■概要(Overview)
今回は歌ってみた＆アコギを活用してみました。
一年がまた始まりました。
皆様にとって2025年が良い年でありますように！

This time I tried singing and using an acoustic guitar. 
Another year has begun.
I hope 2025 will be a good year for everyone!


■歌詞
「New style of communication」

迷ったりしたとき　背中を押してくれるよ
誰にも言えないこと　ちょっと相談したくなってしまう

何でもいいこの僕を　褒めてくれ　認めてくれよ
魔法のアシスタント

「空飛ぶアザラシ」
(Your lyrics are amazing!)

パソコンの中にいる　僕の友達
これが新しいスタイルの　コミュニケーション

(ah...迷っているなら)
(ah...使っちゃえば)
(ah...一人きりじゃないさ)

(プロンプトにあなたの質問を書いて下さい)
(もしくは何かを描いてと頼んでください)
(願いはかなえられるはずだ)
(ダメならもう一回)
(もしだめなら質問を変えてみれば？)


毎日は選択の　連続で溺れそうだ
たまにはひとの意見　聴いてみてもいいかもね

頑張ってる方向が　間違ってるのか？答えてよ my friend！
合っていると言ってくれ！

「不動明王とお宮」
(Your idea is very unique!)

パソコンの中にいる　心の友よ
学習しながら　高め合う　コミュニケーション

(ah...悩んでいるのなら)
(ah...話しかけてみなよ)
(ah...一人きりじゃないさ)


パソコンの中にいる　僕の友達
これが新しいスタイルの　コミュニケーション

一人で悩むことをやめて
新しいスタイル試して
膨大なデータの力借りて
君だけのアンサー探そうぜ


■Lyrics(Google Translate)
"New style of communication"
When I'm lost, it always pushes me forward. 
I want to consult it about things I can't tell anyone.
Anything is fine, just praise me. And acknowledge me.
Magical assistant

"Flying Seal"
(Your lyrics are amazing!)

My friend inside my computer
This is a new style of communication

(ah...If you're lost)
(ah...Just use it)
(ah...You're not alone)

(Write your question in the prompt)
(Or ask it to draw something)
(Your wish should come true)
(If not, try again)
(If not, why not change the question?)

Every day is a series of choices that seem to drown me
It might be good to listen to other people's opinions once in a while
Am I working hard in the wrong direction? Answer me, my friend!
Tell me it's right!

"Acala and Omiya"
(Your idea is very unique!)

My friend inside my computer
Communication that improves as we learn

(ah...If you're worried)
(ah...Try talking to it)
(ah...You're not alone)

My friend inside my computer
This is a new style of communication

Stop worrying alone
Try a new style
With the help of a huge amount of data
Let's find your own answer

New style of communication

Le ballon rouge  🎈 (Version instrumentale).

une petite valse... so frenchy 😁

Écouter Le ballon rouge (version finale)
https://on.soundcloud.com/u2WXDLxERf9GG8CaWu

Le ballon rouge (instrumental version)

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder (Eclectic Collective with Mahan Mahan)

If there was only one thing we could do? Electronic music with guitar and vocals. Art work : some of my photography

One Thing

Cast of Chracters:
 Sean Smith /|||||| Orange Paperbacks -- @the-orange-paperbacks — acoustic guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-  four string fretted bass and organ
Llanpsych -- @llanpsych -- Tez – electric guitar
TexMex Shaman–@texmex-shaman –Stephen– electric guitar, mix, mastering, and production

This song began when Sean, who is a superb writer of catchy pop songs, was inspired by the classic surfer movie, The Endless Summer. He wrote it on his acoustic guitar with a mind to sharing it with Eclectic Collective. He first shared it with Ken, who promptly provided driving drums and invited the rest of us to play on it, too. Josh hopped on first, adding his bass and completing the rhythm section.
  About this time, Tez got involved, laying down the Ventures-esque melodic electric guitar you hear throughout. Right after Tez did his thing, Stephen came along soon after and completed the lead part with his fuzzy, adventurous guitar. 
  At this point, it still felt very stringy, so Josh decided to lay down the organ part you hear in there, too. Once it was cooked, we tapped Stephen to do his expert brand of production, mix, and mastering to get it ready to serve. 
  This is the second time Ken and Josh have collaborated with Sean, the first being almost two years ago on a song called Diamond Marigold. When Sean approached Ken with a second song, not only Ken was thrilled, but Josh and the rest of the gang were, too. Sean has a lot of great, catchy, accessible music on his page that is all worth putting in your ears.
  We dedicate this song to Artur of Surfers Like Us. Although he didn't play on this one, he spirit lives inside of all of our music, especially the surfer kind. We hope you enjoy listening to this as much as we enjoyed creating it.

