. So this year is not a leap year so it falls on March 29 (2025). Like almost all of my other solo piano songs, this is a sit down and make it up on the spot song. Improv. I wish I had the patience and the attention span to write a song over a 6 month period. I wouldn't even know where to start to be honest with you. But thank you for listening and have a happy Piano Day 2025!!

Piano Day March 29 2025 - Journey's End

this one pretty much wrote itself when i found myself staring at a blank sheet of paper for ages,
tapping my pen annoyingly and waiting for something to happen........a live take with a bit of piano........cheers for having a listen......



           PEN TO PAPER 
 
my pen can write a letter of love
describe to you the stars above
congratulate you on your gain
comfort you when your in pain

console you in your time of need
tell you that you're loved indeed
but if i told you how i feel today
my pen would be cruel

my pen can sign my life away
to own a house i'll never pay
then write it in a thank you note
for the monstrous debt that i now owe

my pen has got me in trouble deep
sometimes so much i cannot sleep
if i were to write about myself
my pen would be cruel

i don't pretend to understand
what's going on upstairs
i just try to keep it to myself
sometimes it's better, to hide it all away
i know to you that that don't make much sense

my pen can tell you how and why
my love for you could never die
write the words with even flow
so you would never have to know

my pen is guarded at the gate
it hides my secrets can't escape
and if they did then you would know
my pen can be so cruel

misanthropy, philanthropy, 
evilness and empathy    
my pen belongs in their mirrored halls
it's inky eye looks through them all

there's nothing it can't see right through
the things you thought that no one knew
now written there right in front of you
the pen can be so cruel

my pen can talk what i can't speak
and go where i don't want to be
from a prison cell to a sunburst sky
turn the truth against a lie

write a wrong into a right
turn a long day into night
the burden can be so heavy
when the pen can be so cruel

Pen To Paper

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me