Hi Earthlings , I'm back to catch a nice wave and I already know that the tube will be perfect on your ocean . And let's go for the take off 🏄‍♂️🎶

¡Qué increíble canción! Me encanta cómo la energía va aumentando a medida que avanza la canción y cómo se fusionan los diferentes sonidos electrónicos. Definitivamente puedo sentir el esfuerzo

Fantastic! I love the narrative structure of this song. Really cool soundscapes and great to hear Josh's sweet vocals. Another great one everyone!

hey Josh, I've been meaning to say for a while, your strings in this really are outstanding. Especially where they kind of kick about 2/3 of the way in with some interesting chord changes, and especially during the outro section. I wasn't sure at first for some reason, but eventually really got hooked on your playing on that part in particular. Yer strings sound almost like a flute and it's one of the parts of this incredible song I focus on the most now. I still think this is an easy candidate for the best EC song to date. Certainly for the lyrics at least. Anyway, just wanted to tell you that!!

@vincenpitch: Oye, amigo, qué amable de tu parte hablar de nuestra canción. Me alegra mucho que te guste la dinámica. Me divertí mucho tocando la canción de Mahan, que ya era genial cuando me la envió. No tengo palabras para agradecerte tu cálida visita y tus amables elogios, amigo.

This is an open invitation for a collab, this track is open for downloads. All producers, mixologist, DJ, and Musician are welcome to test their skills and artistry. The file is submitted "as is", add what you want to complete it, or simply sample parts. If you use it, please link back to this page. Message me here with a link to your production and I will repost... Enjoy fam!
To all producers you have my permission and authorization to use it as your own. I have published this as royalty free. You can monetize or do whatever you want with it. All proceeds are yours to keep. Everyone is welcome to participate.
All I ask is vocal credit, my name is: Ian Greaves aka (IPG1)Peace!
Enjoy Fam!

Ian Greaves

Funky Flow Collab Vox 90 BPM

-> https://andersson-arte.com

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: From the Archives - Entropy A cappella | Inc. Link to Free EP

Chill'nRock

Recorded in Modesto, Ca.  Featuring Alto Saxophone solo, Hammond B3 Electric Organ solo, Vibraphone solo, Trumpet solo. Acoustic Bass. Hammond B3 Electric Organ Rhythm with Bass. Gibson L5 Electric Guitar Rhythm. Acoustic Drums Full kit set. Percussion 22" Zildjian Ride & Crash Cymbals, Brushes.

Cannery Row

Sweetness

at the disco
goin’ all the way
with a speedball
on an empty day

i wonder if i stopped my cryin’
i wonder if i stopped now

crooked halo
all you’ve got today
your dependents
better back away

i wonder if i stopped my cryin’
i wonder who i’d be now

in the moonlight
goin’ all the way
to the river
gonna watch for day

i wonder if i stop my crying’
i wonder what i’d see now

------------------------------------------------------------------------------------------

Thanks to Cheesemont Paisely-Paisely, Jacques DiCroce, Janine Levinson, David Weiss, and Wheelwright for encouragement and the fine tooth comb.

Pity Party

Your are at peace now By Zitou Itou & Frawstakwa

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder (Eclectic Collective with Mahan Mahan)

Neli CoKo - After The Storm

The Liffey Oak

Recording sessions from 19/11/2024 - 22/03/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Relax

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Wonder (Eclectic Collective with Mahan Mahan)

Entheogenic Psychonaught (Josh Clary)

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Anton

Entheogenic Psychonaught (Josh Clary)

mistermark

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