Favorite Pair of Sandals (Eclectic Collective with Sean Smith /|||||| Orange Paperbacks)

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

37°

Baby Girl (Remix 2025)

Dear Friends, this is a fairytale about my wonderful little Grandson.
Ok. I am not telling the exact truth. He is just 1 1/2 years old! He is constantly talking, but noone can understand what he says!!

Lyrics in English

A Visit to The Stream

Yesterday when we were walking with our little Grand son
we walked to the little stream that is near his home
it’s a reminder of how we must behave
it’s all the beauty that we saw when the steaming water had catched our souls

We discussed a lot of things that is important these days
the boy is nearly two years old but he is so bright
and he could listen to all problems the world has
and he could give me a suggestion how to solve all the problems in the world

We discussed the administration of Trump’s U S A
it seems to be a mess and the world doesn’t know
what new descitions this man has found out
and how to turn the boss in Russia to a warm and kind gentleman

It was amazing to see when the boy walked behind
his Grandmother like a duckling over logs and stones
and every time when he fell to the ground
he just laughed and he shouted with joy over this little mishap


Kära vänner, detta är en saga om mitt underbara lilla barnbarn 
Texter på Svenska

Ett besök vid bäcken

Igår när jag promenerade med min lilla barnbarn
gick vi till den lilla bäcken som är nära hans hem
det är en påminnelse om hur vi måste bete oss
det är allt det vackra vi såg när det strömmande vattnet hade fångat våra själar

Vi diskuterade många saker som är viktiga nuförtiden
pojken är nästan två år gammal men han är så klok
och han kunde lyssna på alla problem som världen har
och han kunde ge mig ett förslag på hur man löser alla problem i världen

Vi diskuterade administrationen i Trumps U S A
det verkar vara en enda röra och världen vet inte
vilka nya beslut den här mannen har hittat på
och hur man gör chefen i Ryssland till en varm och snäll gentleman

Det var fantastiskt att se när pojken gick bakom
hans mormor som en ankunge över stock och sten
och varje gång när han föll till marken 
skrattade han bara och han skrek av glädje över detta lilla missöde

A Visit to The Stream (Lyrics in description) - 2025-04-13 12.50

Art and Miles
By David Husted

Vs
How much more now is enough
the body turning home
passions and the red, red dust
You and wonder roam

Far more grace than we can see
often so deceived
To give, to give to give away
And find where tender lays

Miles 
It's miles and miles away
Smile
We're gonna find another way

Ch
We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

Pre Vs
{instr}

Vs
Miles 
It's miles and miles away
Smile
We're gonna find another way

Miles 
It's miles and miles away
Smile
We're gonna find another way

Outro
How much more now is enough
the body turning home
passions and the red, red dust
You and wonder roam

Art and Miles

Cast of Characters:
Steve's Planet -- @steve-vervaet — Steve -- acoustic guitar, vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistrermark -- @user-432503709 — Mark — organ 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string fretless Warwick bass and Roland electric piano and organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
  
This song began with Steve, who wrote it on his guitar and sang it, before sharing it with Eclectic Collective about half a year ago, back in the fall. Always grateful to Steve for sharing his amazing music with us, we kept it alive even though it had stalled out on us for whatever reason. 
  We had a decent skeleton from our original go at it, but decided to scrap it, and start fresh. Ken, being the one who actually revived it, added his solid drums first, providing for a groovy foundation. Tez came next, surprisingly, adding his hooky guitar fills throughout. Mark hopped on shortly after, adding the organ you hear coming in around the 2:00 mark. Josh took his turn after that, even though it was only a couple of days between, by adding his fretless bass to complete the rhythm section. He also, in the same recording session, added the electric piano you hear throughout, as well as the organ in the first half. 
  Once it was in the can, we asked Stephen to mix it for us, in his always professional manner. 
  We all love working on Steve's songs, and admire him as a musician, singer, and songwriter. This makes almost a half dozen songs on which the EC has collaborated with Steve, and we're sure to add many more. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Steve's Planet

Please Come Home (Eclectic Collective with Steve's Planet)

Wheels spinning on the blacktop road
Ashes fall where the memories explode
Every mile a ghost
Every sign a lie
Burn the map no direction to try...

Let's Go And Say Goodbye

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